SYNOPSICS
Slaughterhouse Rulez (2018) is a English movie. Crispian Mills has directed this movie. Jassa Ahluwalia,Asa Butterfield,Jamie Blackley,Finn Cole are the starring of this movie. It was released in 2018. Slaughterhouse Rulez (2018) is considered one of the best Action,Comedy,Fantasy,Horror,Thriller movie in India and around the world.
An illustrious British boarding school becomes a bloody battleground when a mysterious sinkhole appears at a nearby fracking site unleashing unspeakable horror.
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Slaughterhouse Rulez (2018) Reviews
You need to be a fan to enjoy this and I am
A new outing by Nick Frost and Simon Pegg and the team. If you like their work you will enjoy this, it had a tight script and whole cast got behind the material. I enjoyed it from start to finish not so many belly laughs but plenty of lighthearted humour. I agree it's not everyone's cup of tea but what is!
Fracking good fun
This film has been pretty comprehensively savaged - I'm in the minority who actually enjoyed it. Okay it's disjointed, but as kitsch horror nonsense - with a splendid scenery gnawing turn from Michael Sheen it worked for me. Disengage brain, enjoy a romp. May have an afterlife as camp b-movie fun when it inevitably reaches Netflix. The young cast are also good.
Homage to the cornetto trio and so much more
Whereas this misses the vital team members of the cornetto team namely Nira Park and the combined writing efforts of Simon Pegg and Edgar Wright it still produces the goods. In a way I wish I hadn't read the other reviews - sure people must've seen a different film!? But here goes mine .... So basically this film is a combination of the style and horror rom com of Shaun of the Dead and the 1960s dark rebellious movies such as IF , Unman Wittering and Zigo , Goodbye Mr Chips . If you've seen those films you'll get the comedy cues . If you haven't you might struggle . It also has more than a little parody of Harry Potter. What was good about the movie ? Casting - casting a female lead who's actual name is Harmoine was genius ! Simon Pegg and Margot Robbie's failing romance . The matron was a great casting real St Trinians styling . What was not so good ? Martin Sheen and Simon Peggs characters seem to merge into one the scripting could have been better here . It couldn't be described as horror the creatures weren't at all horrific . At times it laboured and you felt you wanted the film to end quicker . The themes were reluctant aspiration , good over evil ,failing and seemingly unobtainable romance . Bullying . Deceit . Parental pressure . Isolation and abandonment. Tradition vs contemporary and changing times and accepting of LGBTQ's etc It was a story of symbolism and the changing landscape of the economics of the country , whereas public schools were originally for the male elite to be shoehorned into their roles of leading the country the Slaughterhouse school ( looking a lot like Stowe ) has to reluctantly adapt itself to accepting girls and foreign students to prop up its finances . Then there's the more sinister side of the headmaster's dealings with unethical corporations and the final retribution of triumph of good over evil. Horror fans might be disappointed by the lack of actual horror - it certainly wasn't a movie where you'd jump out of your skin but it wasn't a bad movie and is an enjoyable watch if you go there with the right expectations . The comedy propped it up . Pad.A 8/10 Padreviews
Slaughterhouse Rulez
Slaughterhouse Rulez makes you feel so disappointed after going into a film not expecting much and hoping to be pleasantly surprised. It's a feeling you'd get from say, the St Trinian's movies. Which aren't very good, but they are watchable and fun enough to keep you away from the feeling that you've wasted your time. Slaughterhouse Rulez tries to marry St Trinian's with Shaun of the Dead, which feels like the germ of a potentially fun romp, but in reality misses so many marks you just want either of those influences on the screen instead. Which isn't hard when one of those intended apes is a five-star classic. What you get here, however, is a film that tries to capture the ridiculousness of British comedy and context with the energy of better and more ingenious filmmakers. Tries is the keyword throughout all of this film. It tries to be funny, it tries to be scary, it tries to foreshadow, it tries to have fun splatter, it tries to have meaningful characters and engaging villains. The film tries to pack so much into it it never quite hits the mark. In its 103 minute run-time, Slaughterhouse Rulez tries to juggle multiple plot-lines that are never quite fleshed out enough, which in turn mean we never quite care enough. There are many a reference to the world building and history of what's come before the film going in, but it doesn't give us enough to really connect or think or feel. It all just feels hollow and half-baked. Between the few good throwaway jokes and visual gags and embracing some practical horror effects (amongst boring ugly monster design), not to mention a supporting cast that sometimes shines (Simon Pegg and Nick Frost in the same film rock, but Michael Sheen once again is the scene-stealer), Slaughterhouse Rulez is otherwise another cheap attempt at British film-making unfortunately cast in the shadow of its great predecessors. It was never going to be a Shaun of the Dead, but it's so tragic that it's not even a St Trinian's.
Unfortunately Disappointing
This was a real mixed-bag of a film. Tries to be a horror-comedy without being particularly scary or funny and uses elements we've seen from stories set at boarding schools like this many times before. My main issue is the film's first half which does a rather sloppy job setting up the overall story, characters and elements that lead to later payoffs. It also treats the audience like they're stupid at points, showing flashbacks of scenes that literally occurred five minutes beforehand as if we've already forgotten them. This combined with awful dialogue and an odd structure make the first 45 minutes an extremely tedious watch. When the second half kicks in with the proper introduction of the creatures it becomes a lot more enjoyable, as it truly embraces the gore-fest it becomes. On a production side it's all fairly competent with decent direction and visual effects for the most part. All the acting is fine, with the ever-charming Simon Pegg and Asa Butterfield putting in the best performances. Overall, if the film had a better script with some more interesting characters who don't all have surface-level motivations then this may have turned out to be a enjoyable experience. Alas, it feels like a wasted opportunity.