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Chicken Heart (2002)

LANGJapanese
ACTOR
Hiroyuki IkeuchiKiyoshirô ImawanoSuzuki MatsuoKanehiro Ri
DIRECTOR
Hiroshi Shimizu

SYNOPSICS

Chicken Heart (2002) is a Japanese movie. Hiroshi Shimizu has directed this movie. Hiroyuki Ikeuchi,Kiyoshirô Imawano,Suzuki Matsuo,Kanehiro Ri are the starring of this movie. It was released in 2002. Chicken Heart (2002) is considered one of the best movie in India and around the world.

Chicken Heart (2002) Reviews

  • A movie about three men, who lacks belief in the future.

    Martin-1342002-11-24

    The name Chicken Heart truly describes the movie, as it is about three men with dreams, which they by person aren't capable of making true. The three men meet at a small noodle stand every night discussing their miserable lives. No one of them really have any greater belief in the future. Pushed by relatives who wish to help them to a better life, the men thrives through the days doing nothing out of the ordinary. Every night they offer drunk business men to try to punch one of them for 2000 yen. In the midst of this, Asada the mysterious one in the trio, buys an old booth. He dreams of sailing around the world and during this turning point the two other men also stumbles into situations that will change their lives. Chicken Heart is an Office Kitano production. It's directed by Hiroshi Shimizu, but greatly inspired by Takeshi Kitano and wrapped in similar humour. The movie makes a good transition from being a black comedy to be a more serious film about the men's futures and dreams. A must see if you liked Hana-Bi (Fireworks) or Kikujiro no natsu.

  • Enjoyable Off-Kilter Comedy.

    DrSmooth2005-10-18

    This movie's about 3 guys who can't seem to get their lives untracked because they can't or they just don't want to. Iwano is a 27 year-old ex-boxer who dodges and absorbs punches from drunken salarymen for the reasonable rate of 2,000 yen. Maru is an ex-teacher who can't find a job or a new apartment, much to the dismay of his parents. He's got a crush on a girl at the local convenience store, but doesn't have an ounce of smooth. Sada is a older guy in his 50s who just wants to live a carefree life, and basically does, providing the film's most memorable comedic moments. The three of them meet each night to drum up business for Iwano, and to eat oden afterwards at the same yattai stand, "Bar" with the constantly tinkering shop owner. I saw a trailer for this in Japan in 2002, a really short clip with just the name of the movie, the release date, and Sada chucking out tissue packets at people whether they wanted them or not. Having been to Japan, that was enough to convince me of the comic potential of the movie, and for the most part it didn't disappoint. The movie goes kind of somber 2/3 of the way through in order for the message to get delivered, but all in all, it's a good movie about the awkward situations people get into while trying to find their way in life.

  • Chicken Heart

    FrankGrimes162005-05-22

    Japanese cinematography is very cool and Chicken Heart is an example of it. The camera seems to be pulled back in most scenes giving the viewer a wide shot of the setting. in many scenes there is minimal camera movement which is great for this type of movie cuz it makes it seems very dull and adds to the element of boredom and loneliness in these guys lives. The use of repetition such as the noodle stand that they met at every night added to the humor and theme of monotony. I don't speak Japanese perfectly, but i speak it well and from what i do know it was a very funny movie. The subtitles were good but the original language is always better. I recommend this and I have seen it aired of TV (AZN network).

  • Distant and uninteresting

    Pro Jury2006-01-17

    *** May contain spoilers. *** Some call this film cutting edge art. I call it pure monotony. Not only is the camera motionless and pulled back far away from the actors, it is also stationed slightly high or above giving the movie the same feel as if it were shot from various security cameras (talk about lazy direction). The viewer is kept at a distance. Whatever facial expressions are being shared by the actors, it all escapes the notice of even the most careful viewer. One could take the Best Actor winners from recent movie award history and place them all in this film, and still this movie would be bore. With a stationary, monotone, distant camera, drama is less personal. Comedy holds less interest. The magic of film story telling is missed.

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