Whale Rider (2002) Reviews

• Pai will be my leader!

  jotix1002003-06-12

  This film, which opened in New York recently, was a total surprise. Director Niki Caro has done wonders in bringing this story to the screen as it shows a different and much simple world than the rat race of our society and the horrible times we live in. The film presents a glimpse of the Maori society in New Zealand's North Island. Having visited New Zealand, but not being very familiar with the Maori culture, this film was a refreshing way to learn some aspects of it. The story presented here has a lot to do with pride and tradition, which is a running theme among different cultural groups the world over. It has to do with the frustration of Koro by the defection of his eldest son, the designated heir of hundred years of a bloodline where only the males can carry the knowledge and the legends from one generation to the next. Because of the rage Porourangi, the eldest son, feels after the death of his wife giving birth to twins, where only the female survives, he leaves his country and the baby girl is taken by the grandparents. The girl, Pai, will grow to be an enchanting girl who will be excluded from the teachings of her grandfather Koro. Even though he loves the girl, he can't deviate in his narrow vision of the world he knows. Basically, it is a simple story very well told with a great performance by the child actress Keisha Castle-Hughes. This girl has such a strong magnetism while on camera that one tends to forget the rest of the other characters every time she appears. The grandparents are very well portrayed by Rawiri Paratene and Vicky Houghton. This is a film for all ages to enjoy. Compare it with the latest releases from Hollywood, and it's no wonder to arrive at the conclusion that stories like Whale Rider have such an universal appeal that should be brought to the screen more often because of the positive way they show a society and its people at its best.

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• A real machismo meltdown.

  guanche2004-02-20

  A beautifully filmed and convincingly acted treat for the entire family. Adults need NOT beware since the film respects its audience and contains levels of depth suitable for all ages. Although ultimately an upbeat movie, there are some grim plot elements that may not be appropriate for very young or overly sensitive children. However, there's no actual violence or anything truly frightening or morbid. This is the story of a 12 year old Maori girl who knows that she is born to the destiny her grandfather believes died with her stillborn twin brother. I won't spoil the ending (which is hinted at early on) with specifics, but suffice it to say that the story's ultimate lesson is that change is sometimes as necessary a component of living traditions as repetitive ceremony. And that the Maori must ride that "whale" as bravely as their mythological ancestor rode the whale from Havaiki (a satellite island of Tahiti, NOT Hawaii) to New Zealand. Not to destroy or denigrate their culture, but to ensure its vitality and continuity in the cultural matrix of the modern world. A great lesson in true cultural diversity without preachy slogans or "politically correct" censorship. It should be shown in all the world's classrooms. Keisha Castle-Hughes is unforgettable as the heroine, and richly deserves the Oscar for which she has been nominated.

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• What a Find!

  baho22003-01-30

  Whale Rider is a story of the quest for the new leader of an indigenous Maori tribe living on an island off the coast of New Zealand. Often this type of film ends up making a caricature of the people, accentuating their quaint customs and idiosyncratic behaviors and causing us to smile condescendingly at their ignorance and stunted development. Whale Rider does nothing of the kind. Director Niki Caro treats her subject matter with profound respect, genuine curiosity and effortless grace, while refusing to ignore the signs of cultural disintegration. It is as if we are invited into the Whangara community, and are free to observe comfortably, without fear or embellishment. The 11-year-old first-time actor Keisha Castle-Hughes gives the most astonishing performance by a child that I have ever witnessed, and lifts the movie from being just plain good to a profoundly moving experience. Whale Rider is a tale of the evolution of a culture, wrapped in humor and hope. It is a story of an indomitable spirit. It is a movie about love and change, about the grim realities of life and the marvelous miracles of faith. If you have a chance to see this film, do not miss it!

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• An Exquisite Masterpiece!

  lawprof2003-07-30

  I don't use the word "masterpiece" often when reviewing a film but for "Whale Rider," it's an inadequate accolade. This is one of the most moving, beautiful and powerful films I have seen in years. Screenplay author and director Niki Caro faithfully translated Witi Ihimaera's novel of the same name, a poignant and sometimes sad but ultimately uplifting story of New Zealand Maoris seeking, with the leadership of a difficult, stubborn and often harsh elder to sustain their peoples' values and customs. Australia and New Zealand are both encountering, in politics and in culture (and often the two are inextricably linked), their shared heritage of white oppression of native peoples. Much of this history is unknown to Americans and Europeans who view Australia through a bird's eye picture of the Sydney Opera House and New Zealand with even fewer associational icons. Recently, "Rabbitproof Fence" painfully depicted the policy of Australia to force lighter skin aborigines into "schools" where they would be nurtured to become "semi-whites" and then married to those of similar skin tone. The object was to bleach the blackness out of Australia and the horrors of this incarnation of cultural and anthropological genocide are on full display in that film. "Whale Rider" takes a different and, in the end, perhaps a more powerful approach. There are virtually no whites in the film and only children's t-shirts and some music blasting from a boombox suggests the encroaching force of the controlling majority. The cast is unknown to Americans and their names can be found on the IMDb homepage for the film. The lead actress, however, must be named. In the role of "Pai," a young girl whose mother dies at her birth along with her twin brother, is the extraordinary Keisha Castle-Hughes. She imbues every scene with a commanding and inviting vitality. Hers is an Academy Award (and any other major award) performance. Pai's father left New Zealand for Europe, there to create and sell Maori crafts. She lives with her grandmother and grandfather, the latter some sort of unelected chieftain of the oceanside community. Bitter that no male heir will succeed him and alternately cruel and loving to his reluctantly acknowledged granddaughter, Koro starts a school to supplement the young boys' secular education with inculcation of the ways of the Maori. Pai wishes to join as an equal and is firmly, indeed harshly rebuffed at every turn. If the Maori language has the phrase "You go, girl!," then it be directed towards the indefatigable but not arrogant Pai. It would have been easy to make her the kind of thoughtless rebel that nature often programs teenagers to be. The depth of her character resides in her simultaneous quest for equality and her understanding of her grandfather's unyielding attachment to patriarchal values. Pai's close relationship with her grandmother, a woman living a life universally recognizable to Americans, provides warmth and support and do some of her other relationships. The story unfolds seamlessly with Maori music and rituals bridging the spoken dialogue (mostly in English, some in Maori with subtitles). Partly a straight tale, partly a gripping mystical fable, "Whale Rider" never becomes saccharine. The music and Maori songs complement but do not compete with the dialogue, a welcome change from many movies today. The land and the ocean are rawly gorgeous. As in Australia, relations today between New Zealand's indigenous people and the descendants of their vanquishers are sometimes tense. There are open wounds from continuing political collisions over land and culture. The Maoris are not a monolith and internal dissension is active. Serious attempts to sustain Maori values and culture in the face of assimilative pressures meet with varied degrees of success (in Koro's Maori school the kids wear t-shirts with rock themes and one has a shirt advertising an upstate New York resort area if I saw correctly). New Zealand's most internationally renowned Maori is the opera diva Kiri te Kanawa who is now dedicated to Maori cultural restoration projects. "Whale Rider" can only give a boost to such efforts which, as this film shows, makes not only New Zealand but the world richer. This is a film I will acquire on DVD as soon as it is available. 10/10.

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• A feel-good movie that doesn't suck (***1/2)

  Ronin472003-10-19

  "Whale Rider" can accurately be called an art film, but it's also one that will appeal to mainstream audiences. That's because it has a strong story that deals with universal themes like family, tradition, childhood and rebellion. The story is unique and unpredictable but also comfortingly familiar. The main character is a young girl named Pai (Keisha Castle-Hughes) who is the grand-daughter of the chief of a Maori tribe in New Zealand. Her twin brother, who was to be the future chief, died along with the mother in childbirth. Grief-stricken, her father (Cliff Curtis) fled, leaving Pai as the only family descendant, but of course she can't be chief because she's a girl. That doesn't stop her from trying, though. Her grandfather (Rawiri Paratene), a stern, traditionalist chief, loves Pai dearly, but refuses to mess with tradition by even attempting to train her to be the chief of the tribe, even though she truly believes she is meant to be chief. He begins to train first-born male sons of other tribesmen, but Pai eavesdrops, soaking up all the knowledge she can. The first 2/3 of the movie is excellently done but fairly familiar. Pai is a terrific and instantly sympathetic character and we feel for her in her struggle to assert herself in the face of a sexist tradition without losing the love of her stern grandfather. Then, in the last third, when the whales actually come into play, the story enters territory that is thrillingly unpredictable and incredibly powerful. The ending, in particular, has quite an emotional punch. It also bears mentioning that Keisha Castle-Hughes is one of the best child actors I've seen in years; she will get some tears from you, guaranteed. This is a great movie for kids, but it's not a "kid's movie". It's moving, beautifully filmed, and inspirational without being the slightest bit cheesy. It's worth seeking out even if you don't follow the art-house circuit.

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