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Nos 18 ans (2008)

Nos 18 ans (2008)

GENRESComedy,Romance
LANGFrench,German
ACTOR
Théo FriletValentine CatzéflisMichel BlancArthur Dupont
DIRECTOR
Frédéric Berthe

SYNOPSICS

Nos 18 ans (2008) is a French,German movie. Frédéric Berthe has directed this movie. Théo Frilet,Valentine Catzéflis,Michel Blanc,Arthur Dupont are the starring of this movie. It was released in 2008. Nos 18 ans (2008) is considered one of the best Comedy,Romance movie in India and around the world.

June 1990, a large provincial town. It's the last day of class before the baccalaureate: a small group of graduates happily leaves high school - In the ambient euphoria, Lucas empties his bag: without mince words, he says out loud to his philosophy teacher what he thinks of him. Short-lived relief since the odious Mr. Martineau will finally pass the oral exams - Lucas had better get it right. That same evening, at a party, Lucas meets Clémence, a lovely young girl. Love at first sight seems mutual, but Lucas lets her go without knowing her name. Between lively revisions and summer trips with his friends, he sets out in search of his beautiful stranger. For Lucas, this is only the beginning of the hassle, especially since he accepts private lessons philosophy at Monsieur Martineau's - and that the latter turns out to be the father of a very pretty young girl.

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Nos 18 ans (2008) Reviews

  • Rubic's tender cube falls somewhat flat

    sandover2010-02-16

    The opening credits, upbeat with their visual rhythm and The Cure's "Close to Me", are vivid and promising. Unfortunately the film does not live up to this moment afterward. It is an average coming-of-age film, that feels bizarrely anachronistic and schematic. I mean, the opening credits, structured like a rotating Rubic's cube, is a bit inconsequential if one thinks that the film takes place in the nineties, while the cube was an eighties landmark. Just an afterthought, though. The film is fresh and forced at the same time. The freshness comes mostly from the acting, although the script does not score as a french endeavor. It lacks that pungent quality french features have. Does one have to bear in mind this is a remake of an Italian feature? Maybe the cultural differences could be telling. Only Michel Blanc manages to come as fully solid and piercing, as usual, given the somewhat moralistic quasi-character he is presented with. One of the lightest touches in the film, and an occasion for subtle, engaging comic acting, is his meeting with his ex-wife. Arthur Dupont as the as the young airheaded Maxime gives an ultimately sympathetic and seriously alert to timing portrait of rare Gallic comic verve. Theo Frilet is good in his puppyish gaze, although he seems to me a bit miscast; having seen him in "Nes en '68" with his arrogant, epicene bravura he seems more apt for androgynous roles. I think we have not seen this kind of phenomenon since Helmut Berger. But, anyway, he surely gets to convey the innocence of his charmingly drifting and bit blundering character. Iris Besse, in a small role, is charismatic as Valentine. And Bernadette Lafont is, as always, shining. The film is an average ensemble coming-of-age tale. I do not see why it had to take place in the nineties. The soundtrack reads as too much of a cookbook, since the era is rather peripheral to the story. It is rather like a nostalgic look from the writers to their adolescence, but not an unmissable experience shared.

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