SYNOPSICS
Marathon Man (1976) is a English,French,German,Spanish,Yiddish movie. John Schlesinger has directed this movie. Dustin Hoffman,Laurence Olivier,Roy Scheider,William Devane are the starring of this movie. It was released in 1976. Marathon Man (1976) is considered one of the best Crime,Thriller movie in India and around the world.
Thomas "Babe" Levy, whose brother Henry James "Doc" Levy is an oil business executive, is a Ph.D. candidate in History at Columbia University. He is also training as a marathon runner. Babe is paying homage to his deceased father, H.B. Levy, in pursuing the same studies as he, the father who committed suicide while being under investigation in the Communist witch hunts. Babe's work does not sit well with Doc who wants Babe to move on with his life. While at Columbia, Babe meets and begins to date Elsa Opel, a foreign exchange student also in History. While out for a walk in Central Park late one night, Babe and Elsa are mugged, the unusual aspect of it being that their attackers were men in suits. Babe will learn that the mugging was not a random attack after someone close to Babe is found murdered, the deceased whom was not whom he purported to be. From here, Babe is thrown into an international conspiracy concerning Nazi war criminal Christian Szell in hiding, and a large cache of ...
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Marathon Man (1976) Reviews
A prime example of the way highly styled entertainment should be
Schlesinger made a great action-suspense film and married it to the artistry of unique talents Hoffman was, by then, a dynamic, young and incredibly versatile film actor with three Academy Award nominations already under his belt for "The Graduate," "Midnight Cowboy," and "Lenny." But the key to "Marathon Man" was the chemistry between its stars Perhaps one of the most gut-wrenching and most memorable scenes in the film comes when Hoffman is captured and tortured by Olivier who plays the role of a mean and vicious and sadistic Nazi war criminal, Christian Szell Olivier's performance resulted in a 1976 Academy Award nomination as Best Supporting Actor In 1945, Szell ran the experimental camp at Auschwitz where they called him the White Angel He was a dentist and could provide escape for any Jew who was willing to pay the price He started out with gold, naturally, but very quickly worked his way up to diamonds As Szell saw the end early, he sneaked his brother into America with the diamonds And they were right here, in New York, in a safe deposit-box until Szell's brother got killed in a head-on collision with an oil truck Uniquely built, and with a marvelous, rugged face, Roy Scheider, well known for his strong performances in "The French Connection," "Klute," and "Jaws," came on board as Hoffman's mysterious businessman brother, getting the rare chance to play a character that's both hero and villain Doc is a fascinating guy because he chooses to work out his problems in a much different way than Dustin's character does He was very touched and very moved by his father's death, but he abandoned all his hopes for whatever he intended to do and he became a spy, a killer, a very jaded personality In doing something truly suspenseful, Schlesinger accomplished a film that's largely about fear and it's about pain and the infliction of pain because of fear The thrilling sensation of great expectations came on the 47th Street in the diamond district in New York, where Schlesinger gets the best of it
Yeeks!
Quite apart from the infamous torture scene, which I found extremely difficult to watch without howling in horror (actually that's a lie, I DID howl) this film is FULL of nervous tension that occasionally boils over - the way it's been done is masterful. The bouncing-ball scene in the darkened building should be utterly prosaic, but it really isn't - the way it's choreographed and shot brings such an air of menace and trepidation you'll be biting your nails off. There's much of a similar vein in 'Marathon Man', and although the storyline is sometimes almost buried through the relentless suffocating tension, it's extremely watchable (with a cushion to hide behind at certain points) and one of the greatest non-Hitchcock thrillers I've ever seen. Don't hesitate!
One of the best thrillers ever made
Marathon Man starts off rather slowly, and for the first hour at least, it feels as if you're watching a human drama rather than a thriller. However, unlike a lot of thrillers; Marathon Man uses this time to create characters and establish the situation, which ultimately pays off later on in the film when the movie really gets going. When the film does step on the gas, it is as thrilling as any thriller you will ever see; Dustin Hoffman is subjected to all sorts of things, most notably an excruciating torture sequence. This scene is powerful and painful on it's own, but it is made more so by the fact that we have already gotten to know the character and therefore we feel sympathy for him, as well as cringing at the images we see on screen. That scene alone is enough to propel the movie in the realms of greatness, as it is simply one of the most powerful that cinema has ever given us; but this movie is a hell of a lot more than just a torture sequence. The plot revolves around a car crash that takes place in downtown New York. One of the men in this crash is the brother of the infamous Nazi war criminal, Szell, who has some diamonds hidden in a safety deposit box. From then on, many members of a US defence organisation, known as "The Division", begin turning up dead and soon after, Thomas Levy, a college student, obsessive runner and the brother of one of The Division's members, becomes embroiled in the plot. It is easy to see the parallels between the plot movie and World War 2, from the withered ex-Nazi (indicative of the state of the actual regime), to his enemies being American; the movie has world war 2 written all over it. The film is excellently directed throughout by John Schlesinger. Schlesinger, probably best known for "Midnight Cowboy" does a fantastic job of keeping the audience on the edge of their seat for the duration of the movie. A constant foreboding feel is created, and you're never truly sure of what will happen. This is exactly what you want in a thriller, as nobody likes it when they can predict what will happen next. Dustin Hoffman takes the lead role of Thomas Levy. Dustin Hoffman is a fantastic actor, and he certainly gets to flex his acting muscles here, in a film which sees him go through all manner of unpleasant scenes and also hold up lots of relationships with various characters, as well as drawing sympathy from the audience to accent his situation. Roy Scheider (of Jaws fame) stars opposite Dustin Hoffman in the movie. Scheider doesn't get a great deal of screentime in the film, but he still manages to do good things with the time he does have. The third lead role, that of the Nazi war criminal, is taken by Lawrence Olivier, who is also a fantastic actor and gives a great performance in this film. He gives his character just the right atmosphere, and we can tell just by looking at the man that he is cold and uncaring, and also past it; which is the crux of his character. The film ends with a spectacular sequence, which sees the movie and the two centrals characters come to a satisfying conclusion. The characters are the central theme in this movie, and had the movie have ended differently it could have unravelled everything that it had created, but the movie's end is absolutely perfect and does the entire movie justice. A brilliant piece of cinema.
A Triumph of Atmosphere and Suspense
I first saw MARATHON MAN in its initial theatrical release when I was 13 years old, and the years haven't diminished its power for me. Sure, the plot gets a little more convoluted than it absolutely has to be, but in a way it's because William Goldman's screen adaptation of his brilliant novel takes into account the all-too-human character flaws of his heroes and villains, and the mistakes people make when they're fearful and paranoid. While the performances are uniformly fine (with Roy Scheider deserving a place in The Suave Hall of Fame for his portrayal of Doc Levy, a.k.a. government agent "Scylla." If he hadn't been so charismatic and engaging, his murder in mid-film wouldn't have such impact, and the movie would suffer for it), I think the special secret ingredient that gives MARATHON MAN its punch is the atmosphere. The naturalistic, sometimes washed-out color palette almost lends the film a black-and-white film noir look. Almost every person in the film is angry, cynical, emotionally wounded, and/or generally negative in some way. And what really struck me was that on screen, it seems like chaos and disaster are exploding all over the world. Look at the riots and bombings taking place in France in early scenes with Doc and Janeway (nicely subtle homosexual subtext there, by the way). Also, if you listen carefully to newscasts in the background, you'll notice there's nothing but bad news: murders, suicides, all kinds of violence all over (including the "chicken" game between the old Jew and Szell's brother as the film begins). MARATHON MAN isn't a happy film -- even when our hero wins, he's already lost so much his victory seems hollow indeed -- but it never fails to grab and haunt me each time I watch it. If you love the film, you'll want to own the DVD not only for the superb letterboxed print, but also for the terrific extras, including both new and vintage making-of documentaries with Hoffman, Scheider, Keller, Goldman, producer Robert Evans and other major MM players, as well as rare rehearsal footage and the original theatrical trailer.
Best thriller ever?
Suspense filled, is the only adequate description I can think of. The direction is bleak and taut, the movie's music theme is like a growing menace and the acting of the leads is peerless. The film's most famous scene, the dentist chair interrogation has become part of pop culture, and deservedly so. This, along with many other scenes, including the enemies breaking into the bathroom, are a masterful example of how to create almost unbearable tension on film.