Comandante (2003) Reviews

• Balanced on a tightrope

  gavin-962004-05-17

  Watching recent documentaries from writers such as Michael Moore, one may be confused to what a documentary actually is. Comandante is a perfect example of what a documentary should be like. By the end of its running, the viewer has seen a balanced account with enough information either way to give food for thought. I came away from this asking myself - 'is Castro a truly great man?', or is he 'full of ***t'?, or on the other hand has he just not practiced what he has preached? Moore on the other hand comes from a journalistic angle, everything so over emphasised and dramatised, as if he is almost trying to convince the viewer to agree with him. He presents information through his own paradigm of the opinion he is carrying at the time. Comandante is a mature documentary, flawless in presentation as Stones work generally is; but the key to its quality, is that it does not give you the answer. It documents the facts. Comandante easily achieves what it sets out to do. Some viewers may expect more given the subject, but for the purist, satisfaction guaranteed.

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• The US needs more of these.

  cidkid2006-05-22

  Despite the anti-Castro rhetoric that has been going on in this country since the 1960's, this film has managed to make its way to the mainstream media of the most hostile nation towards Cuba. This documentary gives us a view at Cuba's Fidel Castro. Castro has been one of the most talked about leaders this century and has managed to "control" or stay in power more than any other head of state alive today. Demonized and admired by millions worldwide, Castro is seen as he is today, an aged man with stories and anecdotes that would require volumes to ever capture on film. I highly suggest viewing this film, regardless of you political persuasion. For those who view Castro as a revolutionary , the always active and still brilliant way that he answers some of Stone's toughest questions, this film will probably further your admiration in this charismatic figure. For those who view him as a ruthless dictator, you might see this film as a bit soft. Stone does not insult him or complicate him, at least not to a level that Castro can not handle. Maybe it is the fact that this documentary shows a human being and not our common image of a communist on the quest for power.

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• A great documentary on Castro

  The_Deputy2004-05-22

  In the American corporate media, Castro is always played up as some kind of monster. The corporate media (and a host of draconian laws help) prevent us from hearing what he has to say. This documentary is excellent if anything but to give us a chance to hear what Castro has to say. This was geared for an American audience, most of whom are probably ignorant about who Arbenz was, or Allende, and who probably never heard of the MPLA. It's mentioned at some point in the film that all the bad things that American big business and the CIA do around the world is known around the world - known everywhere except by US citizens. This is true, then again, the US is one of the few industrialized countries who for most of the 20th into the 21st century had almost all of it's radio and television channels, as well as newspaper printing presses controlled by corporations. It's unfortunate that Stone thus feels he has to ask about Cubans in Vietnam and this sort of nonsense which takes up time that could have been used asking more about Castro's perspective of what is going on in Latin America.

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• Eye opener

  aristofanis2013-05-09

  I just saw Comandante on Greek public television, in its entirety and uninterrupted and was immediately drawn to it. Whether one agrees with Cuba's political system or not, is not the issue here. What Oliver Stone has achieved is what no journalist or historian has ever come close to. He brings himself and his crew right up close to the aged leader and confronts him relentlessly with questions from the mundane to the esoteric and from the political to the personal. Ideas about the past and the future, about dreams, art, democracy, colonialism, family, religion, women's rights, education, love etc are all exposed here, bringing out an intimate portrait. The questions are often uncomfortable as when Stone asks Castro about his ex wives in front of his wife, or when his claims about policing in Cuba are denied by one of Stone's crew members. Yet Castro even at this age, is sharp, humorous and poetic in a way that reveals the intellectual behind the politician. It is also a travel documentary of Havana where Fidel Castro is Stone's guide and walks him through the city's monuments and cafés, sits next to him at the back seat of his car, eats and drinks with him and we get a sense that he knows what is happening in Havana's every alley. One thing is for sure: no other country leader would ever allow himself the closeness Castro offers to Stone and expose his feelings and doubts with such spontaneity. Stone turns a formal encounter into a family visit and brings the audience to meet an iconic political figure and spend a couple of intimate hours with him. A work that leaves you thinking for a long while.

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• Small Island, Big Revolution, Giant Leader.

  frankiehudson2005-12-19

  This film is a fantastic, hypnotic encounter with the legendary Marxist, world agitator and bete noire to America, Fidel Castro. It features left-wing warrior Oliver Stone's trademark flash cutting and controversial storytelling, alongside a simply stunning musical score from Alberto Iglesias. Prepare for the Buena Vista Social Club (2001) on revolutionary acid. The beginning of Commandante – yet another Oliver Stone masterpiece – is similar to the beginning of his epic JFK (1991): lots of archive footage of Castro and Cuba, only this time intercut with masses of frenzied crowds drunk on revolutionary fervour, all shouting 'Fidel, Fidel', hailing their great man who is still there in this film, forty years later. Incredible. There is both 1960s and modern footage of Havana featuring giant murals of 'Che' Guevara, Fidel ('VIVA FIDEL CASTRO') and … a total absence of any corporate, Western advertising whatsoever. There is a lot of poverty, but also a series of impromptu meetings between Castro (and Stone) and various Cubans in the streets. Propaganda or planned? The movie harks back to the original revolution in 1959 and Castro's initial pro-Western peoples revolution, hailing (in English) 'representative democracy' and 'social justice'. Of course, the American corporations and political elite could never countenance any notion of true democracy just ninety miles from their corrupt lands and so the story unfolds of how various presidents tried to invade the island and destroy their path. Fidel himself at 80 is surprisingly fit and optimistic, always in his olive green military fatigues. He appears to be a genuine messiah, despite the paradox of religion and atheistic communism in this island paradise. He wears his customary beard, is polite and genuinely sincere. Castro and Oliver Stone – in a remarkably frank and candid series of interviews – go on to discuss everything from politics, film, women and nationalism. Castro admires Sophia Loren, Charlie Chaplin, Khruschev, Gorbachev, Depardieu and a host of others. He has watched Titanic and Gladiator but hates Nixon – who he considers the originator of the American hatred of his island – yet feels sorry for Kennedy for being assassinated. Could George W Bush even consider for one second walking the streets of his capital city? No, he would be strung up as a corrupt war criminal and stooge to all of the corporate giants that have been banished from Cuba (Texaco, Gulfoil, McDonalds, etc.). In the original 1960s footage Castro is hailed by crowds of literally one million people. He is a strange combo of Dr Caligari, Karl Marx and the Pope.

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