SYNOPSICS
Proteus (2003) is a English,Afrikaans,Dutch,Nama movie. John Greyson,Jack Lewis has directed this movie. Rouxnet Brown,Shaun Smyth,Neil Sandilands,Kristen Thomson are the starring of this movie. It was released in 2003. Proteus (2003) is considered one of the best Drama,Romance movie in India and around the world.
A recreation of the decade-long love affair in the 18th century in a Cape Town penal colony on Robben Island. The two lovers were a Dutch sailor imprisoned there for sodomy and a young Khoi herder. The Khoi were part of the Hottentot tribal group and as such were the untouchables of that time. The two were placed on trial and this love affair and the legal battles are the grist of Greyson and Lewis' film based partly on court transcripts from the time. In South Africa, during the 1700s, sodomy was a crime deemed worse than murder, and the fact that these two young men had indulged in it was also complicated by the fact that this was an interracial love affair.
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Proteus (2003) Reviews
Missed it by that much
At the heart of Proteus is a great story - actually two great stories - about the oppression of homosexuality during the 18th century. The main "love" story between Claas and the sailor has the makings of a very dramatic story if told well. Where the movie went wrong, IMO, was mixing costuming, sets and props from different eras. I "get" what the director was trying to do - show us that these problems exist today as much as they did 300 years ago. But the visual jarring of seeing the modern next to the historical kept knocking me out of the plot. Halfway through the movie, I was wondering if this really was a directorial choice or simply a way to reduce costs by using readily available stuff rather than recreating the time period. The secondary story about Virgil never takes off. We are supposed to juxtapose his life with Claas' and see how Claas becomes more accepting of his homosexuality, or at least "love" for another man, while Virgil becomes more closeted as the oppression begins. I never could figure out if Lorenz was Virgil's lover or just a gay friend. In many ways, this movie would have been better served as a straightforward historical drama than attempting to take on multiple plots and risktaking direction.
A cinema of marginality
Post-apartheid cinema is characterized by the emergence of new voices and a diversification of themes. For the first time South African audiences are exposed to certain marginalized communities, including gay and lesbian subcultures. An important milestone in South African feature film-making is Jack Lewis's Proteus, the beginning of a visible gay/lesbian cinema in South Africa. Under apartheid gay and lesbian voices in film and television were also silenced. In a seven year study of the depiction of gays and lesbians in African, Asian and Latin American cinema I have noted that homosexual experience is unique in South Africa, precisely because of our history of racial division and subsequent resistance. Based on a true story, PROTEUS is a period film that raises issues still of enormous relevance today. Historian and filmmaker Jack Lewis was fascinated by a court record in the Cape Archives, dated 18 August 1735, giving judgment in the case of two Robben Island prisoners. Dutch sailor Rijkhaart Jacobsz and Khoe convict Class Blank received extreme sentences for what the court called 'the abominable and unnatural crime of Sodomy'. It is an extremely moving experience and forms part of a very small number of South African productions on homosexuality. Despite a new constitution which prohibits discrimination against gays and lesbians, our images of gay men and women are limited and still on the margin of the film industry. One ends up with less than fifteen short films, a few documentaries, less than five features with openly gay and lesbian characters and virtually no television programmes during the past hundred years of South African cinema!
Introducing the "new" Sam Elliott
While a brief description of "Proteus" may not make it sound particularly appealing, it's a surprisingly good work dealing with a time, place, and situation rarely covered in the movies. The anachronistic appearance of modern clothes and devices is only occasional and is probably meant to emphasize that the problems dealt with in "Proteus" are still with us today, in various forms. This insight, however, probably isn't worth the breaks in the movie's fabric these appearances cause. Also, the subplot involving a Dutch botanist, though given a lot of footage, never quite gels into a satisfying story. Acting honors belong to Rouxnet Brown as the imprisoned "Hottentot" but viewers may be equally impressed by Neil Sandilands as the Dutch sailor-turned-inmate who becomes his lover. Sandilands may be half-a-notch below handsome but he has a good face and a good body and one can well imagine prison guards staring at him whenever he takes a shower. Unfortunately, his flogging scene is joined only after the final lash has been struck. Neil Sandilands is a virtual newcomer at this point but he has about him the look and manner of a young Sam Elliott and could, with the right exposure, go places. Those who go to this movie expecting lots of nudity and graphic sex will be disappointed. The sex scenes are frank but non-exploitive and, by current standards, almost modest.
Love in a hot climate
When the film began the flat DV photography and poor subtitling made me wonder if this was going to be worth the effort. With its anachronisms and stylised start it would be too easy to write this off as sub-Jarman. But, it is worth sticking with this 'historical' inter-racial love story set in South African as its themes of intolerance are still relevant today. Although the low budget is very obvious, so is director Greyson's imagination and belief in this project. An interesting film which almost scuppers itself with its bad start but which redeems itself as it progresses.
A handsome, challenging and classy gem of a movie.
A handsome, classy gem of a movie, imaginatively shot on a very low budget by Greyson the way he did the uneven, yet interesting, "Lilies". I don't want to say much about the plot, which is based on facts, but be prepare for gorgeous scenery, some pointed nodes (to Todd Haynes' Poison, Tom of Fineland and Jean Genet) and completely believable performances by a first-rate, though unknown, cast. A mixed bag of a love story (two men on a penitentiary island; one is white, the other is black; one is gay, the other is not; add a "curious", repressed warden and a definite taste for botanic and you'll have an idea) that actually works, thanks to a refreshing lack of camp. And, for those of you wandering, the title has nothing to do whatsoever with science-fiction, "Proteus" being the name of a beautiful flower used here literally and, most of all, metaphorically. Definitely not your average "gay movie", and certainly not to everyone's taste, "Proteus" is challenging yet generous toward those who are willing for something a little different. Stick with this one.