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Nae-ga sal-in-beom-i-da (2012)

GENRESAction,Crime,Thriller
LANGKorean
ACTOR
Jae-yeong JeongShi-hoo ParkHae-Kyun JungYeong-ae Kim
DIRECTOR
Byung-gil Jung

SYNOPSICS

Nae-ga sal-in-beom-i-da (2012) is a Korean movie. Byung-gil Jung has directed this movie. Jae-yeong Jeong,Shi-hoo Park,Hae-Kyun Jung,Yeong-ae Kim are the starring of this movie. It was released in 2012. Nae-ga sal-in-beom-i-da (2012) is considered one of the best Action,Crime,Thriller movie in India and around the world.

After the statute of limitation expires on the murders he has committed, Lee Du-seok publishes an autobiography describing all his murders in great detail. Detective Choi, who investigated Lee's murders 15 years ago starts the chase once again and Han Ji-soo, who lost her daughter to Lee, pledges vengeance. Meanwhile, another killer appears, casting doubt to whether Lee is the real serial killer. The key here is how well the story juggles the truth and how solid the description of the characters' tangled relationships is.

Same Director

Nae-ga sal-in-beom-i-da (2012) Reviews

  • Ruined by Over-The-Top Action Scenes

    MattBirk2014-09-20

    A good South Korean thriller with a fantastic premise, but ultimately brought down by its over-the-top action sequences. Its really too bad the director though the movie needed more 'action scenes', when the suspense and storyline provides more than ample amount of excitement! South Korea is proving to be one of the most exciting filmmakers in the world, but this entry just barely lives up to that title. There are FAR more exciting and well put together SK movies out there, such as, 'Oldboy', 'Memories of Murder', 'Mother', 'I Saw The Devil', and quite a bit more. Full Review at: www.simplefilmreviews.com/2014/05/confession-of-murder-2012.html

  • Engaging Thriller

    claudio_carvalho2015-09-26

    In Korea, the serial-killer Lee Du-sok (Shi-hoo Park) has killed ten women and there is another one missing that the police department believes he is the responsible for her disappearance. After fifteen years, the statute of limitation expires on his last murder and Lee Du- sok publishes a book describing each murder in details. Detective Choi (Jae-yeong Jeong), who was in charge of the investigation of all the ten murders, chases Lee Du-sok and challenges him to tell where the eleventh victim is. Meanwhile, Han Ji-Soo (Young-Ae Kim), who is the mother of his last victim, seeks revenge with her family and friends. The owner of a sensationalist television network invites Lee Du-sok and Detective Choi for a debate live. Out of the blue, a man with the alias "J" calls the TV during the debate and tells that he is the real killer and Lee Du-sok is a fraud. Who should be the real killer? "Nae-ga sal-in-beom-i-da", a.k.a. "Confession of Murder", is an engaging South-Korean thriller with a great story. The performances are top-notch but the main twist is predictable and explains the behavior of Choi, despite surprising many viewers. There is also a criticism to the behavior of the media and public in general, worshipping a serial- killer because he is handsome. The only remark is the excessive and exaggerated action scenes; however they are part of the entertainment. My vote is eight. Title (Brazil): "Confissão de Assassinato" ("Confession of Murder")

  • Sacrificing a big punch for successive slaps. A good, creative thriller nonetheless.

    bricslove2017-05-25

    This movie was a strange mix of cartoon-funny, thriller, noir and drama, all packed in an adventure. There are some twists you don't see coming, and when they do, they come down pouring. Some may find them predictable but considering the pacing of the movie I do not deem most of them predictable, except the first one, and this is not actually good all because of timing. Since I do not intend to share any spoiler here, it will be hard for me to explain my point of view, but I will give it a try: The movie twist-bombs you during a single scene of confrontation up until which you had time to dwell on possibilities but wouldn't, in my case at least, because I was too busy savoring the rich performances, an already gruesome and captivating story, and even if I saw a twist coming and try to wrap my head around it, it was hard for me to let the next twist sink in amid all the empathy the story and some of the performances forced me to experience. The shockers in this movie are serious in content and this crowd of twists causes a desensitization in the viewer that doesn't let the whole thing sink in. Where there could be a punch, these are like successive little slaps in your face. I find the cartoonishly unrealistic scenes in the movie to be a treat. It was nice to watch but it also had a function: it gave a glimpse of the new characters that were introduced, the way a caricature does. The social commentary is where the perfectly executed noir steps in. A great satire to public perception of psychopathy and how it is engineered by media. Might give some insight to those clueless people out there who haven't yet realized how we transitioned from denouncing behavior that exudes lack of empathy to glamorizing it, condoning the criminals it breeds, because, you know as well as I do how much we are attracted to people in Wall Street as they speculate and kill our future with a single phone call because of all that sexy hair and slick outfit and their "intelligence". Well, there is no "high functioning" psycho in the movie, but the commentary nails it nonetheless. It is the pacing of the later twists with respect to twist content that led me to give this one an 7. The punch vs slap thing, in other words. It is a great thriller tainted with abundance of stuff at the cost of more important stuff. The actors in this movie did a great job and character development could have been much better had the script allowed room for it. Come to think of it, this movie should have been at least half an hour longer. As it is, it feels like they crammed it all in 1.5 hour so as not to cut it short. If you are binge thriller watchers, watch this one. It is a nice Korean thriller by all means. If you look for more in a movie, then I think it is still worth to give a shot. My guess is that you will be both delighted and disappointed but you will be nowhere near "what did I just watch?". No. This one's better than that.

  • Confession Of Murder Is No Masterpiece, Not Even Close To One, But It's Still A Ride Worth Going For

    CinemaClown2014-12-03

    Featuring an intriguing premise, cleverly plotted for the most part & portraying a very unsettling side of society, Confession of Murder is another impressive outing from South Korean cinema that continues the Asian film industry's trend of delivering one solid revenge thriller after another without showing any signs of fatigue and even though it's not amongst the finest examples of its genre, it's a good one nonetheless. The story of Confession of Murder concerns a police detective who is haunted by his failure to capture a serial-killer 15 years ago when, after the expiration of statute of limitations, the killer publishes an autobiography describing each one of his murders in gruesome detail through which he claims of repentance for his crimes. But his authenticity is soon questioned when another person claiming to be the real killer turns up. Directed by Jung Byung-gil, this is his mainstream feature film debut & even though the story suffers from few scenes that are far too outstretched or predictable, it's a solid start to his mainstream career. Screenplay is another fine aspect as the twists are nicely timed & events unfold in a steady manner, camera-work shows a dynamic range from frequently edited cuts to lingering shots & music also has a nice vibe to it. The performances are good with both lead actors constantly challenging each other but the one problem I have is with some sequences that seem unnecessarily exaggerated, not to mention the CGI elements which look mind-numbingly horrible. Yet, the best part is the society it portrays where the supposed serial killer becomes a media sensation due to his good looks & gets his own fan following despite the unforgivable acts he committed. On an overall scale, Confession of Murder might be predictable despite its twists n turns and isn't further helped by its non-linear narration which doesn't contributing much to the cinematic experience anyway but it's another fine addition to the long list of dark thrillers South Korea has been churning out since the dawn of the new century. It is no masterpiece, not even close to one, but the final ride still feels more satisfying than a mere disappointment.

  • More to confess

    kosmasp2013-06-09

    I don't know exactly where to start. What I do know, is that the movie is incredible! Korean cinema has brought a lot of talent forward and they have made some incredible movies over the last 10-20 years. This just continues in that same line. Don't get me wrong, not every movie from Korea is phenomenal. But this one (that will clearly get a US remake sometime soon) has to be in the category of the great ones. I don't want to spoil too much (the title does give you a hint, where this movie is taking you), but you will get more than just a question about morality here. There's also entertainment and suspense and a subplot that works pretty well. You might not understand some character motivations while watching it, but you will get it eventually. I guess there is only one minor thing that you might be able to complain about. It's the fact that the movie could have ended a bit earlier. It seems that they "stretched" the ending. I still liked it, but I can see why people would have wanted it to end 10-15 minutes earlier, when "all is said and done" (though as it turns out, not everything had been done)

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