Kanashimi no beradonna (1973) Reviews

• splendid visuals, anticipating Miyazaki. Disney it ain't!

  leerssen2003-04-27

  Loosely based on the nineteenth-century classic "The Witch" by historian Jules Michelet, "Belladonna" tells the story of a young "everywoman" in a brutally repressive and exploitative feudal society; in her powerlessness she is gradually driven to ancient superstitions and satanic practices, and then accused, tortured and executed for witchcraft. This storyline provides for a pageantry of sado-erotic scenes. "Belladonna" hovers uncomfortably on the edge of pornography but the film is saved, and viewer bewitched, by the incredible wealth of imaginative visual flourishes. Yamamoto's style in this medieval story hovers between classical Japanese landscape painting and twentieth-century underground comics (western style and manga), conjuring up, with accomplished technique, his dark fantasies. Think of Disney's Fantasia, but with more visual variation of style, and dedicated to the themes of lust and cruelty. "Belladonna" is a very early masterpiece of Japanese anime, anticipating Miyazaki by more than two decades.

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• Belladonna of Sadness was the product of an animation studio that knew it was doomed.

  iuasdhfu92008-02-18

  "It becomes apparent early on when viewing Belladonna of Sadness that this film is quite unique. Certainly the first, and possibly the only animated film that might be classified in the pinku genre. But even though the film is supposedly animated, nothing seems to be moving at first. You instead see a series of elegantly designed still drawings depicting a harmonious wedding between a peasant couple in 14th century France, as a woman sings her narration in the soulful style of a 70s rock opera. This is the film's only joyous scene, as moments later the new groom is pleading with the local land baron to reduce the marriage tax he can't afford. The baron instead decides to exercise his "droit de seigneur" with the bride. It is here, several minutes into the film, that full animation is finally used, in order to depict the rape of the virgin bride with metaphorical imagery much more disturbing than what a literal depiction of the same events could provide. A sign of things to come, as this is only the first in a series of tragic events that push this woman, through desperation, into the world of witchcraft." ...

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• Visually and aurally incredible piece of cinematic art

  Red-Barracuda2016-06-26

  Wow. Sometimes something comes along that really genuinely blows me away and the viewing of this movie is one such very rare occasion. It's a film that was released in 1973 in an era when the adult cartoon was a new concept, typified by the likes of Fritz the Cat (1972), but Belladonna of Sadness by contrast attracted mainly negative criticism and it then seemed to more or less fall off the radar for many, many years. Having just seen it I can only say that this is a criminal state of affairs and that it is pretty seriously unfortunate, to say the least, that something so overwhelmingly artistically beautiful was disregarded and cast aside. The amount of artistic imagination and creativity on display here is pretty monumental. Its regarded as a very early example of Japanese anime but it's like no other anime I have ever seen. While it definitely does have some material that would go on to be associated with the manga branch of Japanese anime, it is executed in a somewhat experimental manner. This is quite honestly more of an art film than an actual story. Many folks seem to have taken all manner of things away from this one in terms of its content, such as a feminist message and such. And while I agree that this is there, the sheer beauty of the artistry is so overwhelming that the contents of the story were completely overshadowed by the visceral sensory experience of watching this one. Despite its Japanese origins this one is set in the Middle Ages in Europe and it begins with a wedding of a young couple. The groom cannot pay the marriage tax so the baron exercises his 'rights' and rapes the bride. This trauma deeply affects the young couple and the woman turns to witchcraft. Some may be taken aback by certain aspects of this one. Firstly, despite being an animated work, much of the story is told by still paintings and drawings. There are many elaborately detailed tableaux which the camera pans across and in so doing expands upon the narrative. There are many still pieces of art of varying styles, such as landscape watercolours, comic-book style figures and surrealism. These visual ideas are interwoven with early 70's styles such as psychedelia and transgressive underground comics. There are animated sections too, which make even more impact because they only appear every so often. There seems to be a general split where the narrative is depicted using stills and the inner working of the protagonists mind are animated. Consequently, this leads to the extended animated sequences being more dreamlike and surreal in nature. Accentuating all of this is an excellent soundtrack which works fantastically well with the imagery on screen. It's quite an eclectic score which features what could best be described as Japanese folk-pop and some out-and-out prog-rock. As I said before, this isn't a film for everybody. Aside from its experimental approach, some may find the sexual content difficult. There are many examples of sexual imagery, although I wouldn't say it's exactly in erotic territory on account of its highly stylised presentation but also due to the disturbing nature of much of it. But despite the dark undercurrents to the material this is a film of enormous visual and aural beauty. In my personal opinion this has to go down as a stonewall classic and a great example of what the animated movie format is capable of.

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• A highly underrated and experimental adult art film with a lasting impact.

  Bayrock2016-03-20

  Background: Kanashimi no Belladonna, literally translated as 'Belladonna of Sadness' or figuratively as 'The Tragedy of Belladonna' is an avant- garde feature film produced by Mushi Production and directed/co- written by Eiichi Yamamoto in 1973. It was loosely inspired by the 1862 book La Sorcière (Satanism and Witchcraft) by French historian Jules Michelet. It's also the third and final installment in the Animerama trilogy conceived by manga god Osamu Tezuka, but is the only one that was neither written nor directed by him. This isn't your typical anime by any stretch of the imagination. The rating is listed as Rx, but rest assured it isn't intended to induce erotic pleasure in any way, shape or form. It's a dark and twisted experimental sequence of art and storytelling that should be treated no less. Story: Belladonna of Sadness tells the tragedy of the beautiful peasant woman Jeanne who was raped by the land baron of her village on her wedding night after the couple failed to meet marriage taxes. Spurned by her husband, she decided to make a pact with the devil to gain wealth and power, but not without facing certain consequences. Jeanne becomes a suspect of witchcraft, and is subsequently banished from her village by the baron. However, with the village quickly becoming swallowed by the cusp of the bubonic plague the baron is forced to change his heart. He summons Jeanne back and offers her the rank of highest noble in return for her to rescue them from despair with the mysterious flower she possessed. Regardless, Jeanne's motives were altered by her painful experiences, and she refused to accept such an offer.. which ultimately leads to her fate and the pinnacle of the film. The final scene ends with an image of Eugène Delacroix's 'La Liberté guidant le people.' The painting features a female personification of liberty itself, leading a mixture of social classes during the French Revolution. In the film Jeanne finds herself in a similar position, and her impact on society can be compared with that of Joan of Arc, Salem witch trials, and several prominent women in history. This story is depicted rather well throughout the duration of the film and is often told metaphorically with symbolism rather than figuratively with speech. The nature of it is widely subjective, but certainly compelling nonetheless. I believe it's most rewarding with an open mind. Characters: The characters aren't a strong aspect of the film. The only truly memorable character is Jeanne, but like the others she lacks any real development. This doesn't hinder the experience in the end, because the characters were never really intended to be a centerfold. They merely exist as a route of administration for the lessons and morals lurking in the shadows of the film. Jeanne's character in particular appears to represent feminism, and relates to a myriad of prominent women throughout history. Especially when considering her comparison with Jeanne d'Arc (Joan of Arc). Michelet's book La Sorcier which inspired Belladonna of Sadness arguably depicts the story of Joan of Arc, and portrays her resistance against feudalism and the Catholic Church. The similarities with Jeanne can be seen most in the final scenes of the film. Art: The visuals are reminiscent of watercolor paintings and heavily influenced by western art. It often hangs in limbo between realism and surrealism, and surely isn't considered typical. The quality is fair considering it was produced in the 70s. It's also pending the release of a 4k restoration that will greatly enhance the clarity and colors. Animation: The animation suffers greatly where the art shines. Many of the scenes are depicted by panning across still paintings rather than being animated. This could be seen as a matter of style or budget, but it definitely could've benefited from consistency. Regardless, I think the animation can be forgiven considering the era it was produced. Sound: The music is as funky as the era it came from and varies greatly from the Rock Opera to Psychedelic genre and beyond. It's almost always fitting, and creates indescribable emotions that go hand in hand with the images on screen. Overall: A belladonna is a highly toxic flower, which also stands for 'beautiful woman.' In the past, witches were believed to use a mixture of belladonna and other plants in flying ointment, which they applied to help them fly to gatherings with other witches. A theory for the inclusion of belladonna in flying ointments concerns the dream-like waking state it produces. Much of the scenes in the film are depicted as if the viewer was under the influence of the belladonna flower. Similar to the flower, the film itself can also be interpreted from many different perspectives. In my eyes Belladonna of Sadness holds significant implications regarding sexuality, feminism, religion, and history. It presents a thought provoking succession of metaphorical imagery far ahead of its time, and I won't ever forget the impact it had on me.

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• Impressive work of art

  Mike_Olson2017-03-21

  Impressive work of art. The back cover of the Blu-ray states that this is the last film in the Animerama trilogy. In doing a little research I found that Animerama is defined as "...a series of thematically- related adult anime feature films originally conceived and initiated by Osamu Tezuka..." This third film was co-written and directed by Eiichi Yamamoto inspired by the book SATANISM AND WITCHCRAFT by Jules Michelet. The animation is fairly basic. It's largely comprised of long paintings, done in watercolor. The effect reminds me of certain Japanese scrolls where, as they unwind, the story is told. In the case of this film, however, the camera slowly moves right to left along the painting, occasionally zooming in. There is also other limited use of cell animation where the camera is shooting each of the different cells and they are presented in sequence on film to show progression/movement...at a lower slower frame rate than, say, the average Disney cell animation. As mentioned, it's all fairly basic and yet still works well in combination with the other elements. Which are: Narration, requiring reading of subtitles for those not fluent in Japanese. And a great sound/music score that I wouldn't mind having on CD. It ranges from trippy to hauntingly beautiful with a few actual songs that are quite nice. And other chaotic or horrific or beautiful sounds and music. All complementing the imagery in a way that is very important to this type of animated film. Who would I recommend this to. It deals with some pretty strong subject matter, not the least of which is rape. Horror fans may appreciate some of the darker aspects of the film. But beyond that: Do you appreciate art? Do you appreciate Japanese culture/history? Are you open to alternative forms of storytelling? If you answer yes to all then you will probably like this film. I thought it was one of those rare treats that I likely will revisit. I'm also now curious about the other two films in the Animerama trilogy.

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