SYNOPSICS
Ploy (2007) is a Thai,English movie. Pen-Ek Ratanaruang has directed this movie. Ananda Everingham,Lalita Panyopas,Porntip Papanai,Thaksakorn Pradapphongsa are the starring of this movie. It was released in 2007. Ploy (2007) is considered one of the best Drama movie in India and around the world.
Every relationship has an expiration date. Every relationship needs its fantasies...some more real than others... A violent death of a relative brings Wit and his wife, Dang, back to Bangkok from America, where they own a Thai restaurant, for the first time in 7 years. As soon as they arrive in Bangkok at 5.30 am. Wit and Dang check into a five-star hotel downtown. Wit finds out that he is out of cigarettes once they are inside the room. He goes down to the lobby bar. After getting his pack of cigarette from the bartender Wit decides to order a cup of coffee and smoke his cigarette there. The girl from the table in the dark corner comes to Wit to ask if she could borrow his lighter. Wit hands her his lighter. Then she asks if she could borrow one cigarette too. The girl sits down and lights up one of his cigarettes and they somehow strike up a conversation. Wit learns that her name is PLOY. This is how our little tale of love and jealousy begins. A highly detailed psychological drama ...
Ploy (2007) Trailers
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Ploy (2007) Reviews
A sly and sexy low-key thriller
Reviewed at its North American Premiere screening Sept. 7, 2007 at the Scotiabank Theatre as part of the Visions Program during the Toronto International Film Festival (TIFF). Thai director Pen-Ek Ratanaruang's "Ploy" has been one of our favourites at TIFF this year. The film has a very sly and often languid build-up to various shocks as it unfolds. I'm not going to spoil those for anyone by saying too much here. The film's setup is that a man Wit (who runs a restaurant in America) and his wife Dang (a former well known actress) are returning to Thailand after an absence of 10 years to attend a funeral. They are staying at a Bangkok hotel and while the wife settles into their room the husband goes down to the bar for cigarettes. There he meets a backpacking teenager named Ploy who evokes his sympathy (she has a black eye, possibly from an abusive boyfriend, and she is also from his hometown of Phuket) and without any apparent sexual scheming he simply invites the girl back up to the hotel room to rest up while she awaits her mother's arrival. The wife doesn't take kindly to this intrusion and the teenager is taken aback as well ("You didn't tell me your girlfriend was going to be here!"). The comic absurdity of this setup gradually starts taking a darker turn with petty theft, suspicions of adultery and possible murders and rapes entering the storyline before we're done. Meanwhile a maid and bartender at the hotel are having a mysterious sexy assignation simultaneous to the main plot line and Dang's former acting history also attracts the attentions of a stalker. How these different plot strands intertwine and tangle and then untangle and resolve themselves was a pleasure to watch. The film started with the most basic of elements and then let you think you knew where it is going before it pulled the rug out from under you several times. Actress Lalita Panyopas (from 1999's "Ruang talok 69") makes a welcome return in the role of Dang to director Ratanaruang's ensemble. I was also happy to see a bright clear picture in the print of "Ploy" after last year's TIFF print of "Invisible Waves" was muddy and dark.
never-never land of jet lag and an unfamiliar room
This is a real surprise and a most assured film from the Thai director, Pen-Ek Ratanaruang. Essentially a quite, thoughtful and insightful film with little storyline but half a dozen characters that totally fascinate. A husband and wife check into a Bangkok hotel in the early hours and in that never-never land of jet lag and an unfamiliar room a strange state develops. In reality, that is as well as in this movie. In fact we are not far into this little tale before we realize it is not easy to tell what is reality, fantasy or dream. Sometimes this can be irritating but here it is irrelevant. We are so drawn into this tale that even little details such as whether it is 'real' seem not to matter. I have not experienced anything quite like this since 'Celine and Julie Go Boating' and that was many years ago. Beautifully shot we find ourselves at one moment gazing at an entwined couple and at the next the sunlight dancing on the floor below a set of hotel room curtains. With plenty of space between 'action' there is time for us to reflect as the characters do and this magical and inspiring film is a most rewarding experience.
it's really touching
DUdeeeeeeee, i saw it today. I'm Thai, and i have to say that there are tons of crappy Thai movies out there. Of course,Thailand doesn't have such a big motion picture industry and most of the movies that make money here are usually retarded comedy movies or blockbuster blasts like war of the worlds or the incredibles. There are many GOOD movies came out here and don't make money at all or released limitedly such as MAgnolia, crash, babel, stay, 21 grams, stuff like that. Ploy fell into the same category with the above list. Ploy didn't make money. Ploy is actually one of the best Thai movies i've seen in a long time. it's good. it's got good story, good dialog (maybe not so good on subtitled, but if you understand Thai the dialog was actually pretty great). The directing was very very slowly but very moving anyhow. i personally love this movie. one of the reasons is because it's totally alienated from the typical Thai ghost, comedy movies. Ploy is really touching. I'm not going out with anyone now but this movie really made me think about 'LOVE' and relationships. There are a lot of changes i would like to make after i finished watching Ploy,but Ploy still made me feel like it wasn't a waste of time and money. It really will get you to think. Give it a try.
Brilliant!
With fantastic induction of 6ixtynin9 and what was supposedly the peak of Pen Ek Ratanaruang as a director indicated in Last Life in the Universe came an expected decline of Invisible Waves (which was OK, yet not as good as the other two mentioned). But Ploy was a positive surprise! After the Invisible Waves which seemed to carry on with the ideas of Last Life in The Universe (hence, the director couldn't find or just didn't bother looking for a new, more creative approach) this was a completely new refreshment... just like Last Life in The Universe was at its time. I don't know if this is the best film of this prominent director (I cannot make my mind up... it's still between 6ixtynin9, Last Life and Ploy) but with Ploy he showed that he's still fresh and can strike hard unlike many "one movie" directors who are made famous by one appearance and then simply decline with other works. This is not the case here and this makes my sight attached to Pen Ek's works as closely as never before. A brilliant piece from one of the greatest directors.
an exciting return for the director
The sense of universality in a marital drama can be difficulty to accomplish. Take a few famous examples from the pantheon: Rossellini's Viaggio in Italia, Antonioni's La Notte, Kubrick's Eyes Wide Shut, and dare I say, Cronenberg's Crash. As a civilized treatment of an eternal human condition, Ploy comes quite close for joining their rank. Pen-ek Ratanurang should be lauded for curbing his incomprehensible tendency to include gangster subplots in a relationship drama (however much they signify the characters' internal struggles). While we still cannot avoid sudden acts of violence, they are kept to a minimum, and as you may find out (as I did), they are quite tolerable. Despite minor hiccups, Ploy should be noted for its superb illustration of the lackadaisical mental states caused by jet lag. The cinematography is nothing less than stunning - using space and depth to their full sensuous effect. Adding to the elegant atmosphere is the script: economical, precise, and at the same time general enough to be universally appealing. In the film's final moments, the viewers may feel relieved (as I did) that so many things could have gone wrong, but they didn't - or did they? In any case, they have little influence to prevent Ploy from becoming one of the best films ever made about marriage.