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Sins of the Mother (2010)

Sins of the Mother (2010)

GENRESDrama
LANGEnglish
ACTOR
Jill ScottNicole BeharieKatharine IsabelleMonaeya Silveira
DIRECTOR
Paul A. Kaufman

SYNOPSICS

Sins of the Mother (2010) is a English movie. Paul A. Kaufman has directed this movie. Jill Scott,Nicole Beharie,Katharine Isabelle,Monaeya Silveira are the starring of this movie. It was released in 2010. Sins of the Mother (2010) is considered one of the best Drama movie in India and around the world.

Shay is a young African-American college student whom is forced to take a year off from school to return to her hometown where she struggles with her anger and insecurity when she's forced to confront her alcoholic mother, Nona, whom is currently in AA and a churchgoer, over her entire childhood of abuse and neglect which Shay is both unwilling and unable to let go of.

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Sins of the Mother (2010) Reviews

  • Sins of the Mother- Don't Let Mama Ever Forget ***

    edwagreen2010-06-26

    Nicole Behaire and Jill Scott give startling performances about a daughter who cannot forget about the dysfunctional life that her mother gave her. Behaire is absolutely terrific as the daughter. The contortions in her face, her vulnerability and sadness, her refusal to forgive her mother for her early life culminates in a memorable scene in church when the daughter blurts everything out. The daughter has so much anger in her. She is just seething in it. Forced to take a leave of absence from teaching while pursuing a master's degree, she has no other place but to go to but her mother's house and the two continue to battle almost immediately upon meeting after a several year separation. The daughter obviously needs to be in therapy, while the mother has turned her life around working as an administrator, while she is a recovering alcoholic. My major criticism of the film is that the mother, the daughter's friend and ultimately the daughter herself are pregnant without marriage. Must this be the way of life for African-American women? This seems to be an accepted mode in this film and society at large today.

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