Fried Green Tomatoes (1991) Reviews

• Storytelling at Its Best

  chron2001-03-25

  I enjoyed this movie immensely. This is one of the best examples of storytelling that I have seen. The structure of the movie - alternating between the past and present, with multiple intertwining plots - keeps the viewer hooked on how the story will unfold. It unfolds gracefully and is enjoyable throughout. The acting is exceptional. Mary Stuart Masterson and Mary Louise Parker carry the bulk of the acting load. They are fantastic. The relationship between these very different young women is complex and satisfying. Since the movie is about women and the female roles are so strong, this movie has been dubbed a "chick flick", but that pejorative is unfair. This is good film making and those who like plot-driven cinema will enjoy this immensely. This one is in my DVD collection.

• A Beautiful Film

  johnpearce482004-10-28

  This is truly a beautiful film. Well written and superbly acted it tugs at the heartstrings harder than almost any other movie. The way it sets up an obvious story line and then like a gentle roller-coaster suddenly takes you in another direction is unequalled in this type of film. There are so many points of genuine sadness and whenever you think you have guessed the story you suddenly turn to find an outcome more surprising than you thought. Major characters die, major characters do not "fall in love" and major characters are not allowed to cop-out; it is as a film should be. Remarkable well written, produced with care and acted with understatement and love - it is a beautiful film. Watch it.

• An Excellent Story Within A Story

  azifucare2004-07-09

  I must admit. When I first heard of this movie many years ago, the title didn't sound that appealing and the few scenes that I saw didn't look very interesting. But what can I say? I was little then and didn't know what I was missing. My mother kept telling me how good of a movie this was, but I was just too stubborn and didn't pay attention. It was only a few months ago that I decided to watch it when it appeared on TV and boy was I surprised!! This movie is beyond anything that I have ever viewed in my entire life. Usually, this sort of movie isn't the kind that I look at, but I fell in love with the story and the characters, as well as the wonderful actresses (Kathy Bates, Jessica Tandy, Mary Stuart Masterson, and Mary-Louise Parker) who did an outstanding job portraying their characters in a unique and unforgettable way. Since I don't want to spoil anything for those who haven't seen it, let me just say that it's an astounding tale of a special friendship that goes way beyond what we would call a "regular" one. It will make you thankful for the friends you have and even give women a sense to stand up for their own rights. All in all, I give this movie a 10 out of 10. If you haven't seen it, what are you doing reading this?! Go out and rent it!

• The Story Stays With You Long After the Movie Ends

  Ouarda2003-07-03

  This is one of my top five films of all time. I was somewhat skeptical the first time I saw it because I adored the book and I knew there were some changes, but I found the essence of Fannie Flagg's fabulous novel in tact. This is a story that burrows into your heart and mind and stays there. It is absolutely magical storytelling with a stellar cast and beautifully written characters that never fade from memory. A time and place in America, filled with the best and the worst of our life and history, is impeccably captured. The flashbacks take us to the time of an Alabama whistle stop town that was a bustling hub when the railroad was the center of all movement. This was the era of hobos and simple pleasures. The scenes from the past become more powerful by the juxtaposition to modern times, where the story begins and returns at intervals. Kathy Bates plays Evelyn Couch, an unhappy middle-aged housewife who stumbles on Ninny Threadgoode (the superb Jessica Tandy) one day by accident at the nursing home where she is visiting one of her husband's relatives. The two have an instant chemistry and a deep friendship begins. Ninny proceeds to tell Evelyn the story of Idgie and Ruth, two young women who shared an amazing friendship and love 50 years earlier. This movie has to be experienced, as mere descriptions might sound like another southern-flavored movie about women or a weepy nostalgic tale. It is much more than that, and more than the most glowing review can ever convey. If you are reading this and haven't seen it, please make a point to. The actors are nothing short of magical. All four actresses (Jessica Tandy, Kathy Bates, Mary Stuart Masterson and Mary-Louise Parker) are at the top of their craft. I will borrow a line from Ninny Threadgoode to describe how I always feel after seeing this film. "I may be sitting here in this nursing home but in my mind I'm over at the Whistle Stop Cafe having a plate of Fried Green Tomatoes". I may be sitting here finishing this comment but in my mind I'm at the Whistle Stop Cafe. That's how powerful this story is for me.

• Consummate story-telling, served well by superlative performances

  vijayr1999-02-22

  Fannie Flagg's novel of immense complexity (huge cast and innumerable separate stories) could have been impossible to film. However, it is made possible, in large part, by the performances of Mary Stuart Masterson and Mary Louise Parker in what should have been billed as the lead roles. They play the two southern women who's joint story this movie revolves around. Jessica Tandy's role is to relate the story to a lost and longing Kathy Bates (in modern times). Director Jon Avnet ties the two together nicely at times, awkwardly at times, but always (except the end) without doing damage to either. He (and the production crew) bring to life a 'peaceful' southern town very nicely. The two Marys manage to convey the fullness of a complex relationship with apparent ease. There on-screen chemistry is nothing short of dazzling, and one is left wondering when and how these two actresses carved out such detailed characters without giving voice to their motivations and feelings. While it is rare that dialogue directly addresses the heart and nature of their relationship, what that is becomes clear quickly and transcends the plot of the story to become the real unifying element in this movie. That neither was recognized (in the conventional way) for their performances is unfortunate (which is an understatement).