Love Story (1970) Reviews

• Effectively simple and straightforward tearjerker

  robb_7722006-05-04

  A box office phenomenon at the time (this was one of those movie that people reportedly waited in line for hours to see), LOVE STORY has continued to be ridiculed by cynics and adored by romantics for decades. The secret to the film's ultimate effectiveness is in it's simplicity. Director Arthur Hiller wisely films Eric Segal's screenplay (an adaptation of his own best-selling novel) in a concise and straightforward manner, allowing audiences to become enamored with the characters and involved with their plight. The film even manages to make subtle commentary on class struggles, personal identity, and even the changing attitudes of religion, all of which while never appearing preachy or obvious under Hiller's unpretentious direction. Ali MacGraw brings an undeniable spunk to her characterization here which helps undercut the potential sentimentality of the picture, and lends the finale a greater emotional punch. The natural handsomeness and effortless charm of Ryan O'Neal is used to exceptional effect, and the supporting performances of Ray Milland and John Marley (as two very different types of fathers) are terrific. This is a film that never attempts to disguise it's own thematic manipulations, which may very be why it remains so effective. French composer Francis Lai's haunting original score further enhances the film, which is justifiably considered by many to be one of the all-time tearjerkers.

• A Witty Tragic Love Story

  Chrysanthepop2008-10-03

  I had been avoiding watching 'Love Story' because I thought it would be another one of those corny sugarcoated love story with excessive melodrama. After hearing a friend's recommendation, I decided to give it a chance and I was pleasantly surprised. It's a simple film in terms of everything: execution, performances, background score, direction, dialogues...The writing is incredibly great as the dialogues are creatively and amusingly witty. The movie stays focused on Jennifer's and Oliver's relationship that is portrayed with the utmost simplicity. A movie like 'Love Story' could have easily gone wrong but kudos to director Hiller for his fine execution and for pulling all the ingredients together so effectively with the help of whimsical cinematography, impressive soundtrack and fine actors. The chemistry between O'Neal and McGraw sizzles on screen. Both actors complement each other brilliantly and convincingly portray the 'opposites that attract'. Hiller has done a commendable job by bringing these two actors together and a strong rapport with them to enhance their work. Of the supporting cast John Marley and Ray Milland stand out by their strong presence. Overall, I liked the film a lot for its subtlety, ambiguity and simplicity that makes it feel more genuine. Clearly it stood the test of time as there are hardly any more movies being made these days that could reach anywhere near the level of this classic.

• "Love knows not its own depth, until the hour of separation."

  Nazi_Fighter_David2000-03-26

  The sentimentality of "Love Story" ("What can you say about a 25-year-old girl who died?") is a hearty welcome retreat to the past... There is nothing to spoil love, trust, confidence or even the events... Jenny seems to die... She just escapes in loveliness... Jenny (Ali MacGraw) is half of a pretty young married students from a working class background... And Oliver (Ryan O'Neal) is from a very wealthy family... Both have the predictable problems with disapproving parents... Both struggle along through hard times, until Oliver obtains a fine job with his own merit... When Jenny tries to get pregnant, the doctor finds out that she has an incurable disease, and has a very short time to live... Ryan O'Neal plays well the intense sensitive rebel, giving a heart-breaking performance as the ultra-rich man's son who works to pay his way through law school when his father won't... Ali MacGraw is good and touching in her portrait of Jenny, the dying heroine, the poor baker's daughter studying classical music at Radcliffe, the smart young girl who gives up her plans to study in Europe in order to marry Oliver... She never missed a 'shred of her beauty' in her role... Ray Milland is the 60-year-old Oliver Barrett III... He is a strong, articulate, civilized millionaire from Boston who refuses to support his son in marrying a girl of such low social stature... He commands him instead to finish law school... John Harley is Phil, the father of Jenny... For him, "Father's love is something to cherish and respect." There is three sequences that I liked the most in the film: The Lebanese poet Khalil Gibran said once: "Love knows not its own depth, until the hour of separation." And let me say that 'nothing is more beautiful than the love that has weathered the storms of Life.' They say: Time mends a broken heart and true love never ends... But if true love never ended then time wouldn't have to mend... So "Love Story" was followed by "Oliver's Story". Ryan O'Neal and Ali MacGraw are splendid and beautifully matched... Arthur Hill's sincere direction commend the picture to a wide audience eager to a flood of tears... "Love Story" won 7 Academy Award nominations and Frances Lai - touching music - mixed by Bach, Mozart and Handel, won an Oscar, enriching the beauty of the film... An intense, tough-looking leading actor is seen: Tommy Lee Jones in his film debut...

• Best kind of tearjerker

  nikzfox2005-01-23

  I wasn't even alive when this came out. I'd never even really heard of MacGraw nor O'Neal before (though they both looked vaguely familiar). The "Love Story" theme, I was definitely aware of though. I saw it for the first time in 2002, and bawled like hell. I saw it for the second time a few weeks ago (2005) and cried like a baby again. I instantly needed to get my DVD copy. My parents always say that they don't do movies (or music, for that matter) like they used to, and on this occasion, I had to agree. The movie's premise is simple: the typical boy meets girl love story, with the cliché rich boy, poor girl angle. But I think its simplicity is part of what's so great about it. I fell in love with Oliver and Jenny (and as corny as it may sound, I think their undying love for each other is ultimately what we're all searching for), and their tragedy became my devastation as well. It's generally your typical soppy chick flick (with the exception that the pair don't "live happily ever after"), but probably the best one of its kind. A story like this has become so banal today, 35 or so years later, but it was surely one of the first of its kind. It hits all the right emotional buttons, and although I'm not one to usually cry over films, this one certainly had me in tears. The two very attractive leads make a cute couple, and have good chemistry. O'Neal and MacGraw both turn in very solid performances, and I quite enjoyed the foul-mouthed MacGraw. Good writing, solid acting, great music (I could listen to the musical score all day), beautiful scenes. I love "Love Story". Hee! 10 out of 10 from me.

• It's widely regarded as the ultimate romantic movie for a good reason.

  Boba_Fett11382006-11-22

  To be honest I was quite surprised as the low rating the movie gets her, since I've always been under the assumption that this movie is widely regarded to be the best and ultimate romantic movie ever made. The movie has all the ingredients a romantic movie needs, even the most formulaic ones. Two totally different boy and girl from different social levels fall in love with each other and of course not everyone in the environment (mainly the parents of course) are happy with this. Their love life has a couple of ups and downs in which they have to weight some choices for themselves against choices for their love together. Further more the movie also features an unavoidable dramatic twist in which one of the characters get seriously sick (Don't worry, this is not really a spoiler since this is mentioned right in the beginning of the movie already). In other words this movie has all of the formulaic sappy sounding ingredients to make this a sappy formulaic romantic movie. Yet "Love Story" is not. Why? It's hard to put your finger on why "Love Story" is so much more and so much better than your average love story but I guess that you can still answer this question, once you start analyzing the movie. Although the story and all of its elements are sappy and formulaic the movie itself doesn't try to be sappy or dramatic. The movie doesn't attempt to make you cry, by putting in over-the-top dramatic filmed moments with dramatic loud music and all that sort of stuff. Instead the movie chooses to take a realistic approach, no real surprise, considering that this is a '70's movie. The decade in which the most realistic (and best) movies were made. It has as a result that the movie never feels forced or overdone. It even makes the most formulaic and predictable elements of the movie work out, as strange and unbelievable as it might sound. You also have to keep in mind that at the time it was released, this movie was not formulaic at all. It was a fresh approach on the genre and inspired many later movies. In a way "Love Story" was bare raising and set the standards for many later romantic movies. The movie was nominated for 7 Oscar (of which it won 1 in the end) not just for no reason. The movie is obviously made on a low budget but it makes the end result look all the more creative. It's effectively directed by Arthur Hiller, who later went on directing lame comedies. A real waste of talent. The musical score by Francis Lai is a classic and the simple effective cinematography from Richard C. Kratina makes the movie feel all the more realistic. The movie made Ali MacGraw and Ryan O'Neal big stars for the moment and they were both even nominated for an Oscar. To be frank I didn't even always liked their characters in the movie and I've never been to fond of Ryan O'Neal as an actor. In that regard I liked the supporting cast way better with John Marley, Ray Milland and Tommy Lee Jones in his very first (and very small) screen appearance. He looked so amazingly young, that he was hard to recognize. Although the movie takes some formulaic and obvious dramatic turns, the movie still always remain perfectly watchable, just not always emotionally involving enough. So I'm not to sure about it if this is a movie that can (still) make people cry. Nevertheless the movie still has its powerful moments, mostly due to the realism of it all. Everybody should be able to recognize the situations- and put themselves in the place of the characters of the movie. Everybody have been through similar events in their life at one point, in one way or another. Now days lots of people actually complain about the tag-line and famous quote from the movie; 'Love means never having to say you're sorry'. People find this a stupid and illogical line. To those people I would like to say; Wait until you've truly falling in love once. If you've REALLY been in love, you'll understand what is the meaning of that line. Love is about mutual respect and also accepting each others less pleasantries and still love each other for it. This also means never having to apologies to each other. Actually when I was in love once and the girl felt the same way about me (Yes amazing, I know. It seems like ages ago now), whenever one of us said 'sorry' for something the other always said; 'You never have to apologize for anything to me'. None of us had ever seen the movie or heard of its famous line before, so I think that really says something about the line and the truth that is in it. It in my opinion certainly is one the best and perhaps most influential romantic movie ever made. A must-see that deserves more objective respect and higher rating on here. 8/10 http://bobafett1138.blogspot.com/