SYNOPSICS
Someone to Watch Over Me (1987) is a English movie. Ridley Scott has directed this movie. Tom Berenger,Mimi Rogers,Lorraine Bracco,Jerry Orbach are the starring of this movie. It was released in 1987. Someone to Watch Over Me (1987) is considered one of the best Crime,Drama,Romance,Thriller movie in India and around the world.
In Queens, Mike Keegan is celebrating with his wife Ellie, his son Tommy and friends his recent promotion to detective in a precinct in Manhattan. Meanwhile, in a fancy club, the socialite Claire Gregory witnesses the murder of the owner of the place by the powerful mobster Joey Venza. Mike is assigned to protect her in the night shift in her apartment in Manhattan. When Venza threatens Claire, the contact of Mike with Claire gets closer and conflicts him, dividing between the love for his family and the heat passion for Claire and the fascination for her world.
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Someone to Watch Over Me (1987) Reviews
A Sentimental Favorite
I saw this movie when I was younger and for some reason it always stuck with me. I'll always remember the music (the title song as well as the classical pieces used throughout), the vestibule of Mimi Roger's apartment palace, the scene of Tom Berenger having breakfast with his family, Lorraine Bracco's fiery performance as his wife, and the haunting opening aerial shots of NYC lit up at night. I watched it again for the first time in probably nine or ten years and it was like visiting with an old friend or curling up with a good book you had read before. You knew the story, but it was all fascinatingly interesting. The plot here is pretty basic: working class cop has to babysit upper class babe who witnesses heinous murder. It doesn't take a rocket scientist to figure out how it all ends, but director Ridley Scott somehow manages to keep it compelling thanks to some great direction and wonderful performances from the cast. Somewhere I saw this billed as an erotic thriller, which is way off base. Scott keeps everything here extremely classy. It's more of a romantic thriller and throwback to the noir films of the 1940's. This may not be the best film you'll ever see, but it's one of the better thrillers of the 1980's, and a worthy testament to Ridley Scott's versatility as a director. It's also nice to see Jerry Orbach in a supporting role that probably paved the way for his part in the never ending "Law and Order" TV series.
Tuant romantic thriller - equally stylistic and atmospheric
A highly stylized crime thriller that also manages to work as a tale of adulterous romance in addition to an effective parable of the culture clashes that are apparent between the upper and lower classes. This is a film with multiple agendas, and Ridley Scott, best known at the time for 1979's ALIEN and 1982's BLADE RUNNER, is frankly an odd choice to direct such a picture. However, Scott proves himself to be up to the challenge, and film plays like a slightly abstract dream that isn't afraid to crash down into gritty realism on occasion. With his film noir skills perfected with BLADE RUNNER, Scott turns the focus from the future to an equally idealized version of the present (well, 1987 to be exact), but he maintains the same sense of visual menace and harsh industrialism. Tom Berenger has received a considerable amount of criticism for the irritating fake Brooklyn accent he delivers his lines in, but I overall I found him to be quite acceptable in the role. Even better is Mimi Rogers, who convincingly portrays the detached loneliness of the high society lifestyle without the benefit of screen dialogue that permits her to openly address such an issue. Jerry Orbach and John Rubinstein are also memorable supporting parts, but it is Lorraine Bracco who steals the picture as Berenger's feisty wife. Long before she was best known as Tony Soprano's psychiatrist, Bracco brought to the screen the ultimate portrayal of the modern wife and mother - loving but fierce, tough but compassionate, and not afraid to slap some sense into the man who has done her wrong. And I love Sting's opening rendition of the title Gershwin classic.
average, but somehow very attractive
This has been one of my favorite movies. I admit that this is not something that might be recognized by academy people. There is nothing new and original about the story and situation and it is rather easy to guess what would happen next. But somehow it is an attractive movie (to me?) and I keep watching it over and over (I have a video). Actors are good and the view of New York is wonderful in every part of the movie. Most of all music is superb! Ever since I first saw this movie, "Someone to watch over me" has been my favorite jazz standard. One more thing. If somebody else directed this it might have been VERY boring. Great touch by Ridley Scott.
Fine acting
As other reviewers have noted, the story is none too special, quite generic. But even a generic story can be made memorable by good writing, good acting, and good directing; this movie has all three of those. Tom Berenger as the somewhat naive and vulnerable work-class junior detective. Mimi Rogers (who I did not even recognize initially, with the 80's hairstyle), as the upper-class murder witness. And even the supporting cast were all great. Nobody overacted, and no cliches. I credit the director, Ridley Scott, for keeping it low-key and believable.
So powerful yet so underrated
How has Tom Berenger slipped out of the view of Hollywood? This man is a real talent, who conveys the confusion and pathos of an untenable situation with passion, conviction and realism. Scott makes the tension palpable, and the supporting cast is so well rounded that IMHO it makes one of the best ever cinematic experiences. Mimi Rogers puts in a credible performance as a tortured socialite and the thrill of the chase makes for some startling and real scenes which keep you on the edge of your seat. If you want great entertainment without the hugest cerebral challenge (!) this is a fab way to spend an evening.