Cowboy Bebop: Tengoku no tobira (2001) Reviews

• an extended jam on an established theme, with improvisations

  angelynx-22002-07-03

  I'll try to avoid echoing other comments here and cut straight to the chase: This is not perfect, but MAN it's so close. I had some trouble with the pacing, which seemed a bit slow to me--as if they weren't quite sure how to work with a feature-length timeframe; I'm still a bit hazy on just how the villain's threat was resolved, which I'm usually not after a CB episode; and gosh, *why* isn't "Tank!" on the soundtrack? Songs with words just don't cut it in a CB score. --But honestly, those seem like such small problems next to everything that's wonderful about this movie. It has all the stuff you love about Bebop the series: the brilliant, flashing action and fight sequences, the character interaction, Spike's nicotine jones =), the gorgeous cinematic visuals, and the dreamlike melancholy that underlies even the funniest moments. The villain, his grip on the fantasy/reality divide completely erased after a genetic experiment on Titan, makes a neat counterpoint to Spike, forever haunted by his dreams of the perfect future he once believed in. Jet's protective concern for his reckless teammates was never better painted than in a scene where he blusters about how much happier he was without any of them and couldn't care less where they are, only to pounce on the phone's first ring like a worried mom on date night. There's just a *little* more of Faye's skin for the fanboys (but only a very little bit more, honest! we're not talking topless here! x my heart!), Ed has a trick-or-treat encounter that would never make it to American TV, and even the Big Shot duo put in an appearance (despite having absolutely nothing to say). It's not intended as a wrap-up or finale to CB the series; it occurs in between episodes and should be thought of that way, as an experimental episode both different from and similar to the original sessions. Kind of like an extended jam on an established theme, with improvisations, in the true bebop style.

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• More than worthy of being associated with the series

  Alan_Gabriel2004-08-17

  This movie is just as good, if not better, than most of the episodes in the series. If Bebop fans learn to accept the story for what it is--an extended version of a typical(albeit superior) episode, this movie will live up to the exceptional quality of the series. And if someone with no knowledge of the series watches this movie, they will have very little to catch up on. The great thing about the film is its accessibility to all audiences with its stand alone storyline(although Bebop fans can still get new things out of it). With the introduction of the character of Vincent Volaju, the Cowboy Bebop brain trust has provided a great nemesis for the protagonist Spike to interact with. These two characters' fight scenes are exceptional, and the bond that they share works great with the overall tone of the series. The subtle philosophical points of the film may not be mind blowing, but they are definitely above average. Great dialogue is rare in animation, let alone anime, and this is one of the strong points of both the series and the movie. It is obvious that the creators have tried to fit almost all elements of the series into this work, and they have succeeded, despite that great burden. Each of the five major characters from the series(Spike, Jet, Faye, Ed, and Ein) get the right amount of time in the spotlight, while allowing the new characters(Vincent, Electra, and Rashid) time to develop properly. Also, as any fan of the series can vouch for, the music is not only original, but almost like a character unto itself. Ultimately, this film boils down to the centerpiece of the series, Spike Spiegel, and his final meeting with his kindred spirit, the tortured Vincent Volaju. The result of this film helps propel the series into its heart wrenching conclusion and underlying philosophical tone. More than worthy of being associated with the Cowboy Bebop series.

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• A Heavenly Door

  peter-c-odlaug2002-10-28

  I have to disagree with anyone who says that Knockin' on Heavens Door (Tengoku no tobira) is a throw-away movie version of a popular anime series. I have seen this movie and I loved it. The plot is involving and keeps the viewer involved in the story. The aspect of Vincent being the one who is searching for a way to see if he is really dreaming or awake is a nice twist from it just being Spike who wonders the question. The soundtrack fits well with the action in the movie and heightens the action and suspense. The scenery is dynamic and the characters, the main cast as well as the new additions, carry the weight (yes, yes, I know they're not real) of the movie and the script which is well written and very Bebopish. This movie is a perfect addition to the Cowboy Bebop series and is definitely not a throw-away.

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• BEBOP RULES!!!!!

  SSJAniFan2003-07-07

  I've been one of the lucky people able to see Cowboy Bebop: Knockin' On Heaven's Door at the box office. It kicks so much ### on so many levels. Featuring just about the entire main TV series cast at one point or another(with the exception of TV villain Vicious), it is one of the best movies I've seen in 2003. The plot is a bit haunting, especially with the bad guy being a bio-terrorist, but then again, this was made back in 2001, before any of the stuff was going to happen. I'm not going to say much, except it is a bit hard to understand if you only see it once. Also, it helps to better understand the characters if you've seen the TV series. Yoko Kanno once again composes the music, and it's awesome. Just about every tune perfectly fits in with the scenes. And what scenes they are. The action scenes kick dirt in the faces of most live action movies I've seen recently. The fight scenes literally make the weak action in the Matrix films look like ballet. Just see the fight at the end of the film and you'll know what I mean. It's just...... wow. I can't really describe it without spoiling anything, and I do not want to do that. Another thing good about animation... you can get away with stuff you could never do in live films, without a ton of CGI. This helps when you see some really big animation stunt. And of course, it couldn't be CB without one of those awesome chases in Spike's ship, the swordfish. BOTTOM LINE: With the DVD out at most stores, including places like Walmart, you have no excuse to miss this thrill ride.

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• Sure to at least please fans of anime or good movies in general.

  mrplaid20012003-04-03

  I'll start off by saying that I'm a huge fan of Cowboy Bebop. No other anime has characters that are as real and deep, yet fantastic and archetypical as this series. Every episode in the series manages to be visually stunning and/or humorous and uplifting while at the ame time being beautiful and poetic all in a twenty-minute timeframe. So its hard not to judge Coboy Bebop: Knockin' On Heaven's Door under the same light or along the same lines as the series. That said, the movie is very cool and very enjoyable, and from the fansub that I watched, I know I'll be snagging this as soon as (or if ever) it is released on DVD. After the initial five minute attention grabber and wonderfully cheesey rotoscoped-looking opening credits, Spike and the gang set off on the trail of a bearded bioterrorist worth 300,000,000 woolongs who plans to do some bad stuff to whatever planet it is they're on (I think its Mars, but I'm pretty sure they never actually say in the movie). Along the way, we get action, not-so-much action, Maracans, we get to hear some more awesome Yoko Kanno music, Spike reaffirms his position as the most badass character ever in animation, and we almost get to see Faye's boobies. The action scenes are superb, especially two in particular. Spike's first fight with the woefully underdeveloped Electra is easily some of the best martial arts animation ever. Also, the monorail scene is probably one of the coolest and definitely the goriest thing ever seen in Cowboy Bebop. The movie does, however, slow down at parts, especially when the focus is lifted from the main characters. A lot of times I just felt like I was waiting for the movie to pick itself up and get going again, something that never happens in the show, but, then again, this film is nearly two hours long (awesome for an anime). One reason the film seems so slow in comparison to the series is that there are a lot more establishing shots and the like. It makes you wonder whether Shinichiro Watanabe was trying to be theatrical or just padding the film. Its almost as though they got too good at pacing their own show, which, I suppose is a testament to the original series. Every storyline moved so fluidly and was paced so well that the movie seems sluggish in comparison. The movie's supporting characters aren't all that great, either. Electra is pretty bland, as is the antagonist, Vincent. That's kind of disappointing, since the Bebop crew was able to give so much personality to other lesser characters who had a lot less screen time in the original series (like Indian dude and the card-playing old guys, who both, thankfully, show up in the movie and play pretty cool roles in some scenes). Most of the other supporting cast is just fodder for Vincent to off to make him seem less likable. One thing that's sure to annoy a lot of people is Vincent's pseudo-religious rants and vague creepy-talk. The way that he talks and the way that others talk about him is a bit indicative of Shinji Ikari and Evangelion, but really not as good or interesting. If you look hard enough, you might be able to find some meaning in the symbolism they're trying to impose, but most of the time it will just come off as BS. At least he looks cool, and in the end, that's all that really matters in a villain. Electra, on the other hand, is just your average sterotypical good-lookin' hard-ass female cop-type person that shares a mysterious past with Vincent that really isn't all that mysterious or interesting. But the film is really about Spike and the gang, and none of the principal cast go neglected. Each character has some pretty cool/funny scenes, even Ein and Ed (who I'm sure annoys the hell out of some people). The sad thing is that there's none of the ass-slapping hilariousness of "Mushroom Samba," nor is there any of the frenetic and fast-paced shooting action of "Pierot Le Fou." But we do get to see Spike use his 'leet jeet kun do fighting skillz to kick a fair share of ass. In terms of pacing and character development, the movie comes off as an extended version of "Jupiter Jazz" parts one and two, probably my least favorite episodes, sans any cool character revelations. I guess you can't really expect to learn anything new about the characters since the series tied itself up so nicely. In the end, though, "Knockin' On Heaven's Door" is freaking awesome. It may sound like I've been ragging on it, but that's just because the series is so awesome its hard for anything to hold a candle to it. So does the movie do the series justice? Absolutely, if you're a fan, definitely check it out, but you'd probably have to be a fan to really enjoy it. If the movie were a regular thirty-minute episode, it would be pretty forgettable. Even still, chances are that that's ten times better than most other anime out there.

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