3096 Tage (2013) Reviews

• The human spirit cannot be kept captive

  rohmer-52013-09-03

  I have watched this movie about 2 months ago and was surprised that no one has submitted a review for it yet. In my personal opinion, I think that we should not focus on the saucy news or inappropriate statements made by the cast of the movie as this will wrongly divert our attention from the movie. All movies, whether artistic or commercial, should be viewed as an independent work. I have not read the book but I am sure it was an extraordinary story and to bring it to screen would be a challenge. I am glad the director did it skilfully, not focusing on the abuse of the victim but on her thoughts and feelings. The perpetrator has tried various means to make her give up the hope on freedom, but the human spirit just cannot be kept captive. As humans, we all long for freedom, this is engraved into the deepest part of our soul and nothing can change that, that is why we write books, poems ,composed symphonies ,build monuments and even free a nation. Some shots of the movie let the audience perceive the world through the victim's eyes, and even her thoughts and dreams, you can clearly see although there is so little that she can see, all these glimpse of the world have gradually built up her inner strength. The drastic weight loss of the actress adds a level of realism for the movie and her nakedness make a lot of audience quiver in fear to imagine how much abuse she has taken.

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• Not an easy film to watch

  areatw2016-05-05

  Based on the true story of Natascha Kampusch, a girl who was kidnapped and abused for over 8 years, this film was never going to make for easy viewing. It tells the story as it is and doesn't dodge any of the emotional and physical abuse suffered by Kampusch. The relationship between Kampusch and her kidnapper and how it develops over time is one of the most interesting parts of the story and the film did a really good job at portraying this. Antonia Campbell-Hughes deserves a lot of credit for delivering a strong performance as Kampusch - it must have been a huge challenge, especially given her drastic change in appearance for the role. This is a raw and naturally disturbing film that is not for everybody. I'm glad they made it though and more people are now aware of Natascha's horrific ordeal.

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• A missed opportunity

  Dorveille2014-05-24

  I came to this movie having read Natascha Kampusch's book of the same name, and watched a documentary about the case. In it's favour the events depicted in the film are pretty accurate to how they were described in the book. Wolfgang Přiklopil's house and the cell he built are close to how they really were. But is authenticity enough to make this a good movie? Well, not really. The film feels very flat, there is very little sense of tension or drama, it's just a plodding retelling of the events. Thure Lindhardt and Antonia Campbell-Hughes are fine in the roles of Přiklopil and Kampusch. However, some of the other actors are less successful, and it seems as though some of their voices have been re- dubbed? The main problem with the film is its lack of insight. The film barely explored Kampusch's inner thoughts during the experience, the coping strategies that allowed her to endure the ordeal. And what of Přiklopil? We know nothing really about him, what drove him to do what he did? What happened to him to make him the way he was? The relationship that developed between Kampusch and Přiklopil was complex. She never lost sight that a crime was being committed and that she had to escape, but she also came to sympathise with him, seeing him as a damaged human being. Some have said this story shouldn't have been filmed. I don't agree - but I do think it needed to be handled in a different way. Kampusch's story is an extraordinary one, and it really deserved a film that could do it justice. If you want the full story of what happened, read the book instead.

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• An uninteresting and unengaging portrayal of a true tragedy

  ShowMeTheCredits2014-12-14

  I wanted to watch this film because I was curious about the details of Ms. Kampusch's kidnapping and her life before and after. And partly also, to be perfectly honest, because of the horror of it all. I don't want to label us all as emotional and violence porn freaks for watching this, but there's a certain part of that in it, too. After all, if we all just wanted the facts, then why watch a dramatization? Why not read about it or watch a documentary? The problem with this film is that is satisfies neither desire. I don't feel significantly more enlightened about the facts and the story, and I didn't get much drama. So what's wrong here? Well, with regards to Natascha's life as to before and after her captivity, this film seems uninterested in it. We are offered but a good handful of minutes dealing with her life before her abduction, and the film ends within minutes of her escape. What is focused on is her life as a hostage, and the time spent on this subject is used to play out the intended drama. Which is the second problem of this film. As a drama, it just doesn't work. And a low budget doesn't justify the reasons for that. One of the problems I have with it comes from the decision on shooting it in English. It seems odd, given that it is a European production set in Austria. In more capable hands such a decision is often a non-issue, but here it becomes a real problem accentuated by decisions on casting non-English speaking actors. As a Dane, I should probably be proud to see two Danes in this film, one of them in a leading role. Truth be told, I think they should have stayed at home. It really makes me wonder what reasons are behind casting Thure Lindhart as Mr. Přiklopil when he looks nothing like Mr. Přiklopil, is not a very good actor, and has always looked like a teenage boy. And while Amelia Pidgeon is actually excellently casted as the 10-year-old Natascha, with her striking physical resemblance to her, Antonia Campbell-Hughes is just such an astoundingly bad choice for teenage Natascha, it makes you wonder just how many people were casted as favors between friends rather than on their merits. Antonia Campbell-Hughes, playing 14-year-old Natascha was 31 while filming. I don't know what else to say but, "why?". And why the need to cast an anorectic? We know that Ms. Kampusch was a chubby kid when abducted, and we know that Přiklopil refused her food to make her lose weight. But, the facts are that when Ms. Kampusch escaped, she was 159.7 cm tall and weighed 48 kg. That's a BMI of 18.8, just within the normal range. So why cast an anorectic 31-year-old for this part if not for shock value? And then the real question arises: Why would you need such a walking-and-talking visual (counterfactual) dramatic shock effect when you're telling a story that is already laden with such horrendous facts? The answer in this case is: Because you don't know how to tell a story. Let's forget the semi-amateurish cinematography and directing that all to often manage to undo those rare occasions where the actors actually succeed in performing convincingly, in spite of having been tasked with portraying flat, single- dimensional characters. The real problem is not that 3096 Days is presented like an episode of The Bold and the Beautiful, the real problem is that unlike that soap opera, it fails to portray complex and interesting characters who interact in meaningful ways in a story arc that is well-structured, well-paced and harmonious. 3096 Days presents a series of scenes that dramatize selected moments from the 8½ years of captivity. But as a whole they come out disjointed, failing to create a real sense of continuity. The film rushes and dwells at unfortunate and peculiar times, with the end result being an empathetically dysfunctional viewing experience with no real story progress and very little suspense. We all know what's going to happen, so why are we still watching? The director and script writers aren't offering any good reasons. When you are telling a story that everyone knows already, you focus on the people, and on the details. You find the small story that tells the big story. Sadly, there is no story here. There's not a lot of people, either. What is going on around Přiklopil's house during these years is only really focused on when an outsider intervenes for some reason. For instance, the time spent (clumsily) showing us how Natascha's family are dealing with their lives without her should be counted in seconds, not minutes. But isn't this an extremely difficult task considering the actual events and their all- too-long time span? Yes. Shouldn't I then be lenient with my critique? On the contrary, I think it is only showing disrespect to tell a story like this if you're not capable of doing it properly. Let someone else do it, then. On the positive side, the acting is all right at times. The reconstruction of the surroundings seems to be spot-on judging from police photographs. There are a few effective scenes in the film, most notably one with the just abducted Natascha waking up to face her empty cell, which in its simplicity overwhelms you with the dread and despair she must be feeling. And last but not least, Ms. Kampusch will receive royalties whenever someone watches this film. Bottom line: I didn't get the drama my inner empathy porn freak hoped for, and my curious freak now wants even more to watch an actual documentary on this tragedy.

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• The Trials of the Human Mind

  onlythusfar2013-09-29

  I interpreted from the short synopsis, that I read, that the girl will be free after 3096 days. I think this gave me the courage to watch this film. I wished to see, how she dealt with this horrible experience. Having read the accounts of kidnapped children, I think, that the movie realistically depicts the way children respond to their captors. The sick person, who keeps her captive is well played. I think, that this is a very sober film of one person's horrendous ordeal. I think it is respectful and realistic and tells us a valuable tale about the extent to which others can suffer. Hopefully, it will inspire compassion in us.

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