Garage Days (2002) Reviews

• The soundtrack is pretty good!

  acerbica2005-01-29

  Unfortunately, the rest of the movie sucks on ice. The "characters" are either overblown clichés (death-obsessed goth girl? Check. Drugged-out drummer with mod haircut? Check check. Ubiquitous use of eyeliner? Check check check!) or ridiculously annoying people who you'd never spend six seconds with in real life. Script-wise, this is a soggy mess. There are three people credited with the story, which makes sense as there are at least three movies stitched together. My guess is that Dave Warner wrote a comedy, Alex Proyas penned a tragedy, and Michael Udesky scribbled in a notebook while tripping on liquid acid. Then each of them tore out every fourth page of his script, threw the remaining pages up in the air, and stapled the resulting mess together. The, um, cinematography is aggravating. Tarantino is not hip, MTV is not edgy and that disjointed text-on-screen technique went out of vogue around the 1890's. As for the trip/rave/ingestion scenes, they're as effective as PSAs: Don't do drugs! Why? They're boring as all get-out. Overall this is a sickeningly inauthentic movie. The acting is laughable, the comedy is unfunny, the pathos makes you hate these people even more than you previously did. All the tattoos look like they were drawn on with Magic Marker. And the band's total playing time is less than two minutes. 90 seconds of that is a fantasy scene. The ONLY reason to acknowledge the existence of this celluloid horror is its soundtrack. Featuring the Jam, the Femmes, the Cure, Roxy Music and Tom Jones - that's entertainment. Just buy the record and skip this movie entirely.

• Get acquainted with Aussie comedy. NOW!!

  rooprect2012-09-03

  Do yourself a favour and see "The Wannabees" (about a gang of foul-mouthed thugs who become the country's most successful children's show), "Razzle Dazzle" (about a failing dance instructor and a bunch of fellow losers trying to coach a bunch of pre-teen girls to victory) and "Garage Days" about... as best as I can summarize... a rock'n'roll soap opera that plays out like a Hunter S. Thompson nightmare (Fear & Loathing in Las Vegas). "Garage Days" is exactly what a quirky, offbeat, rock'n'roll Aussie comedy should be: quirky, offbeat & full of rock'n'roll. Before I even get to my review, I'll mention some of the tunes on the soundtrack: AC/DC "It's a Long Way to the Top" & "High Voltage", The Cure "Boys Don't Cry", Violent Femmes "Blister in the Sun", Roxy Music "Love Is the Drug", and a particularly hilarious choreographed psychedelic scene set to Rick James "Superfreak". As in Proyas's masterpiece "The Crow", the music really sets the stage for the whole experience. "Garage Days" follows a month in the life of a struggling punk-metal-grunge-pop band trying to get their one big shot. Along the way we get roped into the common themes of sex, drugs, love & friendship... and the not-so-common themes of creepy goth girlfriends, soul-sucking slot machines and talking cantaloupes. The whole movie comes at you hard & fast, like "Amelie" on crack. Quite surprising for director Alex Proyas, master of the cinematic shadows ("The Crow", "Dark City")--it's very bright and lively. If you're a fan of Proyas, you must see this side of him. Much like Tim Buton who did "Batman" as well as "Peewee's Big Adventure", Proyas proves that there's a fine line between darkness & light, and he's able to cross it seamlessly. A note for us Yanks, it helps to watch it with the subtitles because the Aussie accent can run over you like a rabid kangaroo. And some of the quips are priceless, you don't want to miss a beat. I found the script to be hilarious, the acting charming, the story suspenseful and the presentation memorable. Tastes may vary, but I found each character to be instantly likable, from "Freddie" (an odd mix of Peewee Herman and a young Christopher Walken) to "Tanya" (a punk rich girl who sports the perfect blend of hot, cute & badass), "Lucy" (Henry Rollins meets Billy Idol meets Mongo from Blazing Saddles), "Joe" (a puzzler who is best left for you to decipher), "Joe's dad" (an aging rocker who himself is more childish & clueless than his son), all the peripheral characters who did a stellar job, and then there's the guy who steals the show "Bruno" their loser manager (played by Russell Dykstra from the aforementioned "Wannabees"). There aren't many well-known movies I can compare this to because it's so unusual, but if you've seen the hilarious Japanese flicks "Kamikaze Girls", "Swing Girls" or "Otakus in Love" I'd say this fits right alongside them. It also reminded me a bit of the funny Rainn Wilson flick "The Rocker", only pumped up with twice the adrenaline and totally Aussified. If you like rock'n'roll comedies, do not miss this!

• Nice Example of Aussie Humor (or Humour)

  cvealint2005-10-16

  Being engaged to an Aussie may jade my opinion of this movie, since I have been exposed to some of the little inside jokes and such over the past few years. However, any movie that keeps you talking about it and wanting your friends to see it so that you can chat about your favorite scenes is a movie worth watching. Yes, it is an old plot, but aren't they ALL?!?! Boy meets girl...boy can't have girl (Groundhog Day fell into this one in one aspect). The underdog(s) fighting all hope to live the dream (a la 8 Mile). We've learned to accept that there are a few plots that work, yet it is the nuances that happen to make them unique. This little movie has some great nuances, so forget the similarities and enjoy the uniquities. Grab a bag of chips and enjoy the ride. By the way, without spoiling anything, anyone out there who loved seeing the Stanford Tree mascot and the Cal Bear mascot throwing punches during a basketball game will howl out loud at one small scene. I know that I did.

• Old plot updated with Aussie's and a great sound track

  echozdog2004-11-29

  I liked this movie. The plot is as old as the hills, only it didn't end the way I guessed (and I like that). Also there is a twist that I didn't see coming. The movie tells the story of a band that starts before their first gig. There are the usual inner-band romances going on and the kooky over weight manager/roadie tossed in for fun (see "Rock Star" or "Still Crazy"). The have to raise $1200 at one point (insert usual odd ways they do that here). There is the usual big concert at the end. Blah Blah Blah. BUT I liked this movie. Why? The ending was real, the sound track is great (I'm 41 what can I say), there were some twists to the plot I didn't see coming and the even though it's a tired old plot, it's a tired old plot for a reason: It's a good one. 7/10

• Proyas should stick to his darker subjects

  vampiresan2002-09-17

  This film is a disappointment. It tries too hard to be cool and too little to be interesting. The love triangle is never compelling and the "will they/won't they make it" story would work only if we cared. As it is we have a bunch of annoying musicians doing not much in not much of a movie. Filmed in location in Newtown - where I live - it was interesting to see my haunting ground on the big screen. Also many of my friends were extras in the film, but all ended up on the cutting room floor. A shame cause for me having them in it would have been the highlight, nothing else was. On a positive note, Australian Actor Russell Dykestra does a great job as the manger/roadie of this unsuccessful garage band. The rest of them however seem terribly miscast. Maya Stange looks reasonably vacant throughout, like she really would prefer to be somewhere else - and who could blame her. Pia Miaranda and Kick Curry - both so good in "Looking for Alibrandi" a few years back, fail to light any sparks here. The style of the film is so erratic as to be positively frustrating, never more so than when we get the slow motion "let's get inside their heads" scenes where the characters voice over tells us unnecessary and frankly not very enlightening exposition. And as for the drug scenes - well terrible drug cliche doesn't even begin to cover it. The final song and dance scene played during the credits is the best bit of the film, trouble is you have to sit through the rest of it to get there. Alex Proyas (The Crow, Dark City) works best when he deals with dark, broody, mystery subject matters. Light quirky Australian comedy clearly isn't his forte.