SYNOPSICS
El fondo del mar (2003) is a Spanish movie. Damián Szifron has directed this movie. Daniel Hendler,Dolores Fonzi,Gustavo Garzón,José Palomino are the starring of this movie. It was released in 2003. El fondo del mar (2003) is considered one of the best Drama,Thriller movie in India and around the world.
Toledo, 25 years old, future architect, suffers from an acute jealousy. He cannot concentrate on his job nor on his studies, being continuously mindful of his girlfriend and concubine Ana's whereabouts and activities. Toledo arrives home and has a long conversation with Ana, who constantly manifests a ridiculous desire of 'going out for a drink'. They lie in bed but all his advances are instantly rejected by a progressively more nervous Ana. He cannot explain her intermittent crying and disturbed reactions. Until she leaves to the kitchen and he finds out that under the bed a male shoe that does not belong to him is carefully hidden by a male hand, under his own eyes. Paralyzed by the discovery he is only capable of leaving with a stupid excuse, trying to hide from Ana the anguish that barely lets him breath. Toledo awaits on the street for the exit of Ana's lover and begins a one-of-a-kind persecution-investigation that will last the whole night, to find out, before confronting him, ...
El fondo del mar (2003) Trailers
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El fondo del mar (2003) Reviews
Moods rather than Storyline
Honestly, I expected a little bit more from Damian Szifron. If any of you had a chance to see his TV show "Los Simuladores" you know what I'm talking about. The premise is nothing out of the ordinary: An upper-middle class, shy guy goes completely paranoid when his girlfriend shows "cheating symptoms", hence he decides to follow her apparent lover all night long. Szifron manages the pace of the movie really well, which helps to convey the idea that something else is going on apart from the main plot. The latter is the only thing that gives some value to this thriller. However, the twist is not strong enough since the second plot point falls short from the audience's expectations. In the end, many things are left unsaid, the subplots are completely ignored or not developed and some things which might look like motifs throughout the movie, never come back or do not express any special significance. All in all: go watch it and see for yourself.
jealousy
It presents an obsessive jealous guy in a good mix of suspense and comedy. In fact, the jealousy seems to hide his unconformity with his relationship. After a highly enjoyable first hour, the movie decays a little, being at the end just a nice note about maturity. The cinematography is good. Clever jokes in a silly movie. 6.5/10
Being the character
Ezequiel is a young architecture student whose world begins to collapse when he finds out that there is another man in his girlfriend Ana's life. He does not know how to handle the situation very well and makes a series of bad decisions in retaliation. Damián Szifron creates a dramatic, suspenseful, and comedic film which develops very unexpectedly. From the very beginning of the film we follow Ezequiel, learning who he is and what he does. After his realization of the events which his girlfriend has taken part in, we begin to experience a side of Ezequiel which seems to be as new to us as it is to him. His actions at various times are very abrupt and without much thought, which make the audience wish they could stop him or at least advise him. This is a good sign that the director achieves capturing us in the story and causing us to feel what the main character feels, although there is nothing we could do about it. Although Ezequiel's rash actions give the public occasional scares, after the fact they become quite comical and ensure the viewer an enjoyable movie watching experience.
Weird Overrated Movie
The student of architecture Ezequiel Toledo (Daniel Handler) is obsessed by his girlfriend Ana (Dolores Fonzi), feeling a sick jealously for her. When Ana is invited to go alone to a party sponsored by her company, Ezequiel becomes paranoid. He arrives at their place unexpectedly and finds a man hidden under their bed. He follows the man trying to find his name Anibal (Gustavo Gárzon) and occupation, along a night full of incidents and misunderstandings. "El Fondo Del Mar" is a weird overrated movie. The beginning of the story gives the expectation to the viewer of a great movie, blending suspense with dark comedy like in "After Hours". Unfortunately nothing happens, the plot point is ridiculous and the story is absolutely silly. Honestly I do not understand how this film was nominated and won some categories of minor festivals it seems to be a joke! My vote is five. Title (Brazil): Not Available
A dud that pretends to be important
'Bottom of the Sea' is a maddeningly uneven and peculiar movie that starts with an interesting premise: immature boyfriend (Daniel Hendler) notices a man (Gustavo Garzon) hidden under the bedroom apartment of his girlfriend (Dolores Fonzi), and then becomes obsessed with finding out who is he. He follows him relentlessly, encountering an array of mishaps as he goes. These mishaps are apparently supposed to be funny, but they're played with suspenseful music in the background. It's an odd incongruity. Credulity is really strained in this film with Hendler's character, replete with heavy beard, a filthy t-shirt, ratty sweater, scruffy jeans and shoes. He looks every inch a hobo, not exactly the ideal candidate to be surreptitiously following someone around the streets of Buenos Aires. One look at this guy and you'd remember him for weeks. Another big problem is having Hendler and Garzon share most of the screen time, leaving the gorgeous and talented Fonzi about 15 minutes to play what basically amounts to a prop. It's a role that pretty well any actress could have played. Big mistake of omission by the director, because Hendler just can't carry this movie alone. (And I must ask: since Hendler really DOES look like a hobo, like a guy who hasn't washed in a month, what in the world would a classy woman like the Fonzi character see in him in the first place?) When we find out what the mystery character (Garzon) is really up to, there is no suspense, no real surprise, only an explanation. So the viewer is left to wonder: 'just what was that all about?' Basically, as far as I can tell, the film gave director Damian Szifron an excuse to make a symbolic/metaphorical film about the dark unknown of the sea serving as a source of light, hope and enlightenment for those lost in the world above. Immature architect Hendler envisions a sustainable, submerged city where people can find out 'who they really are'. All in all, this is a confused movie that really doesn't know what it wants to be when it grows up.