SYNOPSICS
I Don't Feel at Home in This World Anymore. (2017) is a English movie. Macon Blair has directed this movie. Melanie Lynskey,Chris Doubek,Marilyn Faith Hickey,Jared Roylance are the starring of this movie. It was released in 2017. I Don't Feel at Home in This World Anymore. (2017) is considered one of the best Comedy,Crime,Drama,Thriller movie in India and around the world.
When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
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I Don't Feel at Home in This World Anymore. (2017) Reviews
Really enjoyed
No matter what the genre line says, this is a black comedy and a good one at that.The acting is spot on and sometimes especially in the later parts of the film a little over the top but it does add to where the story is going at the time and fits very well. I think I can count on one hand the amount of movies lately that have made me laugh out loud, thankfully this one had me on more than one occasion. Obviously the director is a Coen bros fan, it has touches of Fargoish mundane reality mixed with comedic gore filled violence. The soundtrack was effortless and complimented the mood of each particular part of the movie. Overall a good watch and not overly long or drawn out so 9/10.
Heartfelt absurd black comedy with gore
Loved this film! Melanie Lynskey does a great job as depressed nurse with a penchant for justice who unwillingly becomes a vigilante. Elijah Wood is hilarious as her sidekick. The story is absurd and fast-paced. Cinematography is spot-on, with camera-work and colors that create a moody, slightly surreal atmosphere. And all throughout the movie breathes with life and love for its wonderful characters. You gotta be able to withstand some violence though—there definitely is some in here. To me, the violence felt natural and was still humorous enough not to be overly shocking, reminiscent of movies such as Super and Kick Ass. So, go and watch this cute little gem!
Worth Watching.
Started a bit slow, and it seemed like it was trying too hard with the so-called cringe humor. I still enjoyed the photography, editing and music even though I wasn't impressed with the plot. Then things changed dramatically for the better. One thing I noticed towards the ending was the similarities with "The Shining" (1980) both in set and music. Might have been wishful thinking but my I'm pretty sure there's a bit of a reference there. Fantastic acting, I didn't realise the main character was played by the "Heavenly Creatures" (1994) actress. Never really seen her "black, beautiful little eyes" since then, but her average mid-thirties woman looks were very refreshing for a leading character in a motion picture. Elijah Wood always delivers of course, he was hilarious as a very specific loser type. Overall a very, very good dark comedy with existential overtones, nice plot turns and a great atmosphere. Loved it.
A very welcome addition to Netflix
From the first lines spoken in this deeply, darkly black comedy you feel you are in for a treat and you most certainly are. Pathos, farce, black comedy at it best but with an undeniably astute message underpinning an excellent script sprinkled with the occasional clever little cinematic trick. The acting is supreme right across the board. The direction and detail (watch a cyclist zig-zag down a road) bringing out the detail and meaning of what unfolds before us. In every way this is a real gem of a film. And time moves so incredibly fast watching this movie so well paced is all the action. Certainly a movie deserving of as wide an audience as it can possibly get. Nine out of ten.
Well worth checking out
I Don't Feel at Home in this World Anymore - mouthful of a title masks a nifty little blackly comic thriller about a woman turning to vigilantism after a burglary. Melanie Lynskey is perfect in the main role and is well supported by Elijah Wood and by a quirky cast of side characters. The plot goes in one or two unexpected directions and the film doesn't outstay its welcome. Writer/Director Macon Blair - who starred in the thematically similar but more po-faced Blue Ruin - has made a most enjoyable debut here.