De aanslag (1986) Reviews

• classic war movie

  steenvreter292000-09-01

  One of the highlights of Dutch cinema. A very moving story about a young boy whose parents are murdered by Germans after a German officer had been shot in front of their house. Actually, the man (Ploeg) was shot in front of the neighbours' house, but was moved by the neighbours so they would survive themselves. It's not just the well-told story that is impressing about this movie. It is also the lot of symbolical themes that gives 'De Aanslag' more strength. Like the man who killed Ploeg makes clear, later on in the movie: 'we could also have shot Ploeg in another neighbourhood, but then I would be talking to someone else right know.' Fate is an important theme. Symbol for fate: dice, returning several times during the movie. A well-known source of criticism about this movie is the lot of coincidences in the movie. I will not argue about whether or not it is realistic, because it is simply not. But.. who cares? It's just a way to tell the story. About as good as Harry Mulisch' novel this movie is based on. 8 stars out of ten.

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• Oscar winning Dutch classic

  TheOtherFool2004-12-23

  Movie based on the famous novel by Harry Mulisch, who also wrote the Discovery of Heaven. In the center is Anton Steenwijk (Derek de Lint), who sees his parents shot and his house burnt after a shooting that killed a collaborator of the German Nazi's in World War II. All his life, Anton is curious about what really happened that night, but when he finds out, will that truly satisfy him? Interesting story, well played and directed by Rademakers (director of 'Als twee druppels water' and 'Max Havelaar'), which won the 'Best foreign language' Oscar back in 1987. And although some viewers won't like the 'coincidental' ending, it's probably one of the best pictures ever to have come from this country... 7/10.

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• Classic Greek Tragedy

  Schimanski2001-06-27

  This film is based on the Harry Mulisch novel, and both have some distinguishing characteristics that go back - on purpose - to classic Greek tragedy theatre. The incredible co-incidence that carries the story is reminiscent of ancient literary 'vehicles' that carry a story. Thus, you should not look at the chance events as being part of the story, but as being the foundation for the story - they, in themselves, should not really be questioned. Also, note that every chance meeting is preceded by a meeting with some kind of stone. The Dutch word for dice is 'dobbelsteen', or dicing-stone, so that the simile of dice and chance can be extended to stones and chance. This explains the significance of Anton meeting his first wife while visiting the Stone of Scones. The book, more strongly than the film, is also constructed as a Greek tragedy, with a prologue, five acts and then an epilogue. Anton Steenwijk is also interesting himself: he represses the events of the assault, but it keeps coming back at him. But he is an anaesthetist in more than one way - he puts his memories to sleep. Even in the final stages, when the story is already quite clear to him, he uses drugs at his house in Tuscany and seeks to ease a toothache in Amsterdam before going to the Ban the Bomb demonstration. Personally, I think the book was translated into a film in brilliant fashion. My major qualm with it is the mediocrity of the sound and sound effects. Some pretty good acting and a fantastic storyline make this one well worth the watch.

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• such a clever suspensful movie with adult implications of childhood experience

  jbarth48512003-12-25

  I have seen this movies so many times that the subtitling has become irrelevant. Smarty movie with worldwide appeal. A growing up MD is subconciously living a life that has been dramatically changed by an incident during the WWII. such powerful characters. I walk out the movuie stunned at the way the movie works for me. go and see it for yourself

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• If you ever see only ONE Dutch film, THIS IS THE ONE!

  Gavno2004-05-30

  WARNING - SPOILERS WITHIN!!! I first became familiar with THE ASSAULT through the Book of the Month Club. In the package with my book was a slim paperback volume that I hadn't ordered... I suppose they were clearing out the warehouse, and a copy of THE ASSAULT got tossed into my order as a freebie. It sat around ignored for a few months, and then one afternoon I got bored and needed something to read. Wow. Straight through in one sitting. Some time later, with no advertising or promotion of any kind, THE ASSAULT showed up in a local theater. Because of the total lack of promotion, this film is probably the greatest "sleeper" of the decade. It probably only played in the US at Art houses and a very small number of other theaters. Anyone who has encountered the work of Satre or Camus will find themselves right at home with this film. It's deep, involved, and engrossing... it shows that no one, no matter how close they are to an event, knows EVERYTHING about it. Young Anton Steenwjik is the sole survivor of the brutal murder of his entire family by German troops, and the burning of his home in Occupied Holland. The troops did it as retribution for a killing of a collaborator carried out by the local Dutch Underground Resistance cell in front of the Steenwjik home. Anton was there and he saw it all... but it takes a 20 year odyssey that stretches across most of Northern Europe for him to learn the WHOLE truth about that night and it's horrendous events. Therein lies the tale. And it's a tale that's well worth watching. Even tho I promised spoilers in this, I will NOT give you the BIG one... the most unexpected and ironic "Gotcha" I've ever seen in a movie. A VERY HIGHLY recommended film! If you get the chance, SEE IT! _________________________________________________________________ I'm updating my comments after the fact. I recently saw the videotape version of the movie, and found myself somewhat disappointed... nay, OUTRAGED... by it. In an attempt to trim the film to fit on standard length tape stock I suppose, the VHS videotape version makes a cut which for me is FATAL... they cut the entire end of Anton's chance meeting with Fake Ploog's son. That 30 second or so edit completely changes the feeling and meaning of the entire sequence, completely destroying the delicate balance that the director put into the theatrical release version. If anyone reads this who is involved with a possible future DVD release of THE ASSAULT... I beg of you... PLEASE... NO EDITING!!! This film is carefully put together like a fine watch. If you remove ANYTHING, it's not going to work right!!! ____________________________________________________________________

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