Illuminata (1998) Reviews

• Very funny and intriguing

  rsf-42000-05-14

  I don't know how this ended up with such a middling rating. It stands out as one of the wittiest, strangest and well-constructed films I've seen in years. Well photographed, with many characters wonderfully and unexpectedly acted. Appropriate for almost any mood, occasion or atmosphere.

• Great fun!

  closefriend2005-10-13

  Great bawdy fun! This has a lot to enjoy and we did. If you like delightful actors letting out all the stops as they clearly enjoy going over the top, or good, often excellent wit and writing, see this movie. They had lots of fun with humorous sexuality, very interesting sets, costumes and visual moments that stay in the mind. If you've ever taken an acting class, wanted to be on stage or known an actor with a larger than life ego and personality whom you couldn't help but love (even when you wanted to throttle him/her), this movie is for you. "Illuminata" is a real treat that we had never heard of before borrowing it from our local library. I hope you enjoy it nearly as much as we did.

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• Inside the "theater", but not too inside.

  cowboy-271999-08-15

  Wonderful characters, glib and meaningful dialogue, a portrait of theater and its denizens so complete you believe the film is a biography. There are no small actors here because there are no small parts. What might have been a cameo becomes a pivotal role. It has been said that the film was missing direction. Not at all. What was happening there was style. This guys loves women and shape and color, and what he likes best is wit. The entire cast....and that is everybody, was wonderful, so good you could smell the sweat. Camera and sets were so good you could hear floor boards creak. Music, well and tastefully done. Recommendation: see it once for the discovery, twice for the appreciation, three times for the education. You will not be bored.

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• Superb mesh of reality & theater

  hayzlnut52006-09-20

  This is something to watch! A beautiful soundtrack, an excellent cast, and untouchable screen writing! Comedy and drama are woven inextricably well together in it--though I'm of a mind to throw it into the comedy category as it is quite the gut-buster. Tuturro is indefatigably adorable (literally) as per the usual custom, while his lovely long-time partner Borowitz achieves an austere yet at the same time sensual sort of emotional anchor in the film. Sewell, gorgeous as always, makes for an excellently vain and superficial thespian. Hilarity, however, takes the stage before all else, spinning itself into and around the players and the plot. Spinning around like clandestine lovers, 5-foot bureaus, and pale-faced Pieros--all swirling about between worlds behind and before the red curtain. Old-timers Sarandon, Walken, D'Angelo, & Gazzara (a theatrical whore, a Wildean "macaroni queen", a stuffy unfulfilled power-wife, and an Old-Father Hubbard respectively) seem to enjoy taking a break from the rigmarole of Hollywood blockbusters and relaxing into the comfort of off-beat but positively unforgettable roles. Least forgettable among them, however, is Walken and his dance of seduction, which will most undoubtedly sear itself permanently into the back of anyone's brain. Cates, Irwin, Bassi, Behar, Aida, Sussman, and McCann are all indispensable as well, even though I list them in shameful lump here; due time for each would have the film extended another 2 hours, but what is given of them still allows each thespian to shine superbly nevertheless. They are simply smaller gems in the treasure chest this film is. Too many people have compared it to Shakespeare in Love and other mainstream films--but mainstream it is not. Don't bother to comment on it if you confuse it with them and disdain it insofar as it does not compare with them; you only show that you don't understand it. Understand in its stead that "not getting it" is okay. For those who say, "Poor Tuccio: he was so young, and so untalented," (:-D) know that for the rest of us, the film is almost flawlessly styled, each and every moment an essential thread of a tapestry, silk and gold studded in emeralds and rubies. Yeah, a lot like that. Much like the play it centers on, Illuminata, it is hard for most people to understand it seems; one of its primary themes I would say, if it must be stated overtly, is that the imperfection of life prevails. But don't read too hard into that either, friend; the film "goes in the wind, like someone that knows their way," which is to say that it 'floats' along. But what many mistake for meaningless meandering is really its fluidity, its subtle weaving. It is a film meant to be enjoyed thoroughly, like fine wine, to use a cliché; an opportunity to cut loose and laugh at the absurdity of it all, life that is. Even the tragic heroine played by Borowitz, whom we all agree is most noble and flawless in the beginning, in the end we see, is flawed. Each of them: flawed. And that's okay; in fact, that's the point. Thus, I give this a 10 out of 10 because I am satisfied in all respects with the film. Its soundtrack (which I bought), its cinematography (ooh la la), its cast (magnifico), plot (incandescent), and dialog (hilarious)--are all artfully interwoven, making it a gem unfortunately overlooked or misunderstood by the general public. Oh, and by the way: the puppets are just meant to be pretty, friends. Representative in some instances of the scenes to follow, but for aesthetic effect mainly (kudos on the puppeteering & puppets themselves). "Tuccio! Tuccio! Tuccio!"

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• The Play's the Thing...

  dr.bedlo1999-08-31

  This film shines from the loving direction that Tuturro lavishes upon Brandon Cole's screenplay. The entire cast is delightful, with Katherine Borowitz's loving and tormented Rachel and Christopher Walken's sexually aggressive Bevalaqua truly standing out. It was great to see a film about the theatre done so passionately, after the dull and trite "Shakespeare in Love". I was mesmerized by the performances. Tuturro, Borowitz and Sewell moved so seamlessly in and out of characters that you often felt that you were in "Illuminata". This film reminded me with an equally remarkable film, Louis Malle's "Vanya on 42nd Street". I'm going to have fire up the laser disc player on that one tonight. If you are a fan of the theatre or works on the theatre, then "Illuminata" is certainly going to work its magic on you.

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