SYNOPSICS
The U.S. vs. John Lennon (2006) is a English movie. David Leaf,John Scheinfeld has directed this movie. John Lennon,Yoko Ono,Stew Albert,Tariq Ali are the starring of this movie. It was released in 2006. The U.S. vs. John Lennon (2006) is considered one of the best Documentary,Biography,Music,Romance movie in India and around the world.
After background about the childhood and youth of John Lennon (1940-1980) and the birth of Vietnam-War protests, the film plunges into Lennon's quest for world peace: compositions such as "Give Peace a Chance", the lie-in following his marriage to Yoko Ono, appearances at concerts, "War Is Over" posters, and plans for a series of concerts in 1972 in U.S. presidential primary states reach newly-enfranchised young voters. This plan for concerts, in particular, led a prominent Senator, the FBI's J. Edgar Hoover, and Nixon's White House to initiate a concerted and illegal effort to deport Lennon. Thirty talking heads, led by Yoko, comment on Lennon and these events.
The U.S. vs. John Lennon (2006) Trailers
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The U.S. vs. John Lennon (2006) Reviews
A beautiful film about a beautiful man
I hope everyone sees this film, as it is a window into the life of an extraordinary person, who really did influence a generation with his music and his courage. But, I especially hope that the generations that came after John Lennon left us, so unexpectedly, have a chance to see this thoughtful and fitting tribute to the gentle artist who turned the hurt he experienced as a child into an international revolution with a spirit so open and willing to risk everything he had to teach the world that all we really need is love. This film explains to all of us, who were too young to understand what was going on, at the time, how John Lennon was persecuted by the U.S. government for simply expressing his opinion about the war in Viet Nam. How he was investigated, tapped, and followed, then threatened with deportation, in an effort to derail a tour that might have had a significant influence on the outcome of the 1972 presidential election, in which Richard Nixon was re-elected. The scenes of teenagers burning their Beatles records in protest of his quip that the Beatles had become more popular than Jesus, are eerily parallel with the Dixie Chicks fans who did the same thing. Excerpts from Nixon's speeches about the war are almost word-for-word the same rhetoric we get from Bush. This film is important, and moving, and includes some of the best music I know I'll ever hear in this lifetime. Go see it and get inspired.
A John Lennon Retrospective -- He Gave Peace a Chance
One of the younger reviewers commented: "I couldn't help but compare the era and social climate around this movie to what we are experiencing today. I am disturbed and disappointed. Why is it that it seemed as if there were loads more people being active in what they believed back in those days. I understand that it was a different time, and many in the world were just learning to use their voices... Perhaps we feel that we just don't know enough about a subject to get behind it and speak out? ... Perhaps large protests are just being overlooked because we as viewers or the media is over it... I am just wondering why I haven't done more. Why does it seem as if people today (not just my "generation" or my "community") are fearful or apathetic towards fighting for what they think is right? I don't want to preach or be dramatic here - I'm not telling you to view things my/their/our/its/his/her way. I'm just saying, I can't imagine that we've gone through life without seeing some sort of injustice - there has to be something you've seen that you think is wrong... why not say something about it? Is being charitable enough anymore? Awareness is key. Why is there this silence amongst us?" Perhaps I'm being too simplistic, but I've often thought as a survivor of the Viet-Nam era, that the main reason we haven't seen protests of the magnitude depicted in The US vs John Lennon in recent times is simply the absence of the draft. Plenty of people again object to the war situation, but without the threat of involuntary servitude there simply is no critical mass. The fear of self, friends, and family being rounded up and shot proved great motivation to get people out in the streets back then. The censorship of the media imposed since Viet-Nam (embedded journalists, qv) has also helped still the voices. So at the very least, this film has helped present an historical perspective all but absent in the present day. Viet-Nam so divided the country that the divisions remain today. Yet that war is curiously neglected in our educational curricula. Beyond that is revealed a portrait of John Lennon, artist and young man. Lennon, the single one of the Four who strove at great personal cost to better the world with far more than silly love songs is revealed here in a montage of film and stills that conveys far more than the press of the time was able or wiling to. The film opens with footage from his 1971 appearance at the John Sinclair Freedom Rally at Crisler Area in Ann Arbor, Michigan. As a former UM Ann Arbor Student I particularly appreciate how the producers of the film illustrate the pivotal nature of that event. At the time the event seemed like a big deal locally, but one that was lost amongst the din of social commotion. As close as I was geographically, I didn't realize then just how influential Lennon's (or Sinclair's) involvement was in the successful movement to end the war. I suggest that any student (young or older) of how that peace movement progressed back then should see this film. Serious students should see it more than once. In addition to the collection of seldom seen film footage, there is a very fine sound track. See the film on the big screen if you can. I'll put my order in for the DVD as soon as it can be had, but the big screen, hi-fi version rocks.
How I Miss John Lennon!
For those who are too young to remember the real John Winston Ono Lennon -- this film is a good introduction to why he mattered so, why so many people were (and are) devoted to him as an artist and a man, why he was truly the most original voice of his generation. The film is not perfect -- but in its defense, it covers an extraordinary amount of material and does it well. Lennon lived 100 lifetimes between 1969 and 1975. This film concentrates on the biggest conflict he faced at that time: his struggles to remain in the US, and the right-wing paranoia (exemplified by FBI director J Edgar Hoover and Nixon's hatchet man, John Ehrlichman.) Lennon's sincerity, his naiveté, his charisma shine throughout. Yoko has been attacked (so what else is new) for being such a strong presence in the film but she was right there beside him. They lived it all together. And she does not use her camera time to diminish him in any way. Strong recommendation -- primarily because we have to remind ourselves that there are times to speak up and times to act. John Lennon: we miss you so.
Just a Simple Summary to those of us who were already paying attention
For those of us who followed Lennon and the Beatles through those tumultuous years, this was a simple summary that really didn't break any ground or uncover any new information. The filmmakers were more excited to find a few pieces of lost or mislabeled footage, such as Lennon being given his green card, than to enlighten those of us who were along for the ride all along. But it was good to hear from John again, even to say "flower power didn't work, so what? You do something else." No coverage was given John's activism or lack thereof during his infamous "lost weekend." Yoko's constant presence saw to that. But I would love for my son and his generation to see it. Much of what is going on today has gone unchallenged, and the return of the J. Edgar Hooverization of America has been obvious to those of us who were awake back then.
Beatles Anthology Continued. Very Kind To Yoko.
The court case of The United States vs. John Lennon was an attempt by the United States to deport an undesirable immigrant who at one time plead guilty to the possession of marijuana. That's the underlining narrative of this film: How John Lennon won his Green Card. (In reality - Nixon was paranoid that peace-loving Lennon could sway the youth vote in the 1972 election - hence the U.S. government tried to kick him out of the country.) Filmmakers Leaf and Scheinfeld said they tried selling this idea as a film for years - starting in the 1990's. It wasn't until 2004 (that is, post 9/11, post invasion of Iraq) that a studio green-lit this project. The documentary is crafted intentionally to draw parallels between Vietnam and our current situation in Iraq. However, they never come right out and say it (except once - Gore Vidal slips Bush's name in - during an interview he made for this film.) The 'U.S. vs JOHN LENNON' transports us back to the era of the Vietnam War, using tons of rarely-seen footage. Thanks to Yoko Ono, Leaf and Scheinfeld had unlimited access to the Lennon archives. Master tapes of his songs were used (sometimes with the vocals removed) allowing Lennon to create the entire music soundtrack. We even hear home recordings of John speaking to his baby Sean (who we hear coo-ing into the microphone). The Black Panthers, activist Abbie Hoffman, Angela Davis... many of the movers and shakers of the peace movement are covered in this film. Also included is a tapestry of Walter Cronkite news bulletins, Nixon speeches, and war footage. G. Gordon Liddy's interview represents the corrupt viewpoint of the Nixon administration: "I saw all these peace marchers carrying candles. I grabbed one of the guys' hands - used his candle to light my cigar, and said 'Well, at least you're good for something.'" Yoko Ono comes across as a very nice person in this film (not her normal demonized stereotype character.) After watching this movie, I now have a profound respect, not only for post-Beatle John Lennon, but, for Yoko Ono as well. This movie will undoubtedly revise a lot of people's opinion about her. Unfortunately, there's the obligatory assassination mention at the end. Leaf and Scheinfeld handle it nicely, and deal with it in under five minutes, but it really seems tacked on. Yes, we all know Lennon was shot, but only a conspiracy theorist would believe it was related to his peacenik activities (which, THANKFULLY, the film does not suggest.)