I Now Pronounce You Chuck & Larry (2007) Reviews

• love...but not in love

  life_as_a_decoy2007-03-09

  Last night I went to a screening of this film and didn't know what to expect. I have to say this is the best Adam Sandler comedy since Happy Gilmore. It seems that with this new comedy duo that Sandler got his magic back. This story is about two firefighters in Brooklyn who have been best friends for what seems like forever. Larry Valentine (James) is a single dad trying to raise two kids on his own and Chuck Levine (Sandler) is a notorious playboy who has a new girl(s) every night. When Larry tries to change his beneficiary from his late wife to his children he finds out that the process would take a long time. Because he's a firefighter, and worries that he could go at anytime, he wants to make sure his kids will be OK. After a traumatic incident he feels even more pressure. When he finds a loophole in the system, he asks Chuck to be his domestic partner. Throughout the movie their relationship is under fire and it's up to their attorney, Alex (Jessica Beal), who believes they're gay, to save them from criminal charges. They try to keep their relationship a secret but it eventually gets out that they're a couple. Everyone they know starts treating them differently and they are witness to the discrimination homosexuals face on a regular basis. Little do they know, when they defend themselves, they defend gay people in general. Dan Aykroyd plays their Captain at the fire house and is also their voice of reason. Steve Buscemi plays an inspector who is sent to their house to catch them at their game. There are numerous cameos, by some of everyone's favorites, and they show up at some of the most random times making their appearance in the movie that much funnier. When I left the theater I felt like a did 100 crunches because I was laughing so hard. It didn't drag, and it didn't get overly sappy, at any point. Some of the jokes are stereotypical, but it's the first time most of them have been on the big screen so it was fresh humor. I sat next to my gay friend through the screening and I've never seen a man laugh so hard in my entire life. So, for all you people who think this movie will be a bash at homosexuals, I say watch the movie and then make your opinions. I enjoyed this movie so much that, when it comes out in July, I will PAY to go see it with my friends.

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• Give it a go

  ctron12007-08-19

  OK it is full of stereotypes, yes the movie does old jokes, it is fairly predictable and we have seen it before. The crucial question is this – is it funny? The simple answer is yes. My wife wasn't enthused about this one, but she laughed heartily. For a comedy to be any good you need to laugh out loud at least 6 times. I think I laughed about 10-12 times. Some of the scenes were set up really well and the comedy acting was superb. OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe – then this one isn't for you. Its as simple as that!

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• Fun With Chuck and Larry

  Chrysanthepop2008-07-09

  Dugan's 'I Now Pronounce You Chuck & Larry' starts off like a typical Adam Sandler comedy with the usual lame jokes, but things take off when Kevin James steps in. Parts of the film do remind one of 'Three To Tango' but it has its own jokes and is quite an enjoyable comedic flick. It rests on a thin plot that is lifted by the chemistry between the actors. James and Sandler are supported by a hilarious cast, which includes Ving Rhames (like you've never seen before), Steve Buscemi, Dan Akroyd and Rob Scheider, that provides some excellent comic relief. Jessica Biel has never looked better (what a body!). Child actor Cole Morgen is remarkably talented. And of course Kevin James and Adam Sandler are great. While the film is full of fun and laugh-out-loud moments, fortunately it's not offensive in any way, considering the theme. It's quite pro-gay. Overall, this is a fun film. If one is in search of something light and some laughter, 'I Now Pronounce You Chuck & Larry' is a recommendation.

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• Another instance of critics missing the point

  jellyneckr2007-07-24

  Gay jokes have always been staple of Adam Sandler comedies. It goes with Sandler's juvenile, boyish sense of humor. As far back as his "Saturday Night Live" days, Sandler has been serving up gay jokes left and right. It was only a matter of time until Sandler decided to extend his love of gay humor to feature length. What's surprising is how well I Now Pronounce You Chuck and Larry actually works. I've often said the best movies are the ones that have a point for existence. When millions are being spent, there should be a reason. Most of Sandler's pictures have had a message, however small they be. Billy Madison made it clear to its young audience to stay in school. Click made it painfully obvious that family is important. Now 'Chuck and Larry' comes with a message about tolerance and acceptance. I wasn't going to write a comment about 'Chuck and Larry', but after reading the critics' extremely venomous reaction to the flick, I think that they miss the point. Many have labeled it hypocritical for wanting to laugh at gays while standing up for them. Honestly I think the critics who say that had their minds made up about the film before they viewed it. The characters making homophobic remarks and jokes are seen as ignorant and unaware. True, there are stereotypes present, though most of them are stereotypes that the characters believe to be true. I found Brokeback Mountain to have just as many if not more stereotypes than are present here yet that was intended to be a serious drama. 80% of the jokes in 'Chuck & Larry' work the ones that don't are simply due to pacing. There's about ten more minutes of fat that could have been sucked out of the running time. Luckily, it's nowhere as dreadfully long as the Knocked Up was. However, I do wish that the film shared Knocked Up's R-rating (trims were made to make this a PG-13). There are times when the editing is extremely obvious and distracting, which took me out of the scene at times. Here's hoping for the original cut to be released on DVD. Somehow I doubt that it will. As satisfying as 'Chuck & Larry' is, seeing it as intended would be more fulfilling. 7/10

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• May I have my cake and eat it please? Oh, no need to worry about the taste.

  bob the moo2009-07-13

  Chuck and Larry are buddies and fellow fire-fighters in New York. They are very close and would do anything for one another so, when a problem with Larry's pension arrangements comes up that can be solved by entering into a civil partnership, Chuck agrees to pose as his "husband" in order to solve the admin problem. Sadly a high profile fraud case in another state means that the "couple" are under scrutiny from obsessive investigator Clint Fritzer and must play their roles to the full. Hilarity naturally ensues but can everyone also learn a lesson as well? It dismays me to hear people praising this film for its "sensitive handling" of the subject of homosexuality and the way it challenges bigoted thinking on the subject – such thoughts can be found in the comments section on this site and they dismay me because sadly to some viewers this film may be the nearest thing to "discussion" on homosexuality that they have had. In this way maybe one could make a case for this film being an effective but blunt tool for the mostly teenage male fan-base of Adam Sandler to be "reached" and "educated" by giving them what they want in terms of crude humour and broad stereotypes but then also leaving them with a message that will teach them the error of their ways. It would certainly be nice to say that but one cannot help feel that this is not the reality and that, rather than using the crude stereotypes as a vehicle to deliver a message to a traditionally homophobic fan-base, the film is actually using the message to facilitate lots of homosexual stereotypes, jokes and clichés. This is what the film does throughout – it wants to have its cake and then also get to eat it. So, spoiler alert, it turns out that homosexuals are people too. Apparently (according to the film) it is NOT OK to treat them differently and exclude them from things and anyone who does, well, y'know what, ell, turns out those that are do are the real jerks. That is about as sophisticated as the message gets but that is perhaps to be expected and for the target audience maybe that is challenging enough. Unfortunately for the wider audience or casual viewer it will come off as little more than patronising and not make up for the fact that the majority of the film flies in the face of this. What the rest of the film does is draw laughs from the fact that two straight characters have to "be gay" – which of course means all the stereotypical stuff that we all know. So nobody wants to pick up the soap in the shower (because all a gay man needs to be aroused is the sight of someone's ass), disco music is played, finger-snapping is everywhere and so on. Fortunately it is sporadically amusing and provided me with a few chuckles whether I wanted to give them up or not. It is not THAT funny though and the casual viewer will mostly just let the brash, obvious humour wash over them without it doing much. The cast buy into it well though and do their best to sell it. Sandler is his usual rather annoying self and does his best to prove he cannot act by being the usual "irresistible to women" thing rather than the "creepy man-child" that he would be were his character real. James comes off a lot better I'm not really seen him before although he probably does fit TV better than films but he does have a good comic presence and also does OK with coming over more of a regular guy. Loved Ving Rhames in it – sending up his tough guy image while Buscemi, Aykroyd and a few others are amusing in support. Biel has an amazing body and that is pretty much what she is asked to do – be in underwear and look stunning, both of which she effortlessly does but nothing else comes forward. This film is not the awful piece of comedy that some critics have said but it is a simple, stereotypical comedy about homosexual clichés that tries to justify it by having a very basic message that most people should have already learnt in the 1990's. While some may praise the film for having this message I find it more concerning that people still see this message as somehow "worthy" rather than "d'uh – of course". Some laughs help it through and Sandler's fans will enjoy it despite the "message" but for the casual viewer it is just another clumsy and crude Adam Sandler film.

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