SYNOPSICS
One Night the Moon (2001) is a English movie. Rachel Perkins has directed this movie. Kaarin Fairfax,Paul Kelly,Kelton Pell,Ruby Hunter are the starring of this movie. It was released in 2001. One Night the Moon (2001) is considered one of the best Drama,Musical,Mystery movie in India and around the world.
The Australian Outback - 1932. Entranced by the moon, a young girl steps out of her bedroom window. When her parents check on her, she is gone. The police suggest aboriginal tracker Albert lead the search, but the father revolts - insisting - no black-fella is to set foot on my land. Instead, he gathers together as many white men as he can find, and conducts a line search across the desolate plains in search of the child. Albert watches helplessly as her every trace is stamped to dust. Sometime later, the daughter is still missing, and the mother makes a decision to take responsibility into her own hands, to reconcile the loss of her child. She goes to find Albert...
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One Night the Moon (2001) Reviews
One word, "Brilliant"
Let me get one thing straight before I start; I CANT STAND OPERA!!!!! BUT I LOVE THIS MOVIE!!!! A lot of people have stated that this movie is done in an Operatic style, while this is true the music used is not operatic in form, it is an absolutely gorgeous mix of Folk and Country music. Those outside of Australia and New Zealand who absolutely enjoyed the style of music in this movie should know that Paul Kelly is the best Folk Singer ever in Australian history, which is the main reason why he pulls off the lead role so well. And Kelton Pell who plays the Aboriginal Tracker sings country music in the same soulful style as other accomplished Aboriginal Country artists like Archie Roach. If many Americans think Keith Urban is the best Australian Country Music Artist they have heard they should listen to some Aboriginal Country music, it is so magical and moving that it blows artists like Urban away. While a lot of people have made mention of how great the score of this movie is (and believe me it is brilliant) the visuals that accompany the score are just as beautiful and haunting. Unfortunately this movie never got that much of a wide release and deserves so much more than the paltry handful of votes that it has got. I own this movie on DVD and it has an excellent 5.1 mix with the best center channel mixing I have ever heard, Paul Kelly's and Kelton Pell's vocals seem to be booming out of the TV screen. If you only hire or buy one Movie this year make it this one and if you find it hard to find don't give up searching for it you will be rewarded handsomely if you do.
Beautiful and innovative...
Wonderfully put together. I didn't realize what it was going to be like when I walked into the screening last month at the Sundance Film Festival... but I wasn't disappointed. A diverse creative team created this one hour musical drama... but its such a melancholy story... its really unexpected to see the characters break out in song... Some of the songs are very moving. "One Night the Moon" is my favorite... the family singing together while putting the little girl to bed is a great scene. Am going to look for a soundtrack!
Innovative enacted local drama through the medium of opera.
Well here's a real gem. Based on the tragic theme of missing children and on a singular incident that happened in 1932 (The year the Sydney Harbor Bridge opened) when an aboriginal tracker was called in to look for a young girl that had wandered off into the Australian outback, this haunting and quite inspirational work plays out the drama primarily in words and mime. At the recent premiere of the film in Sydney, a hushed audience was totally swept up in the magic of Rachel Perkins' film. Paul Kelly in his big-screen debut, plays the rugged early settler with Fairfax as his wife (she is in real-life!). Their daughter Memphis, plays The Child, who is seduced by the beauty of the moon and follows the graceful orb out of her window one evening. The intriguingly named Kelton Pell, is the Tracker whose commission it is to find the girl and whose task is tragically cut short. Recurring themes of loss and reconciliation are proposed, enhanced and challenged by this beautiful film, where dialog is kept to a minimum and opera used to nurture and cajole the audience's sympathy. As Paul Kelly himself commented "This is a story of knowledge offered and knowledge rejected." Perkins, director of the highly acclaimed RADIANCE, has come up with a genuine work of art here, at once innovative and emotionally consuming, you can taste the tragedy! Two other aspects which demand comment: The wonderful musical score from Paul Kelly, who doubles as Composer (in itself a screen rarity) has handed in an unforgettable companionable work that frames and cushions the unfolding drama while Kim Batterham's cinematography simply blew the audience away! This film was commissioned by Paul Grabowsky, head of Australia's ABC Arts and Entertainment, in collaboration with the Kevin Lucas's Music Arts/Dance Films as well as the OZ Opera Group. If you want to see something completely unique in the way of filmed operatic drama, catch this!
Pride and prejudice
I saw this last night for the first time. I wouldn't have watched except for recognising Paul Kelly and being intrigued. I'm glad I stayed with it - a poignant tale and a useful piece of didactic cinema. I found the musical interludes a little odd, making me wonder what kind of message the film-makers had in mind, and whether Kelly and Fairfax were chosen for those roles specifically because they could sing, or if it was the other way around - they wanted to do the project and songs were therefore incorporated. Nice to see Fairfax is still around. I was amused to see her trademark fringe ("bangs") remains, and pleased that she looked suitably frumpy in the role. I found her acting a little wooden, though, which is why, regrettably, I can't rate this a full 10. Kelly's portrayal is moving and quite convincing. It does seem for a while he doesn't care too much about his daughter, being more concerned with his pride and ego, but there are moments when it's clear he wants to reconnect with Rose (Fairfax) but doesn't know how. The contrast between the happy and loving scene where they put Emily to bed, and what follows, is stark and does well to convey what this kind of tragedy can do to an otherwise solid relationship. That Albert does eventually find Emily after however many days and nights (and at least one afternoon of rain) is incredible. I was torn between being impressed and wondering at the plausibility factor. If the Aboriginal trackers really are that good, they deserve enormous recognition (and no doubt, gratitude from many of the lost and found). I don't know the details of the original event, but as to why the father (Kelly) feels the need to go off and shoot himself (as implied) at the end... that didn't quite mesh for me. Yes, he's lost his daughter, and his wife is angry at him, but does it really have to be the end?
A hauntingly beautiful film
"Once I knew what I was living for But I don't know anything any more" Here is a haunting requiem full of anguish about a man who through his own stubborn nature brought about the destruction of his family. The harsh landscape of the Australian outback emphasises the forbidding situation as the searchers trek aimlessly across a dry and stony land. It comes as a surprise to hear the father break into song but one becomes accustomed to this format as each of the characters in turn play their singing role. It is a clever and different approach to dialogue and seems to fit the sad mood. The musical background is interesting, though somewhat mixed. At one stage I am sure I heard Afghani music during the hopeless search. I would like to think that it was the ghosts of the Afghan camel drivers who once trekked across this arid land. The film has an unmistakeable mystical quality. The film is based on an actual event of 1932. It is an incident that could happen to any family living in such a deserted place. The film asks a question about what makes a person wander off from familiar surroundings. Could it be the moon? It is well known that over the centuries the moon has been thought to have magical powers! This film with its mystical quality recalls an earlier Australian film "Picnic at Hanging Rock" Both are imbued with an eerie stillness as the search goes on without success. The vastness of this ancient land is well portrayed as cruel yet beautiful and there is an enduring feeling of loneliness. The mother's sorrow and flashbacks of little Emily Ryan is touching. Of the many songs in the film the title song "One Night the Moon" will probably be the favourite nicely rendered by the whole family on the night of Emily's disappearance. The full moon plays a large part in the unfolding of the simple yet moving story. What a large and beautiful moon it is! This is a mood poem of great quality put together in an expert and convincing manner. It is a thought-provoking piece which has a lesson for all of us.