Daikaijû Gamera (1965) Reviews

• Classic Kaiju!

  Eric-62-22001-02-21

  Sure the film is silly if you're not a fan of the Japanese monster movie genre. But if one catches the right version of this film, which is the original American dubbed version, and not the grotesque Sandy Frank re-dub that's been deservedly sent up on MST 3000 many times, then you'll end up watching instead a credible entry in the "kaiju" genre that was the first effort by Toho rival Daiei to come up with their answer to Godzilla. The original Japanese version (and the Frank redub) has some particularly horrible scenes involving American Air Force personnel in the opening, including among others a would be actor playing the general who looks and sounds like he's auditioning to replace Curly in a Three Stooges short. The original US version thankfully replaces all of these scenes with more credible looking ones featuring some professional actors, especially Dick O'Neill ("The Taking Of Pelham One Two Three") as the general who is so good you wish he'd been in the rest of the movie instead of over the hill Brian Donlevy who plays the US general in charge of the operation.

• Horribly good... but still horrible.

  FairlyAnonymous2011-09-23

  Ah classic Gamera. Well this is the first Gamera movie in a relatively large series. Generally the first movie is the best movie in the series, but not so with Gamera. Actually the latest ones are the best, while this one is one of the worst. The plot revolves around a turtle that can shoot flames from its shell to fly around like a flying saucer... seriously. It's that bad. I really could get into a very large post about all the things wrong with this movie, the first of them being the annoying main character/kid who is entirely stupid and is trying to protect Gamera from the military, while Gamera kills innocent people. The kid says "Gamera saved my life" but Gamera never did! The kid was standing on a tower, Gamera smashed the top of the tower where the kid was standing, and as the kid was about to fall, Gamera catches him, and then drops him. Doesn't sound like a friendly turtle. Either way this movie is pretty awful and the ending is the funniest thing in movie history. I honestly saw it coming, but it was still funny.

• Entertainining in general, with one "standout" scene

  Skragg2005-11-30

  In spite of being a fan of these Japanese monster movies, I saw it for the first time (that I know of) less than a year ago. (I'm referring to the "American" version.) It was pretty entertaining in general, but there was one thing that stood out for me, and that was a comedy scene (and I don't mean an "unintentionally funny" one). Early on in the movie, the monster was mistaken for a UFO, and there was a televised debate between an astronomer and a ufologist (a traditional set of antagonists, in and out of fiction). I'm not sure about the astronomer, but the ufologist was played by Alan Oppenheimer (he wasn't in the credits, but there's no mistaking him if you've seen a lot of sitcoms). Anyway, the debate got out of hand in a comical way, with both men getting really frantic to win it (maybe whoever wrote the scene was neutral about the UFO subject), and to me, it was funnier than 90 per cent of those comedy scenes about UFO's that you see now (with their overworked jokes about "probes" and abducted hillbillies and so on). Anyway, that's what the original "Gamera" means to me.

• Dr. Cyclops meets Prof. Quatermass!

  reptilicus2003-06-21

  This review is of the American version of the film which has additional scenes offering two of the movies favourite scientists, Albert Dekker (Dr. Cyclops) and Brian Donlevy (Prof. Quatermass) together. Once it became obvious that Toho Studios had a hit with Godzilla other studios wanted their own monsters. Daiei came up with a giant fire breathing, flying turtle. Well, why not? Freed from the arctic ice by (what else?) a nuclear explosion Gammera heads for (you guessed it!) Tokyo to cause the usual panic and destruction. Gammera is not a mutation of atomic radiation (like another giant monster who shall go nameless at this point) he comes from a time so remote in Earth's pre-history that his cell structure differs from all other living things. He gets energy from heat and eats fire to survive! This makes all modern weapons useless. What to do? The military comes up with Plan Z which is surely the most outrageous way of getting rid of a giant monster that has ever been used in a movie! Does it work? Well . . .until the sequel it does! Both versions of this film are fun though I have a preference for the original Japanese versions of all movies of this genre. Actually this movie has many incarnations. This version which was done in 1965, another version with different dubbing done by Sandy Frank in the 1980's and the original, subtitled Japanese version. They vary just enough to make each version original. Gammera, and this is the only movie where his name is spelled with two "m"'s, is a villain in this one but he learns rather quickly to become a good guy in the later sequels. There has been talk for the last 10 years about a movie where Gammera battles Godzilla. Toho Studios claims this will never happen. Still, you never can be sure.

• As was the case with the "Godzilla" series, first is almost always usually the best...

  dee.reid2010-05-22

  1965's "Gamera: The Giant Monster" is notable for three things: Daiei Studio's Gamera, the giant fire-breathing turtle of Atlantean origin, was the only significant rival to Toho Studios' Godzilla; two, this is the only movie in the "Gamera" series of films in which the titular chelonian does not battle another monster; and three, this was the last Japanese monster movie to be filmed in glorious black & white. Godzilla is my favorite movie monster of all time - "Gojira" (1954) is my favorite giant monster movie, period - since I was first exposed to the badly dubbed Japanese "kaiju-eiga" (Japanese monster movie) series of films as a young kid. Gamera was my #2 favorite monster from Japan. I deeply regret that Gamera never really obtained the same sort of recognition that his other fire-breathing rival did, but that does not mean that the movies were not bad. Directed by Noriaki Yuasa, "Gamera: The Giant Monster" has a plot ripped straight from the original "Gojira," but with a significantly lower budget and lacking a meaningful social and political subtext or emotional resonance: at the height of the Cold War, American and Soviet bombers in the Arctic Circle clash with one another, leading to a Soviet plane being shot down and thus inadvertently detonating its atomic payload. The resulting explosion revives Gamera, who had been imprisoned in the ice for over 8,000 years. Gamera, who breathes fire and can fly, makes a beeline toward Japan where he soon causes great destruction and finds nourishment in fossil fuels such as gasoline and petroleum, and other rudimentary forms of energy. Since Gamera is impervious to conventional weapons and the so-called "nuclear options" are quickly ruled out, only a brilliant scientist, Dr. Hidaka (Eiji Funakoshi), has the means of stopping Gamera's destructive rampage once and for all. "Gamera: The Giant Monster" is not a perfect film. I'll say that it pretty much pales in comparison to "Gojira." But that's because the "Gamera" series of films often had significantly lower budgets and one of the most nagging problems with these films were the inclusion of annoying little children as the main protagonists, which helped earn Gamera the nickname of "friend of children" and the films were often marketed as such toward children. (1966's "Gamera vs. Barugon," a direct sequel to "Gamera: The Giant Monster," is noteworthy for being the only film in the series to not feature any children as the main protagonists, and is my favorite film in the series after this one.) And although there is a kid here, an implacable young boy Toshio Sakurai (Yoshiro Uchida), he is at least made useful to the plot and does not become the annoying little nuisance that his successors would eventually become. And he is also sympathetic in some regard since he comes to view Gamera as his only friend (the exact circumstances of this "friendship" are actually quite touching if viewed with an open mind), and likewise we identify with this unique little bond. Having viewed the film for the first time in its original, uncut Japanese format, I can say that "Gamera: The Giant Monster" is a worthy kaiju film, despite its flawed attempts at a pro-environmentalist subtext and as an anti-Cold War message movie (different nations coming together to face a worldwide threat, etc.) The film marked the beginnings of another great movie monster, one who never really got the popularity that he really deserved. But at least since his movies are getting the DVD treatment and are being released in their original Japanese formats, a new generation of Gamera-lovers has the chance to view Japan's heartiest export next since the mighty King of the Monsters himself, Godzilla. 7/10