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Stilyagi (2008)

Stilyagi (2008)

GENRESDrama,Musical,Romance
LANGRussian
ACTOR
Anton ShaginOksana AkinshinaEvgenia BrikMaksim Matveev
DIRECTOR
Valeriy Todorovskiy

SYNOPSICS

Stilyagi (2008) is a Russian movie. Valeriy Todorovskiy has directed this movie. Anton Shagin,Oksana Akinshina,Evgenia Brik,Maksim Matveev are the starring of this movie. It was released in 2008. Stilyagi (2008) is considered one of the best Drama,Musical,Romance movie in India and around the world.

While the Cold War heats up on the world stage, rebellious youth in 1955 Moscow wage a cultural battle against dismal Soviet conformity, donning brightly colored black-market clothing, adopting American nicknames and reveling in forbidden jazz. Straight-laced 20-year-old Communist Mels finds these brazen 'hipsters' shocking until he falls under the spell of one, namely Polly, and joins the new revolution. Soon he's a peacock, cavorting in the latest flashy fashions, sporting an enormous pompadour and wailing on the saxophone.

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Stilyagi (2008) Reviews

  • Silyagi Russian for Stylish Guy

    craigsarmory2009-01-02

    While on a recent vacation to the Ukraine, I had a chance to see this movie. Though I speak very little Russian, I was able to follow the story quite easily. It is an excellent film about Jazz sub culture in former Soviet Russia. It was visually dynamic and very well filmed. The songs are fantastic and catchy!! I really enjoyed it and am looking forward to it being released on video in the United States. The characters are wonderfully played. The lady I saw the film with told me that it "shined a big smile on America." I highly recommend this movie to anyone interested in Russian movies, musicals or the former Soviet Union.

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  • Enjoyable and with insight into postwar Russian history

    evgueny2009-02-15

    "Stilyagi" is one of the best Russian movies I have seen in the past 10 years. The director and actors did wonderful job. The movie is both romantic and fun, and at the same time it gives insight about a curious historical phenomenon. The World War II not only devastated Russia, but also exposed the otherwise isolated country to Western culture through captured movies, vinyl LPs, art, fashion clothes, and other spoils of war. This was particularly valuable for people who wanted to express their difference from others. They started to copy perceived "American" lifestyle, especially the clothes, using films like "Sun Valley Serenade" and the covers of jazz LPs as primary references. Not surprisingly, the result was an outlook more typical for Western show business entertainers than for mainstream design. Although the group believed that their attire was the true definition of style, the rest of Soviet population labeled them "stilyagi" to show their disapproval. In the totalitarian regime "admiration for the West" was a felony, however, after Stalin's death state security was reluctant to take action and stilyagi were facing relatively modest retaliation, mostly from local Komsomol (Communist Party youth wing) activists. Since the movie is about liberty and has elements of a modern musical, I feel like comparing it with "Across the Universe" (2007). In this comparison, "Stilyagi" is more dynamic and psychological, while actors' voices are just as good. The main duo of Anton Shagin and Oksana Akinshina, who are playing a Komsomol activist Mels in love with a female stilyagi member Polza, are delivering excellent performance, which is especially striking given their young ages. (It is ironic that Mels is an acronym for "Marx, Engels, Lenin, Stalin," and "Polza" in translation from Russian means "use.") A scene of a Komsomol meeting is truly memorable and in my view is a masterpiece. The music is mostly modern Russian pop and alternative rock, with lyrics adapted to the plot. The ending, which makes a connection between liberty ideals of stilyagi and modern youth, sounds like a bold statement in the nation that is still re-thinking its past.

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  • Seattle International Film Festival Viewing

    marilyn-larson2010-06-11

    This film was such fun! In addition to being a most entertaining film it was so creatively filmed. The colors are wonderful, the locations believable, the music was hip and the dancing spectacular. The director was present at this Seattle Film Festival screening and took questions from the audience which made it even more interesting. I have never seen a Russian film so to hear the language and see the talented cast, it was amazing. I hope it is distributed widely and soon in the USA. I think it's time we as Americans see something other than ballet and classical music from Russia. I wouldn't be surprised to find young people in the USA emulating the "Hipsters" style of dress, Goth and Punk are so yesterday and I'm so tired of seeing everyone in jeans, t-shirts and sweat shirts!

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  • Totalitarian Rock

    johno-212010-02-18

    I saw this last month at the 2010 Palm Springs International Film Festival and of the 23 films I saw there this year I would put this at the top. The time is post Stalinist era Moscow 1955 and Mels (Anton Shagin) is a typical 20 year old member of the local youth Communist party where his girlfriend Katya (Eugeniya Brik) is one of the youth leaders. Co-existing in the gray cold war world of the USSR are the Stilyagi, an underground youth movement of no-conformists who wear outrageous bright colored black market western fashions and wear high pompadours and listen to underground subversive jazz and rockabilly music. Mels is attracted to the Hipsters and in particular the lovely Polza (Oksana Akinshina) who has westernized her name to Polly. Mels adopts their lifestyle and westernizes his name to Mel. He is eventually accepted as a Hipster by Polly and her friends Betsi (Ekterina Vilkova), Bob (Igor Voynarovsky) and their leader Fred (Maksim Matveev) a dashing young son of a wealthy diplomat. The scene for all the Hipster action is out in the open in an uptown district called 'Broadway' where the Pompadour Club is located and where underground records, clothing and musical instruments can be bought in dark alleys and safe houses. Directed by Valery Todorovsky and adapted for the screen by Yuri Korotkov, the author of the novel 'Boogie Bones' about the hipsters and bootleg western recordings this film blends drama with sly comedy and wraps them around a bright colorful musical that is indeed a cinematic event. Fantastic music score from Konstantin Meladze that is reminiscent of the music of the group Manhattan Transfer with wonderful clothing costumed by Aleksandr Osipov that are reminiscent of the Stray Cats and West Side Story this is a lavish production with a beautiful production design by Vladimir Gudilin and richly photographed by Roman Vasyanov. Lots of veteran Russian actors in supporting roles like Sergey Garmash, Oleg Yankovskiy, Alexsey Gorbunov, Irina Rosanova and Leonid Yarmolnik. A very original film chronicling a movement that would lead the way to the acceptance of jazz and rock and roll and future movements like hippies, punks and hip hop rappers. These counter-culture Hipsters of yesterday are the ultimate round pegs in a square world. I would hope this gets distribution in American art house theaters. The story itself isn't all that compelling but I don't think it's meant to be. It's more of a visual and auditory experience and it's a cinematic event. I would highly recommend it and give it a 10 out of 10.

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  • Stylish

    brazhka152009-08-01

    The picture is stylish and colorful. Nevertheless, it will be better understood and perceived by Russian people, by those who grew in the Soviet Union as an adolescence and who knows what's it's like to constantly be under the pressure of the system. By wearing bright clothes and make-up, by dancing to the forbidden music, these guys resist "greyness" and boredom of the time. They try to change not only themselves , but also the milieu which surrounds them and every day and every night controls their private lives. Music is great, but again mostly it's Russian, and only those who knows it, will get this "nostalgic" feeling while watching the movie.

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