SYNOPSICS
The Gingerbread Man (1998) is a English movie. Robert Altman has directed this movie. Kenneth Branagh,Embeth Davidtz,Robert Downey Jr.,Daryl Hannah are the starring of this movie. It was released in 1998. The Gingerbread Man (1998) is considered one of the best Crime,Mystery,Thriller movie in India and around the world.
Lawyer Rick Magruder has a one-night-stand affair with caterer Mallory Doss. He becomes hooked on her, and when he learns her nut-case father Dixon is threatening her, he puts the weight of his law firm behind Mallory, has Dixon arrested and subpoenas her ex-husband Pete to testify against Dixon in court. Dixon is sent to an asylum, but escapes from there and the lives of many people are in danger.
Same Actors
The Gingerbread Man (1998) Reviews
Waterlogged
******SPOILERS****** Film Noir type movie set in Savannah Georgia that tries hard to stay afloat but it's waterlogged plot sinks it in the last fifteen minutes. "The Gingerbread Man" is not at all a boring or bad movie it really holds your attention and you want it to deliver the goods via a surprise and film noir like ending. The movie like "Hurricane Geraldo" that lashes the Georgian coast during the entire film instead just sinks under it's wind swept waves. "Gingerbread Man" has all the right ingredients for a film noir classic. It's directed by legendary director Robert Altman but it's story gets so muddled and confused that by the end instead of packing a wallop it just fizzles out like a balloon with a hole in it. The chance meeting and later relationship between Rick Magruder, Kenneth Branagh, and Mallory Doss, Embeth Davidtz, at the start of the film is incredibly unconvincing and contrived that you can easily sense that Rick is being set up to be used for some unknown purpose. You can see Mallory constantly staring and trying to get close to Rick at the party before they meet outside in the rain. Mollary's crazy and religious father Dixon Doss, Robert Duvall, who is being manipulated to be the villain in the film also doesn't seem at all that convincing of a being a heavy. If anything Dixon seems to be more normal then most of the people in the movie, like he so perfectly made clear to the court at his sanity hearing. And it doesn't surprise anyone that he like Rick is being set up for some reason known only by the villain or villains in the film. Kenneth Branagh is very good as the person who's being used to unwittingly do the dirty work to clear the way for a 10-15 million dollar grab of fifteen acres of valuable black walnut trees. So is Robert Duvall as the person who they belong to and are the main reason for the crimes being committed in the film. Besides the top stars in the movie there are also very good performances by Tom Berenger, Pete Randel, as Mallory's ex-husband and Famke Janssen, Leeanne, as Rick's ex-wife as well as Daryl Hannah, Louis Harlan, as Rick's law partner. Robert Downey Jr.,Clyde Pell, sparkles is a small but important role as the detective that works for Rick's law office. Still the illogical and contrived ending in the movie as well as some of the sub-plots that lead to it wastes their efforts and spoils what could have been a very good crime/mystery film.
Appalling waste of talent in dim flick
It takes real talent to make a real lemon, and Robert Altman, a most talented director, has succeeded brilliantly here. He made things difficult for himself miscasting Kenneth Branagh as a boozy Savannah lawyer but the attempt to replicate the feel of a town in the grip of a hurricane really finishes things off. The last 20 minutes in the rain is truly appalling, with the audience reduced to guessing about what is going on. The lighting is awful throughout, the more so that it was done on purpose. Maybe we were supposed to experience the confusion of the lead character as he stumbled towards an answer but this does not make for entertainment. In this film noir genre to achieve tension at crucial moments the audience must know just a little more than the protagonist, not a lot less. The story, though completely derivative, is actually quite tight, well plotted, and has a convincing resolution, but the lack of light and general confusion make it difficult to follow. Anyway, an absolute shocker, gross waste of talent and apparently a box office flop (there's some justice). Altman has since put this turkey behind him with the luminous Gosford Park but I am left wondering why on earth he did it.
A well-made, very underrated film
With this movie, it's all about style, atmosphere, and acting. True, I didn't believe all of the plot developments, but it didn't matter- the terrific acting, the unexpected plot twists, and the wonderful atmosphere sucked me right in, and carried me along for the ride, and I had a great time. Kenneth Branagh is not only a great actor but a master of accents, and he proves it once again with a flawless Georgia accent. He's surrounded by so much talent in supporting roles (Robert Downey, Jr., Embeth Davidtz from Schindler's List and Fallen, Tom Berenger, Daryl Hannah, and Robert Duvall) that I was simply blown away. I recently bought a copy of this movie, and I never tire of watching it. Simply one of the best thrillers of the year. If you've ignored this movie (and chances are you have), then I suggest you check it out.
Good dark suspense
I don't understand the low 5.7 rating on this film. It's a delight for people who like a strong suspense plot and dark atmospherics. The tone is reminiscent of Midnight in the Garden of Good and Evil, down to the locale (Savannah). The acting is strong, and I was amazed at the verisimilitude of Kenneth Branagh's southern accent. Famke Jansen is great, Robert Duval is effective in a small part, and Embeth Davitz is the BOMB. Great full nude scene of her,too. The plot is fairly standard but effectively executed.
Altman's strong suit usually isn't plot, and this shows why
Robert Altman shouldn't make a movie like this, but the fact that he did- and that it turns out to be a reasonably good and tightly-wound thriller in that paperback-tradition of Grisham thrillers- shows a versatility that is commendable. In the Gingerbread Man he actually has to work with something that, unfortunately, he isn't always very successful at, or at least it's not the first thing on his checklist as director: plot. There's one of those big, juicy almost pot-boiler plots where a sleazy lawyer gets caught up with a desperate low-class woman and then a nefarious figure whom the woman is related with enters their lives in the most staggering ways, twists and plot ensues, yada yada. And it's surprising that Altman would really want to take on one of these "I saw that coming from back there!" endings, or just a such a semi-conventional thriller. But it's a surprise that pays off because, oddly enough, Altman is able to catch some of that very fine behavior, or rather is able to unintentionally coax it out of a very well-cast ensemble, of a small-town Georgian environment. The film drips with atmosphere (if not total superlative craftsmanship, sometimes it's good and sometimes just decent for Altman), as Savannah is possibly going to be hit by a big hurricane and the swamp and marshes and rain keep things soaked and muggy and humid. So the atmosphere is really potent, but so are performances from (sometimes) hysterical Kenneth Branaugh, Embeth Davitz as the 'woman' who lawyer Branaugh gets caught up with, and Robert Downey Jr (when is he *not* good?) as the private detective in Branaugh's employ. Did I neglect Robert Duvall, who in just five minutes of screen time makes such an indelible impression to hang the bad-vibes of the picture on? As said, some of the plot is a little weak, or just kind of standard (lawyer is divorced, bitter custody battle looms, innocent and goofy kids), but at the same time I think Altman saw something captivating in the material, something darker than some of the other Grisham works that has this standing out somehow. If it's not entirely masterful, it still works on its limited terms as a what-will-happen-next mystery-Southern-noir.