SYNOPSICS
The Adderall Diaries (2015) is a Spanish,English movie. Pamela Romanowsky has directed this movie. James Franco,Ed Harris,Amber Heard,Jim Parrack are the starring of this movie. It was released in 2015. The Adderall Diaries (2015) is considered one of the best Crime,Drama,Thriller movie in India and around the world.
As a writer stymied by past success, writers block, substance abuse, relationship problems and a serious set of father issues, Elliott's cracked-out chronicle of a bizarre murder trial amounts to less than the sum of its parts. Not long into the 2007 trial of programmer Hans Reiser, accused of murdering his wife, the defendant's friend Sean Sturgeon obliquely confessed to several murders (though not the murder of Reiser's wife). Elliott, caught up in the film-ready twist and his tenuous connection to Sturgeon (they share a BDSM social circle), makes a record of the proceedings. The result is a scattered, self-indulgent romp through the mind of a depressive narcissist obsessed with his insecurities and childhood traumas.
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The Adderall Diaries (2015) Reviews
An introspective and revelatory journey
This film tells the story of a young writer who wrote a book about his troubled relationship with his father, and the abuse he had to endure over the years. The sudden appearance of his father in the book launch party raises doubts on his claims in the book. The story is good because it draws viewers in to both sides of the coin. Initially I am so convinced that Stephen is the victim, yet as the story unfolds we get to know how things may not be as it seems. The revelation that memories can be distorted, but we never question our own memories is quite a strong argument, and many of us can relate to that. It is an introspective and revelatory journey for Stephen, but I can relate to it as well.
Thought provoking film about personal narrative
The film is about personal perspective and how far we can delude ourselves about who we are and the events which created us. For such a tricky topic, I thought they did an excellent job. The catalysts and personal revelations were believable, and I found the pacing exactly right for this type of film. With each scene, the film both offers us information about the characters and invites us to question what we've been told. Finely nuanced contradictions kept me fascinated, waiting for explanations. When answers were presented, they were satisfying but also left me with the understanding that the story was far more complex than we could ever know, that truth was still and would always be subjective, and that the question of who are the villains and who are the victims could only be answered: "All of us." I don't know that it will appeal to everyone, but if you're a fan of psychological dramas (not thriller, just drama), you will likely enjoy this as much as I did. Beware of the resulting soul-searching you might experience about who are the heroes and monsters in your own life story.
There's a few too many ingredients that give Pamela Romanowsky's feature a bad taste...
Writer/director Pamela Romanowsky's adaptation of "The Adderall Diaries" based on Stephen Elliott's memoir has so many great ideas. It's a blend of different genres that calls back to many different films from the past however, it's unfocused execution and narrative ultimately leaves you bewildered rather than intrigued. Starring Academy Award nominee James Franco as Stephen Elliott, an author whose world is turned upside down when his estranged father (played by Ed Harris) accuses him in public of fabricating his book which tells the story of his life. With a new relationship, drug relapse, and focusing on a very public murder trial, will Stephen be able to survive everything that life is throwing at him? As previously mentioned, there's A LOT going on in the story. We're getting elements of "Shattered Glass" then "Blue Valentine" then "The Basketball Diaries." Romanowsky isn't confident about what she wants her film to be. Does she want it to be a film about family relationships or dissection of the mind of an addict? Does she want to explore the ramifications of sex through violence or is she trying to make a statement about the perception of our lives within ourselves? She's saying so many things that it all ends up on blurred lines and in a haze. I will say that her abilities is a filmmaker is nothing to scoff at. She creates genuine moments and settles into her better written scenes with courage and ferocity. I'd still be very intrigued to see her next venture. James Franco's resume with independent cinema has left much to be desired. His performances are often self-indulgent or misguided by his own direction or any other filmmaker he's working with. His turn in "The Adderall Diaries" is one of his more impressive works that he's constructed as of late. Though his motivations and actions aren't always made abundantly clear, Franco sheds some of his barriers to allow some connection with his audience. You can't get much better than Ed Harris in terms of an actor that shines in just about anything he does, no matter how the film he inhabits turns out. As Neil, Stephen's father, Harris elevates the thin material and focuses on the emotion of a father's regret with near precision. I'm still anxiously awaiting his Oscar-winning role. This doesn't quite make the cut. Other aspects of the film include the beautiful Amber Heard, the multi-talented Cynthia Nixon, the oddly involved Christian Slater, and the scene-stealing abilities of Jim Parrack (Hoyt from "True Blood"). Overall "The Adderall Diaries" is a misguided attempt by a director who has a keen eye for some things but lacks in others. Romanowsky's guidance on her actors are some of the film's biggest highlights but ultimately just falls short in too many spots. The opening sequence was quite good and there was a scene in which I nearly cried. Some may find some qualities to take home with them, others will simply leave it at the door.
Ah, the tricks our minds can play to protect us....
This movie is journey about coming to terms with who you are and how you became that person. The enigmatic Franco plays a deeply troubled writer who is trying to come to terms with his traumatic past and the heartbreakingly tumultuous relationship he had with his father. Along the way, he meets the beautiful Amber Heard. This is why I did not give the movie more stars. If it was the writers intent to portray her as damaged as he was, it was an epic fail. She came across as strong and self-assured -almost cocky at times - not what you would expect from someone reeling from childhood trauma. It was no fault of Heard's - her character was just badly written. Ed Harris rocks the screen, as usual, as the domineering father who haunts his dreams and creates the clouds of his past that he can't see through. The mind is amazing - we can do all sorts of things to protect ourselves. The ability to alter our memories is only one tool of many. This one is worth your time.
Pretty good, overall. One of Franco's better performances
This was a pretty good turn for Franco, one of his best attempts at drama in indi cinema. Franco is the protagonist, a writer who wrote a great book about his broken childhood, and the relationship with his abusive father, but it comes to life that what he's passing off as truth may not be all that, and he tries to redeem his career with a new book about a True Crime, evolving a father (played by Christian Slater, who I have not scene in forever) whose on trail for the murder of his wife. It's an Intriguing story about how sometimes we remember things differently than they actually happen. James Franco played this role well. It was not a matter of weather he was right or wrong, but just a matter of how he saw things that was not entirely accurate. Ed Harris and Franco had some really good scenes together as well. Harris played the abusive father who, like his son, remembers events differently. The father son connection felt very realistic. This is not the first time Franco has done a film on Child abuse (also not the fist time Amber Heard played an ex-punk rock bases with a few issues, she also did it in the recent but horrible film One More Time). Franco also tackled the trouble youth Topic in the film Yosemite, but that movie was a little more serious while this one is definitely better done. I can recommend.