SYNOPSICS
Belphégor - Le fantôme du Louvre (2001) is a French movie. Jean-Paul Salomé has directed this movie. Sophie Marceau,Michel Serrault,Frédéric Diefenthal,Julie Christie are the starring of this movie. It was released in 2001. Belphégor - Le fantôme du Louvre (2001) is considered one of the best Mystery,Fantasy,Horror movie in India and around the world.
A collection of artifacts from an archeological dig in Egypt are brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in a noted Egyptologist, Glenda Spencer, to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor. Lisa, who lives across the street from the museum, follows her runaway cat into the museum after closing time, where she is accidentally given a shock that sends the stray spirit into her body. Soon, Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When "Belphegor" proves more than a match for the Louvre's security forces, renowned detective Verlac is brought out of retirement to find out why the ...
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Belphégor - Le fantôme du Louvre (2001) Reviews
the lesser of all Belphégors
After putting a mummy in a local museum goes through the cat-scan, a metal object in it's brain reacts adversely to the procedure, thus freeing the spirit,or phantom if you will, of the mummy, Belphegor. Due to convenient circumstances, Lisa, who lives close to the museum finds herself possessed by the evil spirit. Soon enough she's stealing the museum's Egyptian treasures out from under their nose. Detective Verlac comes out of retirement to catch the supernatural thief. This is a serviceable enough, if you haven't seen any other incarnations of "Belphégor" before. If you have, I recommend skipping this particular version as it can't help but pale in comparison to the others despite the nice locals and scenery.It plays out like a (slightly) higher budgeted Sci-Fi Original film, and I don't really mean that as a compliment. Eye Candy: Sophie Marceau shows ass & side boob My Grade: C- DVD Extras: none
Better watch the made-for -tv first version!
This is a complete disaster !The cock-and-bull story defies any explanation.The cast is wasted to a fault:I hadn't even recognized Julie Christie until the final cast and credits.Michel Serrault overplays as hell and is almost unbearable.Sophie Marceau is beautiful ,the director does not ask her for more.Jean-François Balmer, a very talented actor is unable to do anything with his empty character.One good line in the whole dialogue:the museum attendant to an old lady :"Mona Lisa?I dunno".One magic moment in a 90 minutes film the screenplay of which could have been written by a ten-year-old: in the graveyard,Marceau bumps into Juliette Gréco who strangely smiles at her:Greco was the first heroine of the miniseries in 1965.This made-for-TV work was first-rate and has worn superbly well today:if you get the chance to see it,please do!Its obsolete charm is inestimable. NB:both the movie and the series were remakes of a silent movie by Henri Desfontaines.(1926)
Ridiculous!
It´s all my fault. They all told me I should avoid seeing this movie because I´m a huge fan of the old TV-series. They were right. While production values are good and the actors themselves (including "don´t look now") Julie Christie aren´t that bad, the whole film displays a cheekiness and self-conciousness that clearly is without any justification. A comparison between the Karloff "Mummy" and "The Mummy Returns 2000" comes to my mind. In fact Belphegore 2000 owes much more to the new Mummy films than to the old series. But then, scripting is terrible, speed there is none and sometimes the film is full of unintentional jokes (The first scene in the tomb looks plain stupid), with cats clearly being thrown when they´re supposed to jump (landing with their backfeet first). Belphegore moves around like a statue on wheels neither impressive nor scary and the psychological drama that unfolded in the old tv series when the heroine had to learn that she´s a villain is completely neglected. This movie is so WASTED (wasted money, wasted actors, wasted blueprint) that it hurts. It´s a below-par Mummy-rip off that´s only good for some laughs but has nothing at all to do with the Greco classic (She has a small role in this movie too - on the graveyard).
good couldve been better
I was very interested to see this movie & i wasnt disappointed. It is better than any other french film & is better than the Mummy in some aspects( at least the mummy looks like a mummy not terminator 2 in his underpants in some scenes). this movie wouldve been better if they gave more info bout the mummy( it had some loose ends). the movies good check it out if you have the chance
The French surrender to the Mummy
This was a pretty dull movie, actually. I think the problem with a French horror film, is that the French must be easy to scare or something, because this movie wasn't just that frightening. The special effects with the mummy's ghost looked like they didn't even belong in the film, as though someone put them in during post-production to spice them up, because the actors barely react to them. The plot just kind of meanders, which is the opposite of real storytelling. I guess this was based on a French TV series, where they had to distill it down to a two-hour movie. The plot is that a mummy is brought out of storage in the Louvre, which apparently has such weak security that this girl and her boyfriend can break into it multiple times. (So THAT'S how people keep stealing the Mona Lisa!) The boyfriend and the police officer from the 1960's version of this film get together and try to exorcise the demon. So I'm not sure if this mummy was supposed to be a bad guy or not. He kills two guards during the course of the movie, but he just wants to get to the afterlife.