Huset (2016) Reviews

• An excellent twist to an exorcist movie

  Spectralian2016-04-19

  "Huset" as it's known in Norwegian is an excellent twist to an exorcist movie. It takes on the concept of limbo in a very nice matter. The feeling and dialog throughout the movie leaves you with a numb and chilling feeling. It had me thinking "Wow, Scandinavian movies doesn't suck anymore for once", and that just hit the jackpot. My friends didn't quite understand the movie. But I like to think that I certainly did. They said that it was unfulfilling, but it was indeed very fulfilling. Because, through the movie you were able to spot changes that were based on both the characters and surroundings. Things like the environment would have objects changing/rotating and the characters would change too. So if you're watching this movie, try to pay close attention to the details of it.

• Solid and chilling effort

  kannibalcorpsegrinder2019-02-24

  During the middle of WWII, a squad of Nazi soldiers attempting to get out of the freezing forest around them seeks solace in a seemingly abandoned house, but the longer they stay at the house the more the squad comes to believe the house is haunted and must try to get away from the house alive. Overall, this one has plenty to like about it. One of it's most pressing attributes is the absolutely stellar design and layout of the house which makes the creepy goings-on all the better. The creepy house in the middle of nowhere, still completely furnished with the amenities of the time-period in full working order despite it's abandoned appearance is a perfectly enjoyable setup here that is paid off in grand fashion. This comes from the series of supernatural antics throughout here, from the usual suspects of seeing ghostly figures walk around in the background to the doors slamming shut or suddenly being thrust into the darkness which manages to still give this one a wholly enjoyable atmosphere throughout here. As well, the fact that this one tends to bring about the religious undertones also manages to provide this with plenty of strong atmosphere and thrills. The fact that there's plenty of strong religious paraphernalia strewn around the house, with the prominent crosses and rosary beads alongside all the mass candles and Bibles manages to give this far more of a dark and chilling setting. With plenty of the action here based around the concept of religious dread and guilt, especially due to the concept here of them being Nazis and are tormented by the creatures from the past concentration camps, features rather nicely in this one. It all comes together in the finale where this one really brings out its best work. There's some rather intriguing work to be done here with the backstory about what actually happened previously in the house, as the flashbacks to the exorcism attempt on the young girl that gets spelled out in several encounters to get the full story,fully provides this with a justifiable backstory that accounts for so much of the events that follow. Introducing people coming back to life that should be dead, others stuck in unexplained time-loops or even altered histories for the different characters, this creates some rather chilling scenes and concepts here that really give this a lot to like which hold this one up overall. That said, there are a few problems with this one. The biggest issue here is the absolutely grinding slow-paced tempo throughout here, which is quite surprising considering its overall length isn't that long. That should mean the film zips by rather quickly, but rather this one tends to go for a more sedate rhythm that focuses on each of the different soldiers reacting to the situation around them and getting more unnerved the longer they're there. This goes hand-in-hand with the sedate and low-key yet still chilling antics throughout the house that don't tend to focus on the reasoning for the haunting as that gets introduced quite late into the film due to this setup. As well, some of the effects belie their low-budget origins and seem somewhat hokey but it's not nearly enough to lower this completely. Rated Unrated/R: Graphic Language and Violence.

• There is more depth to it than expected, with some thought provoking elements. Feeling fresh and bringing something different to the horror genre

  KarlFranksMrGeeky2019-05-04

  My spoiler free review for The Bloody Asylum that can be found at WordPress, Mr Geeky blog: Huset (released as The Winter Siege in the UK) is a really solid Norwegian horror film set in Norway during World War 2. Written, directed, and produced by Reinhert Kiil, who has directed a number of feature films and short films including Juleblod (Christmas Blood). The trailer gives the impression that it is a film within the possession genre, however, even though it has some of those elements it also encompasses other horror genres. In some respects it also has certain aspects that bring to mind in a positive way The Twilight Zone. For the most part it is a successful variation of genre conventions, but its main strength is that it is at the core a film that deals intelligently and thoughtfully with the effects of war on the individual. The film opens with a stunning yet bleak snow scape vista, leading into a beautiful aerial shot that sets the tone of the film perfectly. The story that follows focuses on two German soldiers and their Norwegian prisoner who come across the titular house. A large part of the film is contained within this house and is pretty much a three hander involving these characters. The acting is superb from all three leads, Frederik von Luttichau, Mats Reinhardt, and Sondre Krogtoft Larsen perfectly depicting each of their respective characters, making them engaging and giving them enough depth so as the audience has an emotional investment in them. The superb cinematography by John-Erling H. Fredrikson and the production design by the director Reinhert Kiil compliment each other perfectly, flawlessly evoking the era the film is set. The framing of shots brilliantly utilises the widescreen, with great use of camera movement, and the editing by Iris Jenssen Nylaendet and Silje Rekk heightening the atmosphere. The drained coloured look of the film works beautifully, almost feeling like a colourised black and white film, further adding realism to the World War Two setting. The music by Kim Berg and Levi Gawrock Troite (credited as Levi Gawron) together with the sound design in the quieter moments of the film enhances the atmosphere, however at times misplaced overuse of loud sounds and music are relied on to create unneeded jump scares that while not ruining the film do at times detract from the other more effective aspects. Huset is pretty much successful with what the film-makers seem to have set out to achieve, feeling at times a unique horror because of the setting and time period. There is more depth to it than expected, with some thought provoking elements. Feeling fresh and bringing something different to the horror genre. Even though it is not perfect the positives far outweigh the few negatives. As I write this review I have watched Huset twice now and would happily watch it again because of its unique engaging feel that I have not come across before. Horror fans who are after a creepy and atmospheric horror film with some heart and depth will find Huset well worth checking out.

• Boring, not scary, and a waste of the actors and cinematographer involved

  kwilhelmi2019-03-19

  This is a snooze-fest. I was trying to like this effort and tell myself it was like an episode of the Twilight Zone, but it's just boring and not scary. Skip this one, even if you're desperate for horror.

• Norwegian/German horror should not want to be defined by films like this one

  Horst_In_Translation2017-04-19

  "Huset" or "House - Willkommen in der Hölle" or just "The House" is a Norwegian production from 2016, but don't be fooled by this fact and by the original title because the fact that this is the story of Nazi soldiers during World War II makes this a movie that is almost exclusively in the German language. It runs for slightly under 1.5 hours and is the most recent effort by writer and director Reinert Kiil. I believe it is the first film I have seen by him and I must say I am not impressed at all. First of all, the historic context adds absolutely nothing to this film at all. It is just there. There is no reason to watch this movie if you like films about this era because there is no elaboration on it at all basically, apart from the uniforms perhaps. So I am saying that this film could have played at any other point in history as well pretty much. if there is any reason to appreciate this film, then it is from the thriller/horror perspective, but actually really only from the latter as this is just not a good thriller movie at all. I myself like subtle horror films about unseen dangers, so this one is in theory also not to my liking and the same goes for practice. But this is really just subjective. The music felt overly loud at times and it seemed almost a bit desperate by the makers as they were clearly trying to hide the lack of substance here. There are many jump scares, but hardly any of them are really working. I find it a bit shocking to see a film with such low quality made by Kiil, who is a filmmaker who actually has a solid deal of experience and should know better than to release really weak outcomes like this one. Maybe he did not choose the right profession. Anyway, maybe I am doing him injustice and his other works are better. If not, then I hope he can step things up soon as he is still relatively young. All in all 4 stars out of 10 (or 2 stars out of 5 actually) is still very much on the generous side for this one. Do not watch unless you really love the horror film genre and have seen almost everything else.