36 Quai des Orfèvres (2004) Reviews

• A great surprise !!

  ChevalierBayard2004-11-25

  What a good surprise this movie has been ! I just had to let you know about it as soon as possible As it might not rings any bell in foreigners' head, know that the Quai Des Orfèvres is the familiar name for the Criminal Investigations Division of the Paris Police, located at no. 36. In popular parlance, "Quai des Orfèvres" means to the French what "Scotland Yard" means to the British. Indeed we are here in a thriller, a dark one. The director, Olivier Marchal is a former cop and the story of 36 Quai Des Orfèvres is from real facts from the life of Dominique Loiseau (who co-wrote the script), former member of the BRI (Brigade de Recherche et d'Intervention = Search and Action Squad, the "anti-gangs" squad) in the mid eighties. In this movie we follow the struggle between two cops. On one hand we have Vrinks, BRI's head. Daniel Auteuil, who is one of the most famous actors in France, offers the audience an amazing performance playing this cop who is found of justice, whatever it costs and whatever the methods are to take down the criminals. To reach his ideal of justice he uses to flirt dangerously with the "dark side" taking risks for his family, his life and his career. Anyway it seems his priorities are still in this order. Like the Vincent Hanna of Heat, he just has two lifes he tries to separate: the one at work and the one at home where he doesn't say anything about his work to his wife (played by the beautiful Valeria Golino), just because he's afraid that might make her run away... On the other hand we have Klein, the head of the BRB (Brigade de Répression du Banditisme = Crime Repression Squad, taking care of big robberies and so on) played by a very well known actor, in France but also around the world after a few appearance in Hollywood movies: Gérard Depardieu who seems to have reminded the amazing actor he can be. Depardieu is indeed at his top, playing this ambitious and soured character who reaches power and power only. Tensions exist between these two men who used to be friends. They really don't share the same goals regarding their professional life but it appears quickly that the problem is mostly located on the private front. We don't know exactly what has happened but it seems that a woman, who is now Mrs Vrink, has been between the two of them, breaking for good their friendship long years ago and creating a scare which is still very sensitive today. Their boss Robert Mancini, played by André Dussolier (the narrator's voice in Amélie, here playing perfectly again a role quite similar to the one he had in Agents Secrets), makes these tensions get worse when explaining them that he is about to be promoted. As they are both equally qualified, they are in competition for his replacement. The one who will take down a gang of very violent robbers currently holding up to ridicule the police forces, will be the new head of the number 36, Quai des Orfèvres. And here you know just the starting plot of this movie which benefits of a really really good script. In addition to this perfect script you have a great casting for the main roles but also for the "background characters" who are for most of them unknown actors who will surely be known in a few movies if they continue to play so well and have the luck again to play in such a great film. The rhythm of the movie is also really good and, very unexpected for this kind of production in France, risks have been taken and ... it pays. This movie really takes you in its story and it's a great journey. Olivier Marchal is a former cop yes, but more than that he is also a great thriller movie fans. I've used a reference to Heat earlier and, according to some interviews I've read after having seen the movie, it seems that Olivier Marchal totally agrees with me on the fact Heat is one of the best thriller ever shooted if not the best. He said he wanted to something in the same spirit, all things considered and I had indeed been surprised during 36 Quai Des Orfèvres to think a few times about Michael Man's work. We are far from a Collateral or a Heat but 36 Quai Des Orfèvres doesn't have to get redden in front of these masterpieces IMHO. Fan, honest and humble, Olivier Marchal has delivered us a very efficient and striking thriller who deserves to be classified among the best of the genre. 36 Quai Des Orfèvres is letting me hope that maybe France will be back on the thrillers front, which had been quite deserted after a golden age in the 70's with great directors like Jean-Pierre Melville. I really hope that this movie will be released in foreign countries and that most of you will have the opportunity to see it. An opportunity that I seriously invite you to not miss

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• This was the BEST FRENCH FILM of last year!

  bostonboy2005-07-07

  This is like the French version of Michael Mann's "Heat." Daniel Auteuil and Gerard Depardieu are like the Al Pacino and Robert DeNiro of France. These heavyweight actors really do a good job in this cop drama where they play former friends and colleagues who work in different competing departments at the French police. Depardieu plays a gutless immoral cop. Auteuil is the family man who is not perfect himself but is far more moral than his former buddy. It shows the grit of Paris that people outside France don't usually see in French movies, like the mobs, the gangs, the corruption of the urban ghettos. Instead of pretty cafes and the Eiffel Tower, we get to see alleys and project housing. Italian actress Valeria Golino plays Auteuil's wife. Auteuil's character tries to protect her from the ugliness of his job by not telling her anything. But circumstances beyond their control later on force her to get involved. The director brilliantly puts it all together. I know some people didn't like the ending. I thought it was fine and I was not at all disappointed. The other supporting actors like Andre Dussolier who are all famous in France also do a good job. We really liked this movie and highly recommend it!

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• Terrific policier

  LGwriter492005-04-21

  I had the privilege of seeing this film at the Lincoln Center (NY City) Rendezvous with French Cinema in March 2005 with the director, Olivier Marchal, in attendance. The film stars Daniel Auteuil, Gerard Depardieu, and Valeria Golino. The two male leads play rivals for the position of Chief of Police in the same district of Paris. Depardieu's character is the heavy and the actor does a magnificent job. But so does Auteuil as the "good guy" and Golino as his wife. Marchal both wrote and directed this film, drawing on his former life as, in fact, a Paris cop and based the events in the film on some real occurrences from the 80s in Paris. There are drug dealers and corrupt cops, to be sure, but what gives this film tremendous power is the combination of the superb acting and a tough, smart script. The current chief is in line to a promotion to commissioner and knows the personalities of the two rivals well--so well, in fact, that he engages in some devious manipulative actions to set them against each other. The resulting tension and conflict between these two is what gives the film its tremendous momentum. The plotting is perfect; this film does everything it's supposed to do, and a lot more, to grab the viewer by the throat and not let go until the end. Upon conclusion of the film, the director was bombarded with questions. One of them was whether or not the film has American distribution. One would think that with two French mega-stars like Auteuil and Depardieu, no problem, right? Wrong. Marchal indicated that the film was picked up for distribution throughout the world EXCEPT in the US. It is my fervent hope that some American studio/distributor smartens up and then snaps up this film which is, without question, the absolute best policier in more than 20 years. The last great film in this genre from France was La Balance, directed, interestingly enough, by an American ex-pat, Bob Swaim. That was in 1982. Even Tavernier's L.627, 1992, is not a strong contender. But 36 Quai des Orfevres is the real deal. The title refers to the street address of the district precinct station whose sign, in a nifty opening sequence, is ripped off by...well, you'll just have to see for yourself. Very highly recommended. A great thriller--formidable! (French for terrific).

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• Violent and amazing crime thriller jammed with intense drama , top-drawer performances and spectacular action scenes

  ma-cortes2015-12-04

  Thrilling and intelligent cop thriller about police world , corruption and delinquency ; revolving around two detectives who try to solve a series of armored car robberies in the hopes of landing a promotion promised to whoever catches the perpetrators . A stylish , complex movie driven by two main characters . This exciting film contains action , violence , thrills , treason , suspense and plot twists . Top-notch thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways , it feels like a tribute to ¨Polar¨ genre or French Noir Cinema , full of attractive roles and edge-of-your-seat intrigue . The Police is frustrated by a dangerous band who carries out bold robberies , they are the most famous armed thieves of Paris . But their irresistible rise and sudden fall to be ended with a surprising arrest by a denouncement proceeded by an informer . Leo Vrinks (Daniel Auteuil) and Denis Klein (Gérard Depardieu) are two cops who take on a strong battle of wits . Both , Vrinks and Klein , seeking promotion , and the imminent departure of the superior boss (Andre Dussollier) sets the scene for them to compete for the vacant job . Klein , married to wealthy mistress called Hélène (Anne Consigny) , wishes a rapid work advancement and at whatever cost . Vrinks , encounter with a source , Hugo Silien (Roschdy Zem) , becomes involved with a killing . This meeting to be aware Klein , he then seizes the opportunity to up and manages for the detention of Leo . When Klein viciously involves Vrinks' spouse (Valeria Golino) the happenings go awry . Vrinks returns from prison and he has disowned nothing of his past , as he comes back into his former life and then emerges violence , chases , betrayal and relentless as well as inevitable vendetta . Formula thriller filled with gritty intrigue , crisply edition , tension , suspenseful and lots of violence . It is a flick of interwoven lives structured in two protagonists , crossed by a web of suspense that is resolved in the last story in a surprising finale . Furthermore , a real description about the underbelly of the Parisian criminal world , including a ruthless gang committing a series of violent robberies . The flick revolves around tragic events become complex throughout the movie . The competition between them becomes increasingly hard and blurs the usual lines of ethic and morality , until there seems no difference between police and delinquents they pursue . This serious and truly original film with groundbreaking narrative results to be a fantastically intriguing story of ambition , corruption , deceiving and killing , being very well done , swiftly paced and including a twisted screenplay . The film was noteworthy for casting some of the finest actors in France . Exceptional acting by Daniel Auteuil as an unfortunate cop who executes a merciless vengeance and nice Gerard Depardieu as ambitious police with dark purports . Support cast is frankly good , such as Valeria Golino , André Dussollier , Roschdy Zem , Anne Consigny , Mylène Jampanoï and Daniel Duval as Eddy Valance , a good French actor who played several Noir flicks . And special mention for Mylène Demongeot who long time ago starred several films of all kinds of genres . The picture achieved big success , whose visa d'exploitation in France was #104874 , and it was nominated various prizes César and considered to be one of the best thrillers of the year in which you'll leave the cinema shaken and moved . Thrilling as well as evocative musical score by Erwann Kermorvant and Axelle Renoir who have composed successful films , both of whom elevate the emotion and the intensity of the scenes to new heights . Colorful as well as dark cinematography by Denis Rouden . Olivier Marchal did a formidable job with ¨36th precinct¨ . Olivier then wrote the first draft of the interesting screenplay himself , and so on ; being helped by Franck Mancuso , Julien Rappeneau and Dominique Loiseau . Olivier is a notorious writer/director and he formerly was a police officer . As Olivier Marchal started taking acting lessons when he still was a police officer . He began his career in televisión , appearing in supporting parts or writing scripts for detective TV series . In 1989 when Yves Rénier resurrected his TV series Commissaire Moulin (1976) he became his partner as scriptwriter , series supervisor and sometimes actor . In 2000 he starred as Commandant Pierre Rivière in his own TV series "Police district" (1999) , written by novelist Hugues Pagan , himself also a former police officer . His films are usually played by same actors such as : Gerard Depardieu , Daniel Auteuil , Daniel Duval , Francis Renaud and Catherine Marchal . Olivier Marchal , a great actor/writer/director has directed sensational French thrillers , just like "36th Precinct" , ¨Gangsters¨ , ¨Diamond 13¨, ¨Mr73¨ and ¨Les Lyonnais¨ (2011) as good as this "36 Quai Des Orfèvres" (France original title) also titled "36th Precinct" (international title).

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• Polar Bears

  writers_reign2004-12-25

  Cop turned director is a new one on me but there's always a first time I guess. One thing's sure Marchal has a lot of balls in titling his film as he has and so inviting direct comparison with the only other film to employ as its title the address of the Police headquarters in Paris, Henri-Georges Clouzot's 1947 classic called simply Quai des orfevres without the number which is superfluous. Clouzot's movie is well over 50 years old and featured a more sedate form of detection - Louis Jouvet was not exactly Monsieur Hard Man and, like the man said, the times they are a changing. Marchal, who began taking acting lessons when he was still a cop (so that's how they perfect the good cop/bad cop routine) and went on to play in several TV crime series, has based his story on a real situation, the internicine rivalry in the eighties between the BRI and the BRB, both working out of the Quai. Co-scriptwriter Dominique Loiseau was a player and this is partly his story. The film is dominated by two lions in winter, Gerard Depardieu and Daniel Auteuil recalling Duke Wayne and Bob Mitchum in El Dorado, two ageing pros if not yet over the hill certainly at the summit, so these two craggy bears, polar bears if you will, polar being the French name for gangster/caper/crime films, light up the screen no question about it as the respective heads of the BRB (Brigade de Repression du Banditisme, that's Major Heists to you and me) and BRI (Brigade de Recherche et d'Intervention (we're Gangbusters, Man). There's a history between these two, we're never QUITE told the full story which is a masterstroke, but it involves Vrink's (Auteuil) wife, who may have once been Klein's (Depardieu) girl. To sweeten the pot Mancini (Andre Dussollier) head honcho announces his retirement leaving his job up for grabs; both are equally qualified but it's an open secret that the first guy to nail a particularly violent gang will become the new chief. Auteuil is our Dirty Harry kind of cop, often worse than the villains he's after but he DOES usually get them in the end, Depardieu is a tad choosier but not TOO good to live. To say more wouldn't really add much, I found myself a little intrigued by the long, black leather coats worn by both Brigades, resembling nothing so much as the outfit of choice of the Stasi in East Germany and I HOPE this is an oblique comment on the fact that (England at least) is slowly becoming a Police state. All in all an enjoyable romp and well worth 8 stars.

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