Welcome to the Rileys (2010) Reviews

• Not Dead Yet

  ferguson-62010-11-27

  Greetings again from the darkness. Reading the synopsis on this one could lead you to believe you've seen the same thing 40 other times - an indie flick where a nice guy rescues the teenage runaway who has fallen into a life of stripping/prostitution. This assumption would be incorrect. What sets this one apart is the script from writer Ken Hixon and the acting trio of James Gandolfini, Kristen Stewart and Melissa Leo. Two of those names may surprise you. Gandolfini is of course best known from his run on The Sopranos. What many don't realize is that he was a fine character actor prior to that iconic role. And many more know Kristen Stewart only as Bella from the Twilight franchise. In fact, she was a scene stealer prior to that in Panic Room and again in Into the Wild. Melissa Leo has experienced a career boon since her Oscar nomination for Frozen River. This year, she can also be seen in Conviction and The Fighter. Hixon's script is unusual because it has the feel of how these people would actually interact. Gandolfini owns a plumbing supply business and leading, as they say, a life of quiet desperation. His wife (Leo) has been a virtual recluse since their teenage daughter died. Their marriage basically died that night as well, though they keep going through the motions that 30 years together brings. While attending a convention in New Orleans, Gandolfini stumbles into a strip joint and falls right into the life of Stewart. The obvious thought is that he sees this as his opportunity to rescue her from this awful life and be the father he never got to be his own daughter. But there is more. He really comes across as a guy just searching for meaning in life ... his own life. He doesn't pretend to have the answers, but is not content to sit around and wait to die. His bizarre actions motivate his wife to actually leave the house and join him in New Orleans. Her reaction to what she finds is, once again, very real and un-Hollywood. No need for me to give away any details or plot points. Watching these three together is refreshing for this avid movie goer. The stereotypes are minimal. The dialogue is sparse, but authentic ... just like the setting. Searching for meaning can be a painful process and it's not always obvious when one has succeeded. The director of the film is avid music video director Jake Scott, who also happens to be the son of Ridley and nephew of Tony. Jake shows none of the over the top tendencies of his more famous relatives. In fact, the level of understatedness is a joy to behold.

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• a painful meditation on the familiar themes of grief, loss, guilt and redemption

  gregking42010-08-01

  WELCOME TO THE RILEYS is the debut film from Jake Scott, the son of director Ridley Scott, and this drama is a painful meditation on the familiar themes of grief, loss, guilt and redemption. This is an assured debut from Scott junior, who shows himself to be comfortable in dealing with character driven dramas exploring emotionally charged material, more so than his famous father and uncle who are more at home with big budget spectacles full of action and special effects. Doug (The Sopranos' James Gandolfini) and Louise (Melissa Leo) Riley have been married for thirty years, but the death of their teenage daughter in a car crash has driven a coldness between them. Louise has rarely left the house since, while Doug deals with his grief in privacy. When Doug attends a convention in New Orleans he meets Mallory (Kristen Stewart), a teenage stripper cum prostitute on a path to self-destruction. Something in her strikes a paternalistic chord in Doug and he decides to help her clean up her life, whether she appreciates his efforts or not. His decision also helps to heal the rift in his relationship with Louise. Scott draws excellent performances from his leads. Gandolfini has an imposing presence, but here he tones down his more aggressive style, and comes across as a more sympathetic character. Leo is good as the fragile Louise, who slowly takes a chance and begins to emerge from her self-imposed withdrawal, and she adds a touch of humour to the film. And Stewart is again a revelation with a feisty and strong performance as the independent, foul-mouthed and brash Mallory. The phenomenal success of the Twilight franchise has given Stewart the freedom to seek out more gritty and edgy smaller films and challenging roles that enable her to flex her acting muscles (Adventureland, The Runaways, etc). Scott also makes good use of locations in the French Quarter to add atmosphere. Welcome To The Rileys is the type of gritty, edgy low budget independent film that struggles to reach a broad audience or gain a commercial cinematic release, but is nonetheless a rewarding experience well worth checking out.

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• interesting little indie.

  shoutingagain2011-02-02

  As a movie buff, I tend to gravitate toward the art & independent material but also due to my area's theater selections, see a fair amount of mainstream movies. Yes, I catch few good films but many times I find disappointment in both worlds. This time ended differently. I can't help but remark how impressed I was by the honest writing and acting of all three characters. Struck me as rather genuine, gritty and believable plot-wise. I also was unsure if I appreciated the decision to refrain from thoroughly fleshing-out every character. One has staggering levels in which they are left to guess about all three. Ie: What happened to Stewart's character other than her mom's accident and demise to lead her on such a disheartening path? Why not more information and insight as to chronicle the downward spiral of this marriage after the child's death? Why not dig into and explore the wife's inward turn to near-hermit? Why is the husband not only so disenchanted with home but also work, albeit this desperate & hopeless soul floundering about? Well, actually wise decision to leave this unknown; I see it's not all that critical to the success of the story. Writers today over-inform. Another area I originally thought to be a caveat to success was ending as it did. I mean everyone likes and cheers for a happy ending. But pondering this further--really how realistic is this in life? Moreover (and I've worked with troubled and lost kids) this film plays out precisely how life goes. It's not simple to intervene and turn someone around late in the game. There is wisdom, perception and integrity in this attempt to depict a more genuine article of life and that was done. I think Stewart's work was exceptional and her remark that she's "no one's little girl" (something to that affect) captures it brilliantly. You see throughout her vulnerability, survival instinct, yet damaged nature without her acting being sentimental or "hollywood". Yes, nice little gem.

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• Stewart and Gandolfini step outside their norm to deliver powerful performances in "Welcome to the Rileys"

  MovieManMenzel2010-10-28

  Ever since it's initial premiere at the Sundance Film Festival back in January of this year, "Welcome to the Rileys" has always been on my must see list. Unlike other film critics and journalists, I unfortunately, do not currently have a career in film journalism. I currently do it as a hobby/part time job. What does this mean? Well I don't get to hit all the festivals I would like to, but only a few per year. In the near future, I would hope to have a career in film journalism and be able to attend at least 20 festivals a year. Thankfully, I did have the opportunity to catch a screening of "Welcome to the Rileys" at the 19th Annual Philadelphia Film Festival this year. "Welcome to the Rileys" tells the tale of Doug (James Gandolfini), a man who seems to have lost all desire for life. He lives at home with his depressed wife Lois (Melissa Leo) who hasn't left the house in several years. On top of this, he seems to have grown tired of his job as well as his marriage. One day on a business trip, Doug runs into Mallory (Kristen Stewart) who is both troubled and lost. This is when Doug realizes that he can help improve her life and seeks salvation by taking care of Mallory. This is where the underlying details of Doug's life begin to unravel... The best part of "Welcome to the Rileys" hands down are the performances. I have been following Kristen Stewart as an actress for several years now ever since I first saw her in "Panic Room." Many people seem to have a love/hate relationship with her thanks to her unemotional and stiff role as Bella in the "Twilight" franchise. I would love to convince people to give her a shot as an actress but people seem to be rather set in their ways on her. For Stewart, it's hard not being the typical hot young actress. She's a rather unique actress with a non-typical Hollywood look and that's what I like about her. As for her performance in "Welcome to the Rileys," she is both raw and risqué. The amount of bad language and how dirty Stewart looks in the film would make a sailor look clean. Stewart's performance is by far the best one in the film. She is a lost soul with very little self respect in the film. She plays a stripper, which is a role I never thought I would ever see her play but just plays it perfectly. This is without a doubt Stewart's best role to date and even tops her performance as Joan Jett in "The Runaways." I would even argue that Stewart deserves an Oscar for her performance here, that's how good I felt she was in the film. Besides Stewart, James Gandolfini gives an Oscar worthy performance here as well. I like the fact that Gandolfini decided to step out of his typical tough guy role to play a character who had a lot of heart and emotion was nice to see. This was a real turn for him. Many people know Gandolfini from "The Sopranos" and I am happy to say this role is a complete opposite from that. In this role, he is a very troubled character with a complex background. His performance is very dramatic, heartfelt, and powerful. When he argues with either Stewart or Leo in the film, you truly believe the raw emotion that is being displayed. Stewart and Gandolfini play off one another like pros in the film. They have great chemistry. As for Melissa Leo, she was also great in the film, she did a great job playing a wife who was damaged. When Stewart and Leo were together on screen their chemistry was amazing. As I said earlier in the review, the three lead roles were terrific! Director Jake Scott did a great job on this film. This was his first film since 1999 and he really hit this one out of the park. He captured the raw emotion and the suffering of all these characters, not to mention the fact he captured the grunginess of New Orleans. The direction of the film was great and there are several memorable scenes in this film including one scene with Melissa Leo's character Lois trying to drive her car for the first time in several years. Ken Hixon was in charge of writing the screenplay for "Rileys" and I have to give him some credit points here. Some might say the the dialog was too over the top for him but I think that really shows how uneducated and the lack of respect Stewart's character had. I think it made it much more believable to a way that someone who had that background would speak. I also think the character development in the script was on point. The characters had the perfect amount of background to not make them interesting and not clichéd. At the end of the day, "Welcome to the Rileys" almost lived up to all the hype surrounding it. I basically went to see the film for the performance by Stewart and Gandolfini and those definitely did not disappoint. The film, itself had good character development, good performances, was raw and gritty, and had a decent storyline. The ending wasn't perfect but it fit the bill in order to not be a typical clichéd movie. Its definitely holding a spot on my top 10 of the year even though it isn't near the top. The film is worthy of admission and I can definitely see this film getting some attention come Oscar season for the performances. If you are a fan of Stewart or of Gandolfini, this is a definitely a must see as well as those who appreciate a realistic dramatic film. MovieManMenzel's final rating for "Welcome to the Rileys" is a solid 8 out of 10.

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• The Loss of a Child: Aftermath, Consequences, and Coping

  gradyharp2011-02-08

  WELCOME TO THE RILEYS is a little sign on the garage doors of Doug and Lois Riley in Indianapolis, Indiana. It also serves as the title of this fine little film written by Ken Hixon and directed by Jake Scott that examines how the loss of a 15-year-old daughter Emily in an automobile accident has resulted in the crumbling of the parent's marriage and relationship. Doug (James Gandolfini) has an affair with younger waitress Vivian (Eisa Davis) while Lois (Melissa Leo) becomes so isolated in her agoraphobic state and psychotropic mediations that she is no longer available to Doug. A crisis occurs when Vivian dies in cardiac arrest and in Doug's honest grief he visits her grave only to find that Lois has unilaterally purchased a headstone with Doug's and Lois' names on it beside the grave of their departed Emily, a fact that enrages Doug. Doug goes to New Orleans on a convention and there encounters stripper/prostitute Mallory (Kristen Stewart), a 16 year old unkempt, foul mouthed runaway from Florida: Mallory sees the kind Doug as a john but Doug's interest is in her plight, not her business offerings. Doug obviously responds to Mallory as though she were his lost daughter, moving into her filthy apartment, trying to improve her view of life. Doug phones Lois that he is going to stay in New Orleans a while, a message that gives Lois the courage to actually leave her home and drive to New Orleans: during Lois' somewhat comedic trip she stops for food and a strange man comes on to her - something that awakens her self esteem before she reaches New Orleans. Once Lois arrives at her destination she is proud of overcoming her agoraphobia and Doug is happy to see the healing Lois. Together they stay with Mallory, facing the fact that for both of them Mallory represents the chance to restore their love for the daughter they've lost. How the three cope is the remaining of the film. The three leads offer polished performances - some of the finest work we have seen from both Gandolfini and Leo who together make this film better than the sum of its parts. Kristen Stewart immerses herself in Mallory and though she still remains a rather monochromatic actress, this role offers her the ability to stretch her acting chops: she is convincing as the victim of the dregs of society and makes us care about a character who seems to have few redeeming qualities. This trio of actors plays well as a small ensemble and the result is a film that has been far too overlooked by the general public. Recommended. Grady Harp

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