SYNOPSICS
The Deep End of the Ocean (1999) is a English movie. Ulu Grosbard has directed this movie. Michelle Pfeiffer,Treat Williams,Whoopi Goldberg,Jonathan Jackson are the starring of this movie. It was released in 1999. The Deep End of the Ocean (1999) is considered one of the best Drama movie in India and around the world.
The Deep End of The Ocean is a film about a family's reaction when Ben, the youngest son is kidnapped and then found ten years later, living in the same town.
Same Actors
The Deep End of the Ocean (1999) Reviews
Michelle Pfeiffer looks great and plays her role with passion
Here we have a story that starts slowly but develops into a tense emotional drama. Michelle Pfeiffer is not only nice to look at but she plays the role of a frantic mother in search of her abducted 3-year old with great passion and at times hysteria. Whoopi Goldberg who plays the part of top policewoman in charge of investigation gives a moving sympathetic performance. What I greatly admire in this actor is the clear enunciation of her speech. I missed not a word delivered with clarity and depth of meaning. The film explores the feelings of children and parents caught up in the problems associated with child adoptions. Where does this baby belong: with his biological mother or his adopted father? It's an interesting film because the problem is real and with us to-day. The ending may surprise you.
Satisfying, intense emotional drama
Ulu Grosbard has directed this fine adult drama adapted from the best-selling novel by Jacquelyn Mitchard. Michelle Pfeiffer and Treat Williams portray Beth and Pat Cappadora, parents of three youngsters. On a trip to her high school reunion, Beth loses her three year old son in a busy hotel lobby. The boy is absent from the family for nine years, after which he is surprisingly returned to his birth family. This is just the bare bones of the plot. However, it is the touching performances of all of the principals which transcend the television movie-of-the-week sound of the plot. Michelle Pfeiffer adds another moving performance to her gallery of roles. If the film had been released in the fall of 1998, as was originally planned, she might have had an Academy Award nomination. Treat Williams' role is less defined, but it is alway a pleasure to watch this under-used and under-rated actor. However, it is Jonathan Jackson and Ryan Merriman as the oldest son and the lost boy who make this such an emotionally satisfying drama. Whoopi Goldberg adds some needed humor to the serious proceedings as the detective assigned to the case. Stephen Schiff, writer for the New Yorker, has done a lean adaptation of the novel. Grosbard has unpretentiously directed this fine cast. "The Deep End of the Ocean" is one of the best contemporary dramas to come along in quite a while.
Pfeiffer's best performance since 'Dangerous Liaisons'
At last a good movie for Pfeiffer. Great performance. If you're a fan of Pfeiffer-and not only-it's well worth this. The stories with illegal adoptions make some people feel uncomfortable. However, this is a movie with great actors. Goldberg as Candy Bliss is great and Jonathan Jackson as Vincent (16 years old) is a very talented young actor. Generally the movie has 2-3 very POWERFUL scenes, go and see it!
The Deep End of the Ocean: 8/10
"Kids don't just vanish up in smoke, kids don't just get lost, PEOPLE LOSE THEM!" Pat Cappadora (Treat Williams) yells in an argument to his wife Beth (Michelle Pfeiffer) about their three-year-old Ben being kidnapped while at Beth's 15-year reunion. It seems that seven-year-old Vincent (Cory Buck) didn't keep close enough of an eye. Beth's hysterical, and nobody knows what to do. Flash ahead nine years. The baby Kerry is now nine years old. Vincent (now played by Jonathon Jackson) is a rebellious teen with a knack for hot-wiring cars. Pat has his own resturant in Chicago (named Cappadora's). Beth has given up photographing. When a boy, Sam Karras (Ryan Merriman), offers to mow their lawn, Beth takes photos. And, lo and behold, it happens to be little Ben. Touching, superbly acted, well written, and emotionally moving. Pfeiffer and Williams give great performances. When Pfeiffer was hysterical, that seemed a little forced; other than that she was great. Williams delievered a strong dramatic performance, he was perfect in almost every way. The supporting characters delievered strong emotions and were very believeable. Deep End's sap isn't falsely given to you: it's done in a very believable way, even if it does seem a little over-the-top and unlikely at first. Not many movies can truly force-feed you emotion and lump-in-the-throats, but this one does. The plot twists actually were somewhat unpredictable. Actually, the movie was divided in half: the first half is when Ben is missing, the second is when Sam comes. When the finale comes in, I was surprised, even though they go for the "Hollywood Ending". It definately didn't seem scripted. The human interactions were very real, and the chemistry between everyone (especially Jackson and Merriman) were extremely believeable. The Deep End of the Ocean is a touching, sad, yet somehow satisfying yarn of family. My rating: 8/10 Rated PG-13 for language and thematic elements.
A TV movie with spit, polish and a well-known cast
Beth Cappadora is at a reunion in a hotel when her middle child of three goes missing. At first the search is informal but it grows increasingly frantic and official as they realise that Ben has been taken by somebody. The family never fully recovers and carry the scars for years. Nine years later the family have moved to Chicago to start a new life. When Beth has a local boy come to the block to cut the grass, she believes that he must be Ben because her looks just like him despite the age. The police recover Ben but is it fair to take him away from the people Ben now considers his family? The plot summary gives the impression that this is just a standard weepy that would easily screen on a weekday afternoon. However the presence of a couple of well known names in the cast list suggests that this film will give the subject a more serious approach that acts more as drama than weepy. Partly the latter is true but not 100%, and the film is still essentially a sort of weepy that has a control of it's emotions and is actually quite stable but not to the point where it is an engaging debate. The material should be thought provoking but it isn't really. What I thought would be the main thrust of the film was really just mentioned in the final 20 minutes and it was not only obvious that it was coming but it was quite logically dealt with without real emotion - this is not a `Sophie's Choice' situation but something quite lacking. The start of the film is OK but it deals with the loss too easily and I never got overwhelmed with the emotions the family must feel. Towards the end the film does a good job looking at the effects the whole thing has had on the other son's character but even this lacks an emotional punch. The cast are good on paper but they seem strangely stilted. Pfeiffer is a good actress who sadly doesn't seem to get as much good work as she gets older. Here she tries hard but can't get across what her character must be feeling inside. Williams is an OK support for her and does OK. Jackson is quite good and his character became more interesting to me than the return of Ben itself. Goldberg hangs around but attempts to give her a character through one line of dialogue about her sexuality and security in her job are so out of the blue that I was left wondering where it came from. Overall this is not a weepy because it aims higher than that and doesn't wrench all the emotion out of every scene to get the audience. However it doesn't aim high enough or reach the level where it is emotional or thought provoking, the end result being an interesting film that is a notch above the level of daytime TV weepy but not as worthy or moving as it wants to be.