De zaak Alzheimer (2003) Reviews

• A professional looking movie from Belgium

  johan-wuyckens2005-01-25

  Only a handful of Belgian movies haven't given me the feeling that they were produced locally and with a limited budget. This is one of them, not surprisingly because it was done with a larger budget than usual (but still quite small by Hollywood standards). I feel it has everything in place to rival any Hollywood production. The most important asset of the movie however is veteran actor Jan Decleir, a man who was already indirectly nominated a few times for the Oscars via the foreign movies section. Jan Decleir is brilliant and outclasses everyone else on the set (as he often does). The rest of the cast consists of good and not so good actors (some come from terrible Flemish soap series), but somehow everyone seems to rise above him/herself on this occasion and everyone deliver a decent performance. The photography, camera-work, everything's done quite professionally. The difference with many Hollywood action movies is the fact that the plot is quite good. The fact that the main character has Alzheimer's and that he has to use his ever shrinking mental capabilities to finish his quest, is an original twist. People will compare Alzheimer's to Memento, because of the main character's memory loss. But Memento was conceived to challenge viewers, to baffle them, to be perceived as intelligent and artistic. By contrast this movie is more down to Earth, more realistic and in the end simply something completely different. It's nothing more than an original cop-movie, good entertainment and certainly something I'd recommend, even to non Belgian or non-Dutch speaking viewers. Plans are underway for a Hollywood remake of this movie, so it must be other people have recognized its potential too. One word of caution though. Many people say the movie is a bit too long. That's a sentiment I share. At the end the plot loses a bit of its strength. But overall i'd label 'De zaak Alzheimer' a good movie.

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• Finally a great Belgian "policier"...

  Joyce Hauchart2003-10-20

  It takes a lot of guts to make a Belgian "policier". It's like making an American western without John Wayne, or a French flick without Jean Gabin or Alain Delon. New times, new directors, new actors... Director Van Looy found his actors. Not only are they good, they are outstanding. Much will be said about the three main actors: Jan Decleir, Koen De Bauw and Werner De Smedt, but look closely at the supporting roles. Hilde De Baerdemaeker is one of the coming Belgian ladies... read my lips! The script is based on a book by author Jef Geeraerts but for once the adaptation is better. The dialogues are tongue in cheek, and for fans of "NYPD Blue" or "Homicide" this movie is a real treat. When the lights come on in the theater you want to look at your TV guide and check when the next episode is due... The camera is nervous, it follows the action closely and the music is very well chosen. Also, without being chauvinistic, it's wonderful to see all the action take place in one of the largest European cities: Antwerp. One of the best Belgian movies yet? Yes. A nice build up of characters, situations, drama. It's not easy, but it has been done. Director Van Looy found his real commitment, a police thriller. You can compare this movie with "Memento" (the memory loss) or "Se7en" (the dualism between the two investigators) but better yet to "The Insider". Watch it: you will find out why.

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• In the Swamp of Corruption and Children Prostitution

  claudio_carvalho2005-12-26

  I bought this DVD without any reference, and for my surprise it is an excellent thriller. The theme about children prostitution is very well exposed, the beginning of the movie is very impressive, and the actress Lauren Van de Broeck that plays Bieke Cuypers really looks like a little Lolita. The story of an old hit man that has a code of honor and does not accept the job of killing a teenager, turning against the powerful men that hired him, is magnificently disclosed, in a right pace and with stunning performances. The emphatic character of Angelo Ledda is played by the unknown actor Jan Decleir, and I was really impressed with his acting. I have just seen in IMDb that "De Zaak Alzheimer" won seven prizes and three nominations in European Festivals and this movie certainly deserved these awards. The character of Baron Gustave De Haeck , living in a swamp of corruption and children prostitution, would certainly not adapt living in the jungle, as mentioned in the story. My vote is eight. Title (Brazil): "Alzheimer Case"

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• Noirish police story as twisted as the killer's mind

  btyson-12005-11-19

  This Belgian film was titled "The Memory of A Killer" when it played in Austin in September. Known in Europe as "The Alzheimer Case," it's a police procedural about an aging hit man with early Alzheimer's who agrees to complete what he knows is his last assignment. Movies featuring a character with Alzheimer's are often somber, bittersweet weepers. "The Memory of a Killer" is nothing like that. It's a taut, fast-paced noir with a protagonist who lives by the same code as that of Alain Delon in Jean Pierre Melville's "Le Samourai" or Jean Gabin in "Touchez Pas Au Grisbi." The hit man Angelo Ledda is portrayed by Belgian actor Jan Decleir. He won his country's top acting award and other European festival honors for his nuanced, empathic performance. How Ledda knows what's happening to his mind is explained in a way totally credible to anyone who has known someone suffering from this disease. Even as his mind slips away, he retains his morality about certain crimes and that code eventually sends him in directions that surprise and anger his employer. Ledda's crimes and related crimes drive two police investigators - and Ledda - in a race against time. The plot threads become as tangled and mysterious as the tangles in Ledda's diseased mind and unravel in a stunning conclusion. This film was made by Belgian director Erik Van Looy, whose stylish work won top honors along with Decleir. The film is based on the novel "De Zaak Alzheimer" by popular Belgian detective novelist Jef Geeraerts. Hopefully, it and his other novels will be translated into English. Geeraerts' psychological approach evokes another Belgian writer, the incomparable Georges Simenon. This is the first of Geeraerts' stories to reach the big screen, and Hollywood has bought the rights to a remake. Don't wait; see the original. Decleir's portrayal should not be missed.

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• Best of the Flemish Police Thrillers (!)

  mcnally2004-09-11

  I saw this film at the 2004 Toronto International Film Festival. Although based on a novel, this stylish police thriller's main conceit ("hit-man has Alzheimer's") could have been lifted from a Hollywood film executive's idea of "high concept". Except that it would have made a forgettable Hollywood picture. Instead, director Van Looy sets this story in his native Belgium. Police detectives Vincke and Verstuyft are like a modern day Starsky and Hutch, without the bad haircuts. Who knew that Antwerp even had police, never mind such cool ones? Their job is to track down the man who's killed several high-profile politicians and a young child prostitute. Reminding me a lot of Terence Stamp in The Limey, veteran actor Jan Decleir portrays aging hitman Angelo Ledda, whose refusal to kill the young girl leads him to seek revenge on the people who want her dead. His deterioration is a cause for sympathy as well as a plot device. He must complete his "mission" before he forgets his reasons for carrying it out. He also plays a cat and mouse game with the police who are trying to solve the killings, staying one step ahead until he can no longer think clearly. Van Looy admitted his fondness for "police thrillers with a soul" and especially for the work of Michael Mann, and the influence of Mann is everywhere. If you like Mann, you'll like this film. Well-developed characters, moody cinematography and fine acting didn't completely save this film, though. I thought the plot was a little too straightforward, and the film itself was about 20 minutes too long, with a couple of false endings that could have been re-cut. I think I would have given a shorter version of this film an 8, but even if it was a slightly derivative cop film, it was a slightly derivative cop film IN FLEMISH, which has to count for something! (7/10)

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