The Bad Lieutenant: Port of Call - New Orleans (2009) Reviews

• Wickedly funny black comedy that borders on satire - fantastic acting by all involved and just one hell of a ride

  gogoschka-12014-07-21

  This film is not at all what I expected from Herzog - I haven't laughed so much in a long time during a movie. What we've got here is an over-the-top, crazy ride with the best Nic Cage in years. Funny little anecdote on the side (as told by the director, Werner Herzog): when Cage asked for advice on how to best approach his role, Herzog told him to go with "evil is bliss". Cage obviously obliged - and the result is hilarious. This film got a lot of negativity because apparently, people expected a serious, dark drama (knowing the original, I did, too). Well, Herzog had other plans: this is a wickedly funny black comedy that borders on satire. Fantastic acting by all involved, inventive camera and just one hell of a ride. Herzog's most entertaining film to date and Cage's best performance in ages. 9 stars out of 10. Favorite Films: http://www.imdb.com/list/ls054200841/ Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/ Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/ Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/

• Cage makes the movie

  Samiam32009-11-23

  One thing you can always count on when you go into a Werner Herzog movie is that you can always expect to find a story surrounding a very bizarre individual. With Bad Lieutenant, I saw both Herzog and Nicholas Cage in a new light, or rather a new darkness. Labeled as a black comedy, there should be more emphasis on 'black' than on 'comedy'. The film bears a strong resemblance to the thematically surreal and contrived nature of a Coen Brothers film, but the difference is that this one is more character driven than plot driven. More specifically, this is a film that lives on one performance. Nicholas Cage for the first time in a while has done something worthy of recognition, possibly even award worthy. He plays New Orleans cop Terence McDonagh, recently promoted to Lieutenant. The film follows his latest homicide investigation. Due to a back problem and a drug addiction he is grumpy and unstable. He is sort of an anti- American hero, and the film concludes on a very bizarre note but clever anti- conventional/Hollywood manner. Though not Herzog's best, it is certainly one worth watching. With each film I see from him, past or present he continues to intrigue me, but I think in this case, it might be Nicholas Cage who deserves the most credit.

• The Nicolas Cage we loved is BACK!!!!!!!!!!!!!!!!!

  k-comm2009-10-24

  I just watched this at London Film Festival & went in expecting to hate it as I loved the original. But I have to say, the film is excellent, certainly Cage's best film & best performance since Leaving Las Vegas. Herzog has done a brilliant job & the film stands on it's own, apart from the Ferrara film. I won't spoil bits by mentioning them, but the film has several stand-out memorable scenes worth the price of admission alone. Herzog has always said that training for making films is 'life' not a stuffy film studies class etc. If you're familiar with his work or sensibilities, you'll get even more insight into how cool this guy is after watching this film. I look fwd to watching it again when it releases and getting the DVD!!

• BLt: PoCNO rocks! There is no other way to describe it.

  saareman2009-09-18

  Seen at the Toronto International Film Festival Sept 17, 2009. First off it is important to note that the Bad Lieutenant name was imposed by producer Edward Pressman in the hopes of building a future franchise. As Herzog said, a better franchise would be based on his title Port of Call New Orleans. The combined title is a compromise which Werner Herzog was willing to agree to. Herzog was fun as always at the introductory remarks and the Q&A with TIFF programmer Colin Geddes. Telling anecdotes such as Cage asking him on the 2nd day of shooting what is his motivation and Herzog telling him not to worry about that, just go with "Evil is bliss" and sometimes "let the pig out!" (from the Bavarian colloquialism "Die Sau rauslassen!" / "Las die Sau raus!"). I'll confess that I had my doubts about this one simply based on the BLt title alone, imagining that this was going to be some sort of embarrassing sequel that has been imposed on Herzog for some bizarre contractual obligation reason. Have no fear about that! This is a Herzog movie and a Nicolas Cage on-a-rampage movie with all that those both imply. Even if certain clichés of the genre are adhered to (the prostitute girlfriend, the father who is an ex-cop now "drinking himself to death", etc.) these end up having totally different plot resolutions than you'd expect. Cage's second scene confronting the matron lady and her hairdresser alone is worth the price of admission. I know they don't give Oscars for roles like this (actually, maybe for Denzel they did) but this is the best Nicholas Cage I've seen in years. Comment at the Q&A "I have seen 20 movies at this festival, and this is the most entertaining of all of them!" I couldn't agree more (and BLt:PoCNO was my 22nd). BLt:PoCNO rocks and Herzog rules! Seen at the Elgin Theatre/VISA Screening Room, the 2nd screening of 3 at TIFF 2009.

• If you got this far, See It!

  bobt1452009-12-18

  This is one of the best films of the year, but judging by the comments here, it's also one of the most under-appreciated and misunderstood. I loved it. To the horde of naysayers, I simply want to shout from the rooftops, "This is a film dammit, not an exercise in some mysterious media, and it's a damn good one." There. That feels better. Nicolas Cage finds his inner demons and let's them out to play in his role as the drug addicted cop. He's more than believable as a coke snorting, crack rock smoking fiend who thinks nothing of squeezing people, good guys and bad alike. And by the way, the bizarre mannerisms...yup, that's what drugs will do for you. To my mind, he nailed it! Take one small mannerism, the way he snorts a small pinch of coke from the back of his hand, a flurry of movement, and voilà, an observer would never know. It's inventive Cage and it's priceless. And you won't find many in the real drug world as good at it. The supporting cast is excellent, although I must admit I did forget Val Kilmer was even it at times. The texture, the interwoven story lines, the camera work. All superb. It's a Tarrantino film with a Herzog touch. Ask yourself, how many interrogation rooms have you seen on television and in movies? Any of them have windows with traffic outside? Probably not. Good touch and the film has dozens of them. As for the iguanas and dancing mobster. These are apparitions folks. You know, born of the effects of all those drugs on the brain. They are not symbolic. They are not misguided touches of the bizarre (well, maybe they are a bit). They are the demons of a drug soaked mind and of course they are all of of proportion. That's what demons do! Very entertaining. You want more? Read a book.