SYNOPSICS
In Their Skin (2012) is a English movie. Jeremy Power Regimbal has directed this movie. Selma Blair,Joshua Close,James D'Arcy,Rachel Miner are the starring of this movie. It was released in 2012. In Their Skin (2012) is considered one of the best Horror,Thriller movie in India and around the world.
After the accidental death of their six-year-old daughter, the Hughes family escape their busy upscale suburban life and head to their isolated cottage for some quality time. An evening with their friendly neighbors is suddenly interrupted when one mans obsession with perfection escalates into a violent struggle, forcing the families to go beyond what they ever thought they were capable of in order to survive.
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In Their Skin (2012) Reviews
The performances deserved a better film
Mark and Mary and son Brendon retreat to the family's remote holiday house in order to recover from a tragedy, only to find that the new neighbours have it in mind to find out as much as possible about them, kill them, and steal their identities. This film has a good cast (albeit the two male leads are each playing the part the other should have played), good performances, and an intriguing (if underwritten) character in the baddie's "wife". On the other hand, it has a very slow start, a plot we've seen a hundred times, victims who annoyingly fail to take advantage when they have the upper hand, a climax which is over and done with in no time flat, and a desaturated colour palette. Is the good sufficient to outweigh the negative? That's your decision. For me, it was borderline.
Deserving points for execution...
...despite a somewhat suspect plot that raises a few too many questions that aren't satisfactorily addressed, "In Their Skin" manages to transcend its flaws to deliver a reasonably creepy psycho-thriller. Primarily it's the third act where everything falls apart. Premise: a young yuppie family has retreated to a summer home to work through the grief of losing a daughter, only to be tormented by an invasive mirror family of head cases who want to usurp their identities. We get to know our protagonists in Act I, we meet the antagonists in Act II, and things play out in the closing Act III. All well and good; classic Syd Field stuff. The cast is mostly on the ball, the lensing and lighting well done, effective helming from its tyro director/co-writer; there's much to like in this film. However, as mentioned, things fall apart as what started out as a slow- burning tension builder devolves into a disappointingly routine assault on our protagonists, replete with numerous stupid moves on the part of characters who've apparently never seen movies like this one before. The most egregious failures involve a lack of explanation/willing suspension of disbelief concerning the antagonist "family." They simply don't behave like real people; they're authorial constructs only. They have no real background, no internal consistency, and it doesn't take an audience long to figure out they have no likely future, either. One can only wonder how this trio's leader subverted his followers into his dementia. Ultimately, "In Their Skin" fails to pack the punch of progenitors like "Funny Games" or "Last House on the Left." It's not a terrible watch, but it's far from essential, or even recommended. Check out one of the two I just mentioned instead.
"Funny Game" Rip-off
Mark Hughes (Josh Close) travels to his isolated cottage with his wife Mary (Selma Blair) and their son Brendon (Quinn Lord) to recover from the loss of their little daughter. In the morning, Mark wakes-up with a family dropping wood on their porch. Bobby (James D'Arcy), Jane (Rachel Miner) and their son Jared (Alex Ferris) tell that they are neighbors that brought the wood to welcome them and Bobby asks if the HMark wouldn't like to have dinner with them. During the dinner, Mark has an argument with Bob and expels him and his family from his house. Soon they find that their house is under siege of Bob and his family that invade the house. When Mark's brother Toby (Matt Bellefleur) arrives in the house to visit his brother and his family, Mark and Mary learn how insane the psychopath Bob is. Michael Haneke's 1997 "Funny Game" is one of the most disturbing movies that I have ever seen. Living in a big city where we see violence on the news everyday, that sadistic movie really scared a lot since the plot is realistic and totally believable. In 2007, there was a stupid and unnecessary remake also by Michael Haneke spoken in English. "In Their Skin" is rip-off of "Funny Game" with good performances but with flaws in the story. First, I do not understand how vulnerable the American residences are, with glass windows and no protection in a situation of burglary like the Hughes cottage is. But the worst is why a man in possession of a revolver inside his house would leave his wife and son alone in the house expecting to escape from an armed psychopath. But the situation is not totally impossible to happen. My vote is six. Title (Brazil): "Em Sua Pele" ("In Your Skin")
Brief Nudity and Slow Pacing Does Not A Thriller Make
First off, I know this film has been compared to a lot of other similar movies but, since I haven't seen any of them, I will be judging this one on it's own merit. It's not very good. 'In Their Skin' presents us with a professional couple attempting to move past a recent family tragedy. Together with their 8 year old son and faithful golden retriever they retreat to a pretty spiffy, secluded home in the woods. What follows is a good 25 minutes of awkward PG-13 sex, minimal plot advancement and lots of moody scenes that all pretty much say 'I blame you for the pain I'm in'. Dry stuff. Finally (thankfully!) a trio of creepy neighbors appear and the thrilling really begins! Sort of. Here's the problem - If the invaders were just that, home invaders victimizing the people they randomly came across then fine, o.k., simple but plausible. But no. Instead, we are asked to believe the main villain played by James D'Arcy who, I'm just going to say it, is basically impersonating Bruce Dern throughout most of the movie, which is fine, but we already have a Bruce Dern, we are asked to believe he is actually attempting some complicated identity theft scheme that was worked out way in advance. And this is idiotic. Like most junior Mansonites these three all have problems with impulse control and clearly don't have the means or follow through to execute such a long term plan. I will admit the pacing does improve in the 3rd act and there are some tense moments but they are too few and too far in between. A lot of film school students might tell you otherwise, but there is nothing deep or introspective about a series of meandering scenes that lead to an arbitrary climax that could have occurred 40 minutes sooner. And just to save me the time of adding a note under the IMDb 'goofs' section I'll end with a simple question. How did they finally call 911? Check out 'Cabin In the Woods' More thrills, a few laughs, much better choice!!
The Replicants.
OK! From the off I have to say I'm hardly the right person to take as gospel as regards a review for yet another home invasion movie. I have grown increasingly jaded with this sub-genre of horror, it seems that every year a handful of these type of movies get trundled out and suckers like me keep watching in the hope of finding a gem amongst the rough rocks. In Their Skin isn't a gem, in fact it's not exactly a must see frightener, but it at least tries to add something to an already stagnated sub-genre of film. Namely an identity theft angle that veers away from the usual "oh they are just psychos or hoodies" line of thinking. There is a raft of reviewers out there in internet land drawing comparisons to this being a Funny Games knock off. Now regardless of how I personally feel about Hanneke's work, is that what people are doing now? Fans of his film(s) expecting a Selma Blair, Joshua Close, Rachel Miner and James D'Arcy starring movie to take home invasion horror to a new level? When it's directed by an unknown? Really? For an hour writer and directer Jeremy Power Regimbal favours the slow burn approach, and it works because the cast are very committed, and in the case of adult villains D'Arcy and Miner there's some bona fide creepiness about their respective mannerisms. It's only when things shift away from rumbling unease into psycho/sexual territory that the fledgling director loses control and sinks to formula conventions to get his shock and awe. Not a must see, but in the context of boorish fodder like The Strangers, or higher budgeted fluff like The Purge, then this is well worth a look by those not expecting a whole new dimension of home invasion horror. It does have merits that doesn't waste your time, and beside which, James D'Arcy in this looks uncannily like Norman Bates, so that has to warrant a look! 6/10