SYNOPSICS
Kama Sutra: A Tale of Love (1996) is a English,Italian movie. Mira Nair has directed this movie. Naveen Andrews,Sarita Choudhury,Indira Varma,Ramon Tikaram are the starring of this movie. It was released in 1996. Kama Sutra: A Tale of Love (1996) is considered one of the best Crime,Drama,History,Romance movie in India and around the world.
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.
Kama Sutra: A Tale of Love (1996) Trailers
Same Actors
Kama Sutra: A Tale of Love (1996) Reviews
Excellent movie and supreme eye candy...
I've watched this film over and over again and it just gets better. It's actually based on a book called "Hand-Me-Downs" which you'll understand after you've watched it. As the last person who commented on this stated it's not the "Kama Sutra" you're thinking of. There IS sex, there IS a bit of violence, but don't watch this with the hopes of seeing your average vulgar action and sex film. The women in the film are instructed and shown how to the master the art of Kama Sutra, mind you the ART not the positions. Anyway, the film setting is gorgeous and the acting is superb. You'll recognize Sarita Choudhury as Tara if you've already watched Mississippi Massala. Indira Varma does an excellent job in expressing her revenge, regret, and mystery in Tara's character. Everyone and I mean EVERYONE did an excellent job in this film.
A feast for the eyes and the ears
Produced in India by an Indian director and production crew for the primary purpose of introducing Europeans and North Americans to some aspects of the Hindu culture, this film was never intended for domestic markets and in fact I believe that it remains banned in most parts of India. Although in many ways the Hindu culture is highly erotic, eroticism is not normally featured in domestic Indian films and the Director had to recruit two British born actresses for the starring roles. It is a beautiful film which was quite successful in parts of Europe and it is unfortunate that it had only a limited release in North America. Ultimately the film is a Feminist Tract, which is said to be based on an Indian legend from the early sixteenth century - the period immediately after the foundation of the Mohgul (Mongol) empire in India. It is a story about an intelligent woman born into a low cast who is the servant of a high cast compatriot betrothed to the local Raj. In most parts of the world the subservient status of women at the time of this legend made it very difficult for them to establish a satisfactory lifestyle except in the traditional role of wife to the master of a family and mother to his children. In India the difficulties were greatly compounded by the additional limitations imposed by the cast system. The film basically records the efforts of this woman to use her sexual attractiveness to develop a lifestyle that would be acceptable to her. In modern parlance Maya has the moral standards of a guttersnipe, but in the context of the period in which she lived she merely manipulated the weapons available to her to try to establish what any modern woman would describe as an acceptable independent lifestyle. Ultimately her plans basically fail and the film ends with her walking confidently towards an unknown future after losing her lover and every support that her former life had provided, but with a confidence that she could face the future, whatever it might bring, thanks to the lessons in life that she had learned during her period at the Royal Court. Women can clearly identify with this story - although IMDb users in general have only given this film fairly average ratings, the demographic breakdown of these ratings shows that younger women rate it most highly. The title "Kama Sutra - A love story" poses a problem, Many western viewers expected a near pornographic sequence of orgies with sexual encounters involving highly convoluted positions - their disappointment can be seen both in some of the viewer comments featured in this data base, and by the low ratings many viewers have given to this film. (One IMDb reviewer has made the interesting comment that the film might have been much more successful if it had simply been titled "A love story".) The film has also been derided as an Indian version of a modern soap opera. The common feature of soap operas is probably their limited characterisation and a shallow one track story line; but if we look at European stories and legends from the same period we find that they mostly show similar features - think only of the Decameron or such works as Moll Flanders and Fanny Hill. I have never been a fan of the modern soap operas- perhaps because they cut too close to home- but I am a sucker for those such as "Dangerous Beauty" or "Black Venus" which have the ability to temporarily transport one into life during an earlier period. Consequently I greatly enjoyed this film which not only successfully recreates a long past period, but also provides a realistic glimpse of life as lived in a totally different culture to my own. Most soap operas are rather melodramatic, but despite its exotic locale and period, the film "Kama Sutra - a love story" remains somewhat underplayed. The Raj showed a fairly unsavoury character, but none of the petty vindictiveness we associate with European royalty of the period. The arrest and execution of the sculptor, Maya's lover, was clearly inevitable but it was not carried out with the oriental barbarism I expected to be displayed, and this Indian royal court was shown as both more civilised and more humane than say its European equivalent in the English court of Henry VIII. For a film to be a success there are basically two requirements, it must have something worth while to feature and it must be sufficiently competently made to hold the viewers attention whilst watching it. In my view this film fully meets both these requirements. Although the story line was a little trite and the characterisation was somewhat shallow, the camera work was superb and was a delight to the eye throughout. It is hard for a Westerner to judge how authentically the sixteenth century Mohgul royal court was represented, but as shown its visual impact was both exotic and exciting. A important part of this film was the outstanding score which contributed much to the mood and atmosphere. This score, the sets, the costumes and the camera work were outstanding throughout and provided a continual feast for both eyes and ears. What more can a viewer expect? I give this film a rating of eight out of ten, much higher than the average rating recorded in the IMDb database, and I do so deliberately not because it was a great story but because both the score and the camerawork justify this rating. This is at least as valid as giving a similar rating to films with a great story to tell, but with very indifferent camera work. After all the cinema is essentially a visual form of entertainment and any film which can, like this one, keep our eyes glued to the screen throughout has to be recognised as way above average.
Good Love Story / Drama
When I rented KAMA SUTRA - A Tale Of Love, I thought my girlfriend would kill me for what the title implied. We were plesantly suprised to find a Love Story / Drama which, yes, has some very sexy scenes in it. Those looking for a movie version of the ancient text will be disapointed with the reasonable use of sexual content. There is an actual storyline here! This film is about true love, and the struggle for that love in the face of adversity. The love triangle, along with enough character development to explain the relationships between the five main characters, speaks of the human condition. The story takes place "Once upon a time...". The costumes and sets are really well done. The cinematography is richly textured, with India as the exotic backdrop, and you are transported back into time... and into the lovers' experience. This movie can take you through a full range of emotions, see it with your significant other, and expect it to effect you for the rest of the night.
Beautiful, erotic film.
I bought this movie after seeing most of it on Bravo several different times. I really love this movie. It has beautiful imagery and a good plot. I was captivated by the lovely erotic scenes. Although there is a love story in it, the film isn't entirely an happily ever after affair. However, the ending retains the feeling of hope and the fact that love (though not necessarily the lover) survives all things. A sad, yet hopeful movie. I highly recommend it.
Beautifully Done!
I must say I really enjoyed this film. I saw it late at night, when they usually only show crap on TV, and I was just blown away. I loved the historical setting, the costumes, the sets, the interaction of the characters, the dancing and the love story. I also can't help thinking that Indira Varma is probably the most beautiful woman alive. I found this film stunning, enjoyable and moving, and I highly recommend it to audiences who don't mind a little sensual nudity in their films.