SYNOPSICS
A Dandy in Aspic (1968) is a English,German,Russian movie. Anthony Mann,Laurence Harvey has directed this movie. Laurence Harvey,Tom Courtenay,Mia Farrow,Harry Andrews are the starring of this movie. It was released in 1968. A Dandy in Aspic (1968) is considered one of the best Action,Drama,Thriller movie in India and around the world.
Same Actors
A Dandy in Aspic (1968) Reviews
This movie gets a bad rap!
While the story is admittedly somewhat confusing, this is definitely not the disaster that Maltin et al. would have you believe it is. It's got some plot issues, and is in fact a bit baffling by the end, but these weaknesses are far outweighed by the sleek mid-60's visuals, the cool location shots of Berlin, and the whole spy-in-an-atmosphere-of-paranoia-and-dread vibe (ie., like the Prisoner). Definitely worth a rent if you're into spy movies and/or paranoia. p.s. the ever so mod and swinging soundtrack music is by Quincy Jones!
may be pretentious but not boring
Dour spy film full of ambiance and interesting scenes, filmed on location in London and Berlin, in color, with an interesting story about a Russian spy who has been infiltrated into the British spying agency for eighteen years and wants to go back home. The twist is that he's done such a good job for the Russians, that the British want him killed. The added twist is that we're led to believe that they (the British) don't know about him (his true identity), and send him to Berlin to kill the Russian mole (himself). Who better to play the part than the intense Laurence Harvey? Combine him with Per Oscarsson as his Russian contact, the two of them both homesick and tired of the existential life of a spy, and both doomed, and you get a pretty brooding picture. Harvey's romance with Mia Farrow doesn't add much, but attempts to put him in some kind of human warmth out of the cold and danger of the spy world. If the film is pretentious, it's because of the Cold War world of espionage that it seeks to portray, Sartre existentialism with touches of Kafka, as well as swinging 60's jet set James Bond scenes, such as a great scene at the German Grand Prix, featuring Tom Courtenay with a rifle disguised as a cane, and the sophisticated and elegant opening theme written by Quincy Jones.
Harvey is great as tortured spy
I loved Laurence Harvey in THE MANCHURIAN CANDIDATE. This is also a good performance. The spy stuff and his relationship with the character played by Tom Courtenay are interesting. Also interesting is the young Peter Cook in a "straight" role ( well sort of). Harvey brought such an air of sadness and despair to this kind of role ( much like his doomed brainwashed pawn in MC). I recall a scene where he is asked about his mother's death ( I believe) and he cannot remember how he felt. The life and emotion were drained out of him to create the perfect double agent. This kind of film was popular in the 60's as an antidote to James Bond and his clones. Others include THE SPY WHO CAME IN FROM THE COLD and THE DEADLY AFFAIR. The great Anthony Mann started this film and was replaced by Harvey when Mann died.
Eberlin in Berlin
This is the last movie by a man who gave some of the best westerns ever made.After "Cimarron" (1960) ,he went to make epics ,the first of which ("El Cid" ) stands as his most sustained work in the sixties. "A dandy in aspic" ,which was finished by his star,looks like a cross between "the Manchourian candidate " (which Laurence Harvey's presence reinforces) and "the spy who came in from the cold" ,with a dash of Jorge Luis Borges thrown in for good measure It's not as bad as its reputation.First the dance of the puppet ,during the cast and credits ,is worthy of Saul Bass (the puppet comes back at the end).Then the movie,entirely filmed on location,takes us to the wharfs of London and to Berlin at the time of the Wall.Like many works of the era ,it deals with cold war and is not worse than most of them.Nothing from James Bond,except maybe the scene with Harvey's secretary ,but it's not Moneypenny.A threatening world where men are only pawns in a game,or puppets in the hands of a string man we never see .The best moment is probably the automatic photo booth ,a scene which has been imitated since. SPOILER Unfortunately ,the part of Caroline (Mia Farrow) gets in the way.As soon as he's in Berlin,Eberlin meets her and we may think that the character bears some relation with the plot.But her presence is purely decorative and as Tom Courtenay says :"You've got no past and he's got no future" .
Easy to criticize but hard not to like IMHO
I won't go into much detail as I don't disagree with many of the negative comments cast here, but overall this is an eminently watchable film- I've seen it perhaps 6 times. I like the quirky off balance, alternating dark and light nature (but then again I loved Fay Grim and other flawed gems). And although likewise flawed there are some great individual performances great shots of London/Berlin ( I was in East Berlin in 1980 and it didn't look or feel much different) that make it the perfect rainy Wednesday afternoon companion. Note, as uneven as it is, overall I think films like this are a more enjoyable experience than current releases like the Girl Who Played with Fire or the Social Network that are more consistent; but consistently mediocre. But as always, YMMV.