SYNOPSICS
Sarah Silverman: Jesus Is Magic (2005) is a English movie. Liam Lynch has directed this movie. Sarah Silverman,Brian Posehn,Laura Silverman,Bob Odenkirk are the starring of this movie. It was released in 2005. Sarah Silverman: Jesus Is Magic (2005) is considered one of the best Documentary,Comedy,Music movie in India and around the world.
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. A handful of musical numbers punctuate the performance.
Sarah Silverman: Jesus Is Magic (2005) Trailers
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Sarah Silverman: Jesus Is Magic (2005) Reviews
Holy cows make the best hamburger
Sarah Silverman is subtle, provocative, and disturbing. Her guileless, deadpan parody of profane ideas is like a naive child faithfully repeating something horrifying that she overheard her parents whisper. Reviewers who compare her to Andrew Dice Clay don't understand her comedy. Clay pandered to his audience's bigotry without irony, telling his audience what they wanted to believe but were afraid to say themselves. A more apt comparison would be to Carroll O'Connor: a gifted writer, comedian, and actor. Sarah Silverman presents a persona that makes people squirm; she creates a dissonance between her apparent lack of anger or malice and her socially unacceptable material. To accuse her of racism, sexism, homophobia, internalized anti-Semitism, or going for cheap shock is to miss the point. Holy cows make the best hamburger, but it's easy to choke on if you're laughing. Silverman forces audiences to confront their own gut reactions about unacceptable ideas without providing anyone easy to blame. She is a polite, educated, attractive young woman. To hear her say things we refuse to believe polite, educated, attractive young women think or would even admit is disturbing. The Anti-Defamation League, the National Organization of Women, NAACP, and the Human Rights Campaign won't laud her as a transgressive comedian who forces audiences to confront their own unacknowledged bigotry. Sarah Silverman is not a social crusader; she is a comedian who tickles your funny bone with a sharp spear. She could preface all her material with, "Can you believe there are idiots who think, '(assume character, insert content),'" to avoid controversy. Gutted by incorporated disclaimers, her comedy would lose its ability to induce awkward guilt in her audience. The power of her comedy is its ravaging of social beliefs that we are all supposed to share. No comedy is universal, but hers is biting, subversive, disturbing, and fascinating. Instead of laughing at her content, you laugh at the attitudes she portrays and worry if you should find them funny. You either miss the irony of her comedy or you have to appreciate her genius as an actor, writer, comic, and social critic.
Sarah is Magically Delicious (and funny)
I don't care that Sarah Silverman dates a painfully unfunny slob like Jimmy Kimmel or that she often says offensive things just for the sake of being offensive. Ever since her short stint on "Saturday Night Live", I knew she was a brilliant comedienne. Part of her appeal is her natural good looks and charming nature. She seems sweet and innocent, but what comes out of her mouth is often filthy and offensive. She delivers it straight with a style that is both perky and deadpan. She has a contradictory self-deprecating confidence that makes her rather unique in the world of stand-up comedy. There's some misguided musical numbers and "skits" that are never quite as funny as they are conceptually. It's the stand-up bit that had me rolling in the aisles. Sarah pokes fun at everything from AIDS to the Holocaust to 9/11 and she wears her badge of political incorrectness with pride. In terms of her racial humor, she's more than just the white Jewish female version of Dave Chappelle, she's downright hilarious, and her unique delivery is what makes the off-color jokes go down so smooth. The film is brief at 72 minutes, so be sure to stay for the credits as they contain some funny bits.
What's a nice Jewish girl doing in a movie like this?
Sarah Silverman: Jesus is Magic (2005), written by Sarah Silverman and directed by Liam Lynch, was shown at the High Falls Film Festival in Rochester, New York. Sarah Silverman is a unique comedian, and the movie is unique as well. Silverman is strikingly beautiful, and startlingly filthy-mouthed. The result is comedy that is not actually funny per se, but is funny because of the incredible contrast between what you expect and what Silverman delivers. I've noticed that most reviewers can't refrain from quoting some lines from her performance. The problem with that practice is that if you read enough reviews, you've basically seen the movie. I'm going to refrain from revealing any part of her act. I'll just say that Silverman makes jokes about matters that society assumes can't be funny--9/11, racism, world hunger, AIDS. Silverman delivers her act in a neutral, confidential way. The contrast between Silverman's straightforward, level manner and the nature of her comedy is what makes her unique. My guess is that Silverman's humor would wear thin on repeated viewing. However, for the 72 minutes of this movie, she's very, very funny. Notes: Silverman was profiled in the 10/24/05 issue of The New Yorker magazine, in an article titled "Quiet Depravity." Stay for the credits. They contain some funny bits.
Somewhere Between Lenny And Joan
Of course there is nothing that could possibly survive between Lenny Bruce and Joan Rivers. That's why Sarah Silverman is unique. She reminds you of others but she's not like anybody else. The outrageous boldness of her comedy is the classiest piece of gross vulgarity I've ever came across. "60 million would be unforgivable" I was gasping and laughing without being able to stop. Dangerous stuff. Wonderful stuff. She's pretty like one of Charlie Chaplin's daughters. Awkwardly so, making the comedy all the more refreshing, shockingly so. I'm buying a few DVDs of "Jesus is Magic" and sending them anonymously to some friends and relatives. Oh yes, my targets deserve the side splitting pain inflicted by this superb Silverwoman.
Austin Movie Show review - brutal, politically-incorrect and brilliant
I've never seen a stand-up comedy hour get national theatrical distribution before, but I know why this one did. Sarah Silverman: Jesus Is Magic is some of the most subversive, brutal, politically-incorrect, and brilliant stand-up comedy out there. Silverman splices up the stand-up routine with silly and obnoxious musical numbers, and it works. Though it may not make $1 million at the box office, Jesus Is Magic will undoubtedly become a comedy classic along the lines of Eddie Murphy: Raw and Bill Cosby: Himself. What makes Silverman so ballsy is fearless take on race ("The best time to conceive, of course, is when you're a black teenager"), religion ("The only time religion matters is when you have kids and you're deciding what to teach them. If my boyfriend and I ever have a kid, we'll just be honest with it. We'll say that mommy is one of God's chosen people, and daddy believes that Jesus is magic!"), rape ("I was raped by a doctor which is kind of bittersweet for a Jew"), the Holocaust ("The Holocaust would never had happened if black people lived in Germany in the 1930s and 40s well, it wouldn't have happened to Jews"), and 9/11 ("I think American Airlines' new slogan should be: We were the first to hit the twin towers") every topic you're NOT supposed to joke about. Obviously these jokes are better on screen than read in print. Sarah Silverman: Jesus Is Magic is comic genius. Your cheeks will hurt from laughing so hard. It's the perfect cure for the holiday blues.