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Back to Gaya (2004)

Back to Gaya (2004)

GENRESAnimation,Fantasy
LANGGerman
ACTOR
Patrick StewartEmily WatsonGlenn WrageAlan Marriott
DIRECTOR
Lenard Fritz Krawinkel,Holger Tappe

SYNOPSICS

Back to Gaya (2004) is a German movie. Lenard Fritz Krawinkel,Holger Tappe has directed this movie. Patrick Stewart,Emily Watson,Glenn Wrage,Alan Marriott are the starring of this movie. It was released in 2004. Back to Gaya (2004) is considered one of the best Animation,Fantasy movie in India and around the world.

The beautiful world of Gaya is home to a community of creatures, who are much smaller than humans, but who have an uncanny resemblance to them. But the Gayans are facing imminent danger. Someone has stolen the magic stone called Dalamite without which this world is doomed. Two Gayans named Boo and Zino embark on a dangerous mission to track down and recover the stone. As they attempt to find the stone, their journey takes them into another world that is strange and frightening.

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Back to Gaya (2004) Reviews

  • decent, but far from great

    onwa2004-04-26

    Well, I went to see this movie at a 10 a.m. showing before it got canned, and I was the only one in the cinema. So much for the trouble I went through in order to see this flick. Well turns that the 5 stars it received are justified. It's a movie that isn't really bad, but makes you cringe when you think what could have been considering ist potential. The Visuals are very good at times and not so good at others. The main technical problem of this movie is the rather unrefined degree of animation (crappy would be to harsh a description to use) which is displayed during the characters movement and them talking (lip sync, facial animation/expression, eye movement, etc..). The character's movements are either motion captured and therefore very smooth or handanimated. This mixture can work quite well, but it only works when you do a good job animating and blending these two styles in with each other so that nobody notices. Walking and other (relatively) easily capturable movements are done well, yet when it comes to complicated action scenes, with characters being thrown through air, holding on to the hood of a car the animation is poor and wooden. There is no persistent, "believeable" movement going on. In Toy Story for example characters did'nt necessarily move according to reality but they behaved in a unique and in the toy setting consistent as well as beleivable manner. Some polishing would have been necessary yet it didn't happen. The next problem are facial expressions weren't anything spectacular either. They were acceptable, which unfortunately isn't enough for an animated flick whose main medium to convey the protagonists emotion is facial expression and therefore fails. On the other hand there weren't that many emotional scenes. Actually I can think of only one: the one where one guy tells the other and vice versa what they believe sucks about their friendship. that's it - no death, no loss, nothing to choke you up or get you involved. The worst of the technical flaws, though is the downright bad or rather the lack of lip sync. I read some comments here on IMDB before I went to watch this film and therefore my attention was raised on this matter, maybe it biased my perception - but only for the first minutes. After that I was convinced that the head animator must have been blind. In a german movie I expect the german voice overs to be lip synced correctly. I mean you can even have a programm interpreting speech as lip movements and they do a decent job(Deus Ex 1 & 2 for example), but this was so totally off that it must have been on purpose. As it turns out well 15 minutes into the movie or so, one of the main protagonists says something in english and is perfectly in lip sync. From then on its clear that the facial animation was entirely done for english. You then could even read from the lips what they said. Well that's an answer but no excuse, as others already stated, Shrek for example has the "handicap" but does an excellent job. Though some of the voice actors aren't first rate, which leads to some poor voice acting at times (the princess for example). This is really unforgivable and really degrades the exprience. By the way, was I the only one who thought that "Buu" was cross-eyed? The story wasn't that great either. Not only was it uninteresting and predicatable but it just wasn't convincing at all. I mean the villains motivation was right out hilarious. Poor character development alongside with a strange pacing of events managed to keep you from getting drawn in. In Pixar movies the stories are always well thought of, structured in a logical, interesting way and you kinda know what they're trying to get at. Also the story is interesting enough to keep you going even if the visuals would suck. Here we have few to no jokes which aren't even funny and worse, no themes like love, fear or friendship are explored beyond a superficial level. Not that I'm expecting a great depth in a children's movie, yet some, at least convincing, plausible depth would is something I expect and certainly most children see it the same way. So this movie that has a medicore story some more or less severe animational issues, nevertheless it did enjoy it,and so will the audience for which it is intended. But if you are expecting something like Monster, Inc. keep looking for Shrek 2 or wait till this hits the shelf at your local video store. The only sad part to this movie is that all the dedication as well as hardwork the creators put in it show a potential which can be seen in glimpses throughout the movie is destroyed by the shortcomings of this movie. With a better script , better dialogue and more time to fine tune the animation as well as a fixed lip sync this movie could have been real good. Hopefully, the next time, the team who put this together will overcome these flaws mentioned above and once they accomplish this we're in for a real treat!

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  • a few strengths and achievements, too

    hobold2004-03-27

    The movie does have significant weaknesses, as the other comments point out, but there are a few strengths worthy of note. I was positively impressed by the global level of detail of scene backgrounds. Where in other CGI movies you get to see, say, a row of buildings with carefully modelled details near the camera, then a lot of empty space behind those, and finally a matte painting of the 'horizon', Back to Gaya shows you whole blocks of buildings, with the next streets showing through the gaps, all in credibly full detail, but without any obvious repetition of similar structures. To me these shots had a sense of realism that I had not seen before in CGI movies. Along the same vein, when there are open air views, the distant landscape is never a simple background painting, but a detailed model. As far as I can tell, even the clouds in the sky were actual 3D entities instead of the usual flat background painting. This gives the camera a lot more freedom to move large distances and freely look around the scenery. The filmmakers probably overused this freedom somewhat, though, making some scenes hard to follow. The outstanding level of detail extends to things like vegetation interacting with buildings, like plants growing inbetween and around fenceposts, for example. What I also liked was the general worn and aged look of things, a refreshing change from the polished featureless surfaces that are all too common on CGI movies' background objects. The character animation in comparison is two classes below that, as the other comments mention. One thing I like about the characters, though, is the courage of the designers to go for the outright bizarre with the 'human' roles. It was interesting to see character design exploring a different direction than the usual either hyperrealistic or more classical comic style. So, despite its weaknesses, Back to Gaya actually manages to advance the state of the CGI art on a few fronts. I do hope that it will be commercially successful enough that the makers get another chance to apply their talents to a better story.

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  • Not bad..

    anxietyresister2004-10-22

    Back To Gaya, otherwise known as Boo, Zino and The Snurks, is a perfectly respectable effort at producing a computer animated movie outside the confines of Hollywood. I saw this the day after I watched Shark Tale, and found this to have far more sympathetic characters and.. dare I say it.. better animation? There is so much detail on in each scene, like paper blowing down the street or moths buzzing around a lantern, it puts previous effort's static backgrounds to shame. This is even more amazing when you consider this was probably was made on a tenth of the budget as it's aforementioned Dreamworks brother. Sadly, the script lacks humour and memorable lines.. unless you think quotes like "This place is so scary it would give a ghost goose-pimples" are ones for the ages. There is a lot of action, and a few tense moments that will have the sprogs biting their nails, but there were also some parts which went on for too long, and others which could have been cut altogether. This is what separates Pixar from the pretenders.. when they do a motion picture, they make sure the quality of the screenplay is just as good as the technology, something the producers of Back To Gaya seem to have forgot. Still, there is a refreshing lack of sentimentality usually associated with this genre, and Patrick Stewart and Emily Watson do well as the only recognisable voiceovers in the English dub. Overall, this probably not worth paying to watch in the cinema (A sentiment a lot of people agree with me on apparently.. It's flopping in the UK) but it is well worth a rental, particularly if your kids have worn out everything else you have on tape. A sound-as-a-pound 6 outta 10 from me..

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  • Beautiful CG, BUT worse than a Saturday Morning Cartoon Story

    sempergumby2005-11-15

    The Computer Graphic in this movie were sometimes sooo good that I kept trying to figure out how such quality effects were used in a movie with such terribly poor pacing, story, and plot. The quality of the scenes was often on par with Shrek or even Monsters Inc. I would watch a scene thinking this could be a professional studio doing this film (that I never heard of in mainstream media), then I would see the characters do a scene that would no longer pass as adequate in a Saturday Morning Special. Maybe it was the difficulty of working with CGI characters. Its possible that because the film was made in German and then English audio was dubbed that caused the audio track to be off throughout the film. I never realized how spoiled we've become with films like Toy Story, Shrek, Nemo, Antz, and so on. This film had several sweeping scenes that I thought could have been right out of any of those films, but then cut to action that could not have been in a storyboard for one of those films. Beautiful scenes, but lacks the wittiness and pacing that would allow an adult to enjoy this movie.

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  • technically convincing movie with a lack of timing

    AlexMLehmann2004-03-20

    Well, today I've finally watched "Back To Gaya" which I was eagerly waiting for. My anticipation was damped because of the bad trailer which had a bad synchronisation and did not help to make one curious about the movie. Fortunately the movie was much better than what I had expected. Actually it is quite good but it has three major timing problems: 1. technically: the animation is not very good (not a single run cycle seems correct in this movie) 2. the pace: the movie seems to last longer than it is because of bad pacing 3. the jokes: first of all there are too few and second they have a bad timing. Either you know the joke seconds before it is spoken or you miss it because you don't have time to laugh about it On the other hand BTG is technically very well done (except the animation) has tons of places and objects, is beautiful colored and has a nice music. Everyone that likes CG-movies should see it, it's worth the money... all the other should give Brother Bear a chance - since it is much better than most people think =) Well, give it a try - both of them.

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