Charlie's Country (2013) Reviews

• A touching tale, Gulpilil's finest hour

  eddie_baggins2014-11-23

  Australia's official submission into this year's Best Foreign Language category at the Academy Awards, famed director Rolf de Heer's raw, uncompromising and impressively beautiful film is easily the most accomplished and important tale to come from our shores in quite some time and acts as a very personal journey for one of our country's most recognisable actors, David Gulpilil. To understand the power of Charlie's Country and the telling nature of its tale, one must look into how the film eventuated and what it harboured for Gulpilil in particular. Despite his success as an actor that started off in Nic Roeg's Walkabout in 1971, Gulpilil had found himself on hard times, the victim as sadly many indigenous people face in the country of alcohol abuse that saw him incarcerated in a federal penitentiary. Friends for many years after their collaborations in 2002's The Tracker and 2006's Ten Canoes (Australian film's worthy of being tracked down) de Heer visited Gulpilil in jail where the seeds of Charlies Country were formed when Gulpilil expressed a great desire to once more work with his friend and director. From there a story that was close to Gulpilil's heart began to be formed and it's where the quiet understated power of de Heer's work stems from. With a mere look, or with the camera following his every move through the vast beauty of the Australian outback or the more scary surrounds of Darwin, Gulpilil commands the screen and de Heer controls this wonderfully, not at all afraid to let Gulpilil's face tell us all we need to know. In what is undoubtedly a match between the actor and the real man, Gulpilil inhabits this man Charlie with a grace and understanding as he struggles to come to grips with his mother country slowly but surely coming under more influence from the white man. This small scale story of one man's trials and tribulations masks a much larger overall problem Australia has at its core regarding the treatment of our indigenousness people and a failure to properly combine the old and the new without losing the connection to the land and customs that for thousands of years have been integral to the culture of these people. All these elements within Charlie's Country play out in such a manner that never becomes overbearing, for there is subtle humour here (water buffalo anyone?) and grace from all involved that gives Charlie's Country not only a heart but a recognisable humanity. It shouldn't be surprising that Charlie's Country is a finely crafted and effective movie, for de Heer has long shown his ability to create memorably moving films and his previous collaborations with Gulpilil are some of the finest ever made in this country concerning indigenous culture. From Gulpilil's award worthy turn (which was rewarded with a Best Actor win at this year's Cannes Un Certain Regard festival), Graham Tardif's beautiful piano score and de Heers professional direction, this is Australian filmmaking and storytelling at its best and a moving portrait of modern day life in the harsh realities of the outback and the lives our indigenous people live in particular. 4 and a half hand crafted spears out of 5 For more movie reviews and opinions check out - www.jordanandeddie.wordpress.com

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• A masterpiece

  wcashley2015-07-09

  This movie provides an insight into a world that is difficult for many people to see or understand. The film is beautifully shot, and the scenes and sounds of Australia are magical. The acting is first rate, and the script is very clever. Many of the things Charlie says to European Australians don't make much sense, but in this movie we are able to understand what Charlie is thinking when he says these things, and so we understand perfectly what is meant by every sentence he utters. The sense of longing, and of loneliness is palpable, as is the passionate love of country. The dance scenes with the children are uplifting and lovely. This is a moving and beautiful film, and a huge bridge for building understanding and empathy for a different and valuable culture.

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• A fantastic movie

  benoitstandaert2014-07-18

  I saw this movie with no real idea what I will discover. It presents the struggle of the aboriginal communities and what they face every day. Turned in South Australia mainly it is supposed to represent the Northern territory at its worst in a way... Humidity, Rain, Harsh sunny day and so on. Oh well except that part the film itself is a great drama about two culture in contradiction and the struggle that goes with as a result. It has some sense of humor (some wink to crocodile Dundee too) but also some hidden message if you can analyze each scene presented to you. Charlies's country will make you laugh, cry (my girlfriend did), revolt you sometimes. It will certainly not let you out of emotions. For some it might be a bit slow to start, but hang on to your seat it is just the way it is supposed to be and if you make it to the end you will end up with lots of material to debate with. A real marvel, a true jewel of simplicity. I really enjoyed this movie and cannot recommend this one enough. If you are Australian or living in Australia go watch this movie. For the rest of the world it might be another story but as a story it still a great one.

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• A David Gulpilil Masterclass

  mistercsays12014-07-12

  The last 12 to 18 months or so have produced some fabulous Australian films - from The Rocket to Mystery Road to Tracks to 52 Tuesdays to The Rover - but it might just be that Charlie's Country usurps them all. Anchored by a superlative performance from David Gulpilil as the titular character, Charlie's Country is a beautifully realised film that explores the plight of Indigenous people living in central Australia through the experiences of a man who finds himself fed up with white fella ways yet somewhat removed from his own family, culture and community. Directed by Rolf de Heer, who co-wrote the screenplay with Gulpilil, this third collaboration between the pair – following Ten Canoes and The Tracker ¬– is perhaps the best work yet from both director and star. Charlie is a man on the margins. He is becoming increasingly disillusioned with his circumstances and his seemingly good-natured banter with the local police carries a bitter undertone. Malnourished and in need of somewhere to live, his resentment deepens when his gun, which he uses for hunting, is confiscated by authorities because he doesn't possess a licence. When a spear he has made is also deemed a 'dangerous weapon' and taken by the same police who call on him to serve as a tracker without ever offering to compensate him for his time, it is obvious that such actions are more about the exertion of authority and power than any genuine desire to keep the community safe. With his patience stretched to the limit, Charlie heads bush in an effort to live like the old ways; a solitary self-sufficient existence. However, with his health failing, he struggles to survive. The second half of the film takes place in Darwin, where Charlie finds himself in trouble with authorities. Some may find de Heer's approach preachy and not particularly balanced, but it is not hard to imagine that the events depicted here are a somewhat accurate representation of how this clash of cultures continues to play out today. Alternating between English and Yolngu, de Heer has created a wonderful portrait of a generally gentle man at odds with the world around him. The cinematography from Ian Jones is lush and evocative, while the sound design of Tom Heuzenroeder and James Currie and the musical score from Graham Tardif combine splendidly to complement the sparse dialogue. In fact, there are myriad shots that seem like still images, the merest of movement within the frame allowing us to absorb the naturalistic soundscape in all its subtle beauty. What the Dutch-born de Heer delivers is an indictment of the relationship between white law and the traditions of Australia's first peoples. It is a slow burn in which the audience is asked to reflect; not only on Charlie's circumstances but how the fallout from this clash of cultures continues to impact upon Indigenous people today. Charlie is searching for something, but he doesn't really know what it is. The drama is laced with genuinely funny moments and the film is never dull despite the languid pace of many scenes. Gulpilil is mesmerising and even the extended shots of him staring silently, seemingly in deep contemplation, are a joy to behold. There is good support from Peter Djigirr as Black Pete and cameos from the likes of Gary Sweet and Dan Wyllie, with Luke Ford burdened with the role of a two-faced policeman. While Bojana Novakovic makes a welcome late appearance as the only white person who affords Charlie any courtesy or respect, this is very much a showcase of Gulpilil's considerable talents. Despite enduring his own well-publicised battles with alcoholism and the law, Gulpilil's reputation has remained intact and this performance only serves to confirm his status as one of Australia's finest ever actors; his Best Actor nod in Un Certain Regard at this year's Cannes Film Festival bringing deserved international recognition. Given that much of what transpires is supposedly drawn from Gulpilil's personal experiences, the events depicted are easy enough to believe if not particularly nice to witness, even from a distance. Having made provocative films such Bad Boy Bubby and Alexandra's Project, this is a much more sedate but no less confrontational effort from de Heer, one of the few contemporary filmmakers to have enjoyed an extended career working in Australia. With Charlie's Country, de Heer has produced a compelling cautionary tale.

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• One of the best pieces of cinema I have seen

  kbor862014-06-13

  This depicts the current situation that the indigenous face as a cultural consequence of invasion in 1788. It is acted out with precision by award-winning David Gulpilil and directed beautifully by de Heer to capture the nature and landscape of regional Australia. A very important piece of Australian history, told in a heartfelt way. Scenes of Northern Territory in Australia are captured exactly how the state is, a humid climate, torrential rains, greenery. There are a few bits of comedy throughout, which are presented in a respectful way. Fantastic show of traditions. Rolf de Heer should be commended again for another fantastic movie. Gulpilil won best actor in Cannes for this, not surprisingly. Every Australian must see.

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